Em Busca Do Cara Perfeito

Very nice, easy-going and consistently charming. And still ,looking back, I find it hard to find that something special to remember from the movie. There is simply not very much to make it stand out from every other `romantic comedy' except the fact that the story is about two men! The performances are nicely turned and Ruccolo is charming in his part, as is Doris Roberts, who ultimately makes the biggest impression even though she is only on-screen for about 15 minutes. For a gay-themed movie, there is quite a large budget at work here (at least it looks that way) and that certainly is a nice change from all the grainy, blown-up indy-movies that is too common when the subject is homosexuality. And it has a script that is witty and sympathetic towards its characters, gay or straight, with some hilarious comedy from Eli's psychologist parents as portrayed by Martin and Abatemarco. But nothing new is on display here. Eli, as portrayed by Dan Bucatinsky, comes over as somewhat annoying, even though he should be the most sympathetic of the two main protagonists, mainly because he is unnatural in his wittisisms and one-liners. These lines are penned by Bucatinsky himself, by the way, and while they often are very funny, sometimes they come over as too contrived. And I couldn't escape a certain feeling of shallowness. The movie constantly touches on an interesting issue or storyline, but chickens out before anything goes too far away from the mainstream (as in the story about Tom's parents and his sister, alcoholism). And the biggest damage is done from the fact that nothing very special happens. The plot must have been written on the back of a stamp because basically Tom meet Eli, walks out of Eli, comes back to Eli and so on. But what am I complaining of? It still is nice to see a movie with gay characters acting as normal people. It is sweet, good-natured and watchable. Just not very memorable.

This film is much more than it seems. True to Dan Bucatinsky's vision, it showcases many of the emotional states that any coming together relationship must travel through. That's what really got me, especially the second time around. I could be watching any couple of any gender, any race, any age. I loved that. It showed me myself at various times of my own life. The actors know what they are talking about and we pick up the tiny changes of facial expressions that demonstrate this. The photography is complementary and inventive. We see the first kiss over the shoulder; the vodka falling into oversized "martini" glasses. Ya gotta watch it more than once and you'll catch all this. Kudos to the director, Julie Davis, the well chosen cast (beautiful and funny) and to Dan for everything else. I wish you all great success from here on in! (Dan: Vassar, wow!)

I saw this film last evening at its premier in Boston at our Museum of Fine Arts. It is a well told story, set in a gay context. It is entertaining and has guts to it. It is a good addition to a growing genre of films, which deal with human issues about relationships in a gay/lesbian/bisexual context. The film's writer/leading actor, Dan Bucatinsky, was at the screening. He explained that the film is actually a screenplay version of his own play, which was produced in Los Angeles. The original play was not written in a gay context. The translation works and, as Bucatinsky shared at the screening, it actually expands his work in ways that he found quite fulfilling as a writer/actor. The film's pallet is much lighter than the recent "Urbania", but its themes are just as powerfully portrayed. It is not as goofy as "The Opposite of Sex" (written by this film's Executive Producer, Don Roos), but it has a lot of great laughs. The acting is evenly engaging, with cameo appearances by well known actors. I have intentionally omitted a plot summary. This is a project of love on a small budget. I think anyone who reads this comment can be guaranteed a good film and should go an see it to experience its warmth, humor and intelligence about people in love.

I thought about doing this review long ago (and actually started it at one point), but, well, you know how it is... but I just happened to catch the first hour when I went home at lunch, so here goes.

All Over the Guy is, ultimately, a classic boy meets boy, boy falls in love with boy, boy loses boy, boy gets boy back. In short, the kind of movie I wished for most of my younger life. It is -- yes, let's just say it and get it over with -- sweet. And that's nothing to be ashamed of.

First, a disclaimer -- I have worked with both Rich Ruccolo and Don Roos (I haven't seen either in years)... but that makes my love of this film all the more amazing. I find it difficult to watch films of actors I have worked with because it's hard to separate the character from the person I know. Rich succeeded in making me forget the actor and concentrate on the character of Tom. Tom is at once vulnerable and supremely sexy; you're not sure whether you want to hug him like a teddy bear or throw him down and get wild with him.

Dan Bucatinsky's Eli is perhaps not the polar opposite of Tom he appears to be. Tom almost physically runs from relationships while Eli backs away apologizing the whole time. They both embody the whole kaleidoscope of feelings that most of us have when we meet someone who interests us -- mostly, of course, fear. Fear of falling in love, or of not falling in love. Fear our feelings won't be returned, or that they will.

Personally, I see an enormous amount of chemistry between Tom and Eli. Look at the scene in the flea market, the interaction of their eyes, the body language... here are two guys who are fighting what they're feeling every step of the way (oh, and by the way, Eli is much more forgiving that I would be about the smoking).

The rest of the cast is superb as well, including some great cameo roles. Most of all, the characters of Brett and Jackie are very funny in a superb role reversal -- instead of the ubiquitous second-banana gay best friends, we have second-banana straight best friends.

The only problem I have with the film is the same problem I have with straight versions of this kind of story. How likely is it that people who appear to have such different interests and such volatile emotions will stay together... not to mention Tom's penchant for alcoholism. But then in "Pretty Woman" I just couldn't shake the feeling that this rich guy wouldn't stay with a prostitute long whether she looked like Julia Roberts or not.

Gay cinema has, thankfully, branched out from the early "Oh my God I'm gay I hate myself I can't let anyone find out" films like "Doing Time On Maple Drive." There is a place for gay cinema in every genre. And this film is in a definite class by itself in its genre.

Enjoy!

I've been expressing my distaste of so many gay-themed films to so many friends about how the films portray the men as stereotypical, young, pretty, and FABulous. And worse yet, always throwing in the obligatory drag queen. With the current trend of fantasy lesbianism, the gals are hot and act like everyday people but the gay males are kept in a lower level of being effeminate and weak. This of course is because heterosexual males only feel safe if the gay men aren't portrayed as masculine (that's why so many of the straight guys are terrified of Cruising, seeking comfort in the delusions of The Man Show and Howard Stern).

All Over The Guy is a film that breaks the barriers and focuses on issues of intimacy and finding ways to communicate -- and it's a big shame it didn't get the major distribution it deserves as it is right on the mark and so much more enjoyable than the endless line of circuit boy romances being released. Yes, there is a LOT of bickering and arguing going on between all the characters in this film, and that may become tiresome and turn some viewers off. But when you really listen to what they say, understand their backgrounds, and realize that this is the kind of thing that really does occur between friends everyday, it makes for fascinating entertainment. The dialogue is sharp and quick and not in the campy way, but in the way that friends who know each other can convey in codes and gestures without a lot of extra narration. This film is chock full of HONEST dialogue. I know some will compare this to an R-rated type of Will & Grace, but the big difference here is the characters in All Over The Guy are very real and have much more dimension than the sitcom offers. It doesn't dwell on stereotypes for laughs, and even in a speach by Richard Ruccolo about the film In & Out was one the TRUEST things I've ever heard about Hollywood and how mainstream "gay" films are so horrible. His character Tom is actually a bit rough around the edges and is refreshing because he's not portrayed as a youth obsessed club type. Dan Bucatinsky's character of Eli may be well groomed, but he isn't snapping his fingers and saying "girlfriend" ...these guys are just regular men, and it is comforting to know that someone out there knows the truth that many gay men are just as average as most people. Besides, Eli loved Planet Of The Apes memorabilia and that's a nice change from the usual cliched obsessions . I have always thought Adam Goldberg was a cool actor, and his involvement as Jackie's love interest was wonderful, as was Sasha Alexander as Jackie -- I sure wish I had her as a friend! Good moments from Christina Ricci, and Doris Roberts was perfect (wow, can she cuss too!). I just wish Lisa Kudrow was given a little more to do! Joana Kerns was a nice surprise and as always, I WORSHIP the ground Andrea Martin walks on, she's one of the funniest women around.

It's one of the only films I've seen that touches on issues that I've been trying to get so many people to understand: how so many assume gay men are only looking for quick sex and that when you get two guys together, it is assumed that one certain type of sexual act will occur. All Over The Guy discusses definitions of sex and the importance of intimacy and it's refreshing to see it handled in a manner that doesn't come across as preaching.

For me, I was extremely impressed by the choice of music. Instead of diva tunes from Cher and others like that (gawd, we don't all listen to Streisand or the latest flavor of the month "Destiny's Child" type group), there are very good rock songs by David Gray, The Jayhawks, Matthew Sweet and others that help keep the story grounded in reality. Even the club-type "Future Love" tune during one scene was more akin to a B-52's song than the fluff that saturates Queer As Folk's soundtrack.

It gives me great hope when I see a breakthrough film like All Over The Guy. It's for everyone, as this is not exclusively a "gay" film. I just hope that other film makers will see this one and learn that you don't have to make a flamboyant dragfest or youth worship type of film in order to involve a gay element. This is impressive filmmaking and funny, funny stuff!

And don't forget about Joan Van Ark in "Not Without My Nosejob" (wink wink)!