Krámpack

"Nico and Dani" is as true as a film on adolescence and sexual awakening can get. A key is that the title characters are not sleazy party animals, taking advantage of women and not thinking twice about it (seen more times than one in American teen comedies that are driven by zero morals)...they are not jock-ey savage pigs, but sensitive and confused. Without guidance, reasoning is tough for them...especially because they are searching for who they really are, and this entails coming to terms with their sexuality. The film takes place over a long, blurry muddle of a summer with many wonderful (as well as dark) moments of self-discovery. Dani is left alone for his vacation minusing a sexually frustrated cook/caretaker. He invites a longtime friend named Nico, who is sprightly and refreshing...but also very much in a perplexing state of identity awareness. He tries on homosexuality with Dani, but leans toward the other side when he meets the a great summer girl who he becomes fascinated with. This provokes Dani's envy and sadness and their friendship is tested when he realizes he is gay. Like even the best of summers, ones sexual awakening has its share of fond and bad memories. It is a time to cherish and learn from, although there is pain as well as hapiness...rain as well as sunshine. And the girls of summer always become that distant memory of something special, but left behind for good reasons as well as bad.

I loved this movie - saw it at the Toronto Film Festival - very sweet story about two teenage boys who frequently engage in "Krampack" which is apparently Spanish slang for masturbation. Everything is tastefully done, and the direction, acting and script are first-rate - I really appreciated this film's frankness in depicting its subject matter and not shying away from teenage sex, or use of drugs, drinking, etc. This is how teenagers behave - not some sanitized and artificial version as typically portrayed in most mainstream American c**p. God forbid, some teenage boys actually engage in homosexual experimentation. The main character Dani, very cute by the way, develops a much deeper affection for his friend, Nico, on a summer visit when the parents are away - every night they engage in masturbating each other, growing in intimacy every night. But Nico's affections are directed toward a girl living nearby, and Dani becomes understandably jealous and much conflict and tension ensue. I can't say enough about the quality of the young performances and the writing. Hats off to Cesc Gay, the director, for sticking to his guns and producing this wonderful film about the real sexual tensions that can frequently occur between teenage boys (and girls) when they're being honest with each other. Loved it!

This delightful film, which the Spanish seem to excel at making, just looks at a section of life of two teenage boys sharing a summer together. Good friends, they are at an age where their hormones dictate what they are doing and Nico, who thinks he's much more macho and attractive than he is, wants to lose his virginity before he reaches 17. Very cute Dani likes his friend's company and like many teenage boys discovering their sexuality, these two masturbate each other when female company is lacking. However, two girls Elena and Berta turn up at the beautiful little coastal town and Nico's interest is piqued. Dani, who feels a deep attraction for his friend wants to spend more time with Nico and resents the interference of the girls presence. It's a summer of learning and acceptance for him that he is gay. The acting is superb, so natural and human. Many European films capture this humanity that American films find it difficult to do, because the latter are generally ruled by making money, not for the art form. In Nico and Dani no judgments are ever made, no sensitivities hidden or prejudices espoused, just the sincere and objective exploration of the human condition shown as natural as it occurs in life. People are people, not ridiculous super-heroes in contrived situations. There is also a maturity in European films, with excellent acting that draws you to believe these things are really happening, and the audience is expected to be a mature one too. It's a fresh, happy little film, well photographed and the subject matter intelligently handled. I recommend it.

The film is just a story, but it's very, very good storytelling, and I'd be hard-pressed to explain why it's so good. It has to do partly with the fact that at first we think we know right where it's going, and that the worth will be in how it gets there -- we're amused by Nico's interest in girls, he's obviously gay (right?). What makes the Dani and Nico characters so believable is in the handling of the material, and the very smart decision to not really define anything. It's very realistic about the first sex between boys, and how it so often has to do with sex games (here, masturbation tips).

Before we have a clearer handle on the (differing) sexuality of the two characters, their sex seems to play like this: they see girls, they get aroused, and they take out their sexual frustration on each other. And that works because of the two characters' subtle manner -- Dani's creepy preening, Nico's goofy charm, and how at first it's Nico who seems to be the most "gay" of the two boys, simply because he has precise features and is abnormally skinny. (Like "Edge of Seventeen" or "Beautiful Thing," two of the best gay self-discovery films, the boys here look real.) The emotions, and the past histories of the characters -- like the man whose house Dani goes to, or the woman who, too, had a special girl friend when she was young -- are kept appropriately inexact.

Aside from the talent at passing along this story, there is also a nice feel the film has -- something like a cross between the accessibility of a Western and the human interest of Ingmar Bergman... It's like a funky road trip, with that harmonica music and the very apt photography, as well as the suggestive intertitles of dialogue that will occur later in the film. A comparison between this and "Y tu Mama Tambien," of the following year, would not be in vain. 8/10

I completely missed the boat on this one - KRAMPACK (a.k.a. NICO & DANI) is an excellent film. To temporarily ditch any pretense of objectivity, this was very nostalgic - my adolescence was a good bit more modest, but the experiences and conversations (even the summertime setting) at many points through this film hit close to home. I won't rehash the plot, which is well-covered by previous reviewers here, but I will say that the film really gets the mix of unease and anticipation right in depicting the evolving relationship between Nico & Dani. On this front, it's a five-star gay-themed drama.

The performances are quite expressive and naturalistic - no movie-of-the-week feelgood speeches appear here, and none are needed. The slightest changes in expression (contrast Nico's responses to Dani through the first 2/3 of the film, to his responses during the last 20 minutes or so) convey great warmth and understanding, giving him the ability to reaffirm his friendship with Dani (in a 'positive' statement greater than any speech) even as they both understand by film's end that the dynamic of their friendship won't ever be quite the same.

On this note the film does have something to offer anyone - it's universal without getting saccharine, and deeply committed to the humanity of its' characters. There aren't any complex philosophical or political undercurrents here, but none are needed - the respect and graceful treatment afforded to two ultimately different characters are more than adequate. A fine flick.