Pushpaka Vimana
- 1987
- 2 h 5 min
AVALIAÇÃO DA IMDb
8,6/10
4,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is aft... Ler tudoAn unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.An unemployed graduate who coincidentally encounters a rich unconscious man, and takes over his lifestyle by keeping him a prisoner. However, he is in for a twist as a contract killer is after him, assuming him to be the affluent man.
- Direção
- Roteirista
- Artistas
- Prêmios
- 7 vitórias no total
Amala Akkineni
- Magician's daughter
- (as Amala)
Sameer Kakkar
- Rich man
- (as Samir Khakhar)
Ramya Krishnan
- Rich man's wife
- (as Ramya)
Loknath
- Hotel owner
- (as Lokanath)
Prathap Pothen
- Lover
- (as Pratap Potan)
Avaliações em destaque
This is the best comedy-film I've seen ever(Hollywood and Bollywood). This film deserves an award and Kamal Haasan, as well, who acted great for me. The story, I think, is easy to understand for everybody everywhere. A must to see!!!!
After numerous recommendations I finally managed to get a hold of this movie. I appreciate the director's attempt of making a silent movie that is charming, funny but very flawed. As much as I enjoyed it, I would not place it among the best movies. Some of the humour is too tacky for my liking, especially the toilet humour (for example the whole toilet situation with the hostage) and some comic tracks just fall flat. At times, the film moves at a lethargic pace. The Tinu Anand track did not need that much focus. That entire track could have been better left out. Yet, 'Pushpak' remains likable. I loved the irony in the end and that beautifully concludes the poetry of the entire movie. In terms of acting, 'Pushpak' belongs to Kamal Hassan. The actor gets into the skin of the character and nails the part. I never thought of him as one of the best actors in Indian cinema but i admire his attempt at experimenting with different things and he is exceptional in 'Pushpak'. Amla is vivacious in a smaller role. Director Singeetham deserves credit for daring to make a silent film, and one that mostly manages to avoid the clichéd gimmicks. Perhaps this was his homage to the voiceless movies made in the 30s. I loved his use of symbolism and metaphors especially in the end sequence. For the most part, 'Pushpak' is a fun watch and I thin it would have been excellent had the editing been more crisp but there's enough good about it that compensates for the weaknesses.
10sudindra
First of all, if you did not know that this is a silent movie, you will never realize it unless somebody tell you. Such is the brilliant direction, background music and acting. This movie was shot in Bangalore (mostly in Windsor Manor Hotel).
Brief Story: An unemployed young man who lives frugally bumps into a rich unconscious drunkard. He takes the drunkard to his house and gags him and ties him to his cot. He than assumes the drunkard's identity and lives in the drunkard's suite in a luxurious hotel.
Most memorable moments: 1) The way he feeds the drunkard and takes care of his morning chores. 2) The ending
Brief Story: An unemployed young man who lives frugally bumps into a rich unconscious drunkard. He takes the drunkard to his house and gags him and ties him to his cot. He than assumes the drunkard's identity and lives in the drunkard's suite in a luxurious hotel.
Most memorable moments: 1) The way he feeds the drunkard and takes care of his morning chores. 2) The ending
A poor and unemployed youth, played by Kamal Hasan enjoys the good life by stealing the identity of a rich middle-aged drunkard. Pushpak is the name of the apartment-hotel the rich man resides in. While an imposter, Kamal gets to experience a life normally not granted men of his station and meets a beautiful girl and falls in love with her. But, like all good things, this brief excursion into paradise must end.
The movie is set against the backdrop of vast urban unemployment among educated youth in the India of the Eighties. While peppered with numerous comic incidents, the movie is quite serious in adressing its central theme. The glaring contrast between the lifestyles of the rich and the rest is evocative of Indian society. A rich beggar, whose possessions the public tries to scavenge after his death and a bungling killer who gets electrocuted are interesting diversions that do not detract from the depth of the storyline. But, what makes this film a cinematic masterpiece in my opinion is that such a powerful portrait of the times is created without resort to dialogue. This is a silent movie !! It is truly difficult not to be atleast a little moved by the ending.
The movie is set against the backdrop of vast urban unemployment among educated youth in the India of the Eighties. While peppered with numerous comic incidents, the movie is quite serious in adressing its central theme. The glaring contrast between the lifestyles of the rich and the rest is evocative of Indian society. A rich beggar, whose possessions the public tries to scavenge after his death and a bungling killer who gets electrocuted are interesting diversions that do not detract from the depth of the storyline. But, what makes this film a cinematic masterpiece in my opinion is that such a powerful portrait of the times is created without resort to dialogue. This is a silent movie !! It is truly difficult not to be atleast a little moved by the ending.
rare movie that too in the mainstream Indian cinema. a movie with out words, but conveys much more than words can convey. good direction , good screen play , good background score, good acting. the movie has mixed emotions , comedy, sentiment , love. funny way of handling the scenes of unemployed poor guy. how he tastes fortune in impersonation. the craziest scene is how the guy poses that he has more money than the beggar and get insulted as the beggar has more money than him. later after stealing money he goes near the beggar to show of his money and feels sorry to see the beggar dead and people running after beggar's money. even the romance scenes are handled well.
Você sabia?
- CuriosidadesSatyajit Ray, after watching the film, commented "Singeetam Srinivasa Rao has created a love scene around a dead body". He appreciated the film and Kamal Haasan's performance.
- ConexõesReferenced in Crimes Aaj Kal: Murder Most Foul (2023)
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- How long is Pushpaka Vimana?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 2 h 5 min(125 min)
- Cor
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