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An average episode of Mr. Show began with one idea and, by the end, returned full circle to that original idea. Run Ronnie Run follows that cycle. Ronnie Dobbs was first introduced in the first Mr. Show episode, and now years after the show was cancelled, we return to Ronnie in his very own movie to close the circle.

The movie, as an inside joke filled with many inside jokes that only fans of the show will get, is a disappointment. Many situations can only be fully appreciated if you have seen the series from HBO. Those who haven't will find themselves wondering why so many jokes fell flat. For those who have seen the full series, we find ourselves wondering, once again, why so many jokes fell flat.

The movie, a loose plot based on one portion of the first Mr. Show episode, anchors a handful of poor skits that just don't have the wit or anti-establishment humor that the series showcased.

At three times the length and only half the jokes of a Mr. Show episode, it makes sense that Run Ronnie Run has been sitting so long waiting for someone to take a chance on distributing it.

Not bad but...clearly either a case of too many cooks in the kitchen or massive studio interference marred what could have been a real blast of a comedy based on the cult favorite show MR. SHOW'S most enduring sketch.

After viewing the DVD's deleted scenes section is becomes very clear that a truly hilarious film does exist somewhere in there (including a much better ending, and a great rant by David Cross inspired by a similar one he did on the very first HBO episode of the t.v. show) but as it is the film is fun and occasionally very funny but often only passably amusing. Some inspired cameos, especially the one featured in the Broadway Musical rendition of Ronnie's life story which I will not spoil for you here, some nods to the stream of consciousness style of the show itself and of course all the familiar cast faces (Bob and David in particular) help elevate this endeavor, but as a long time fan who has seen every episode of the source of this movie, HBO's t.v. show "MR. SHOW", multiple times, I have to say the end result is a bit of a let down. Don't get me wrong, it's enjoyable, but it's hard not to wish another cut could be made that includes more of the cut material. That along with cutting a bit of David Koechner's part (and he is pretty funny here, like he usually is, but less would be more in this case), or maybe losing his narration altogether, would really put this flick up where it should be. A mistake early on in the general concept of the movie was made when Ronnie was made more likable than his television version. The film suffers a bit from sentimentality as a result and loses a lot of the MR. SHOW bite. This new sentiment could have still worked, however, if the cuts to Koechner's character and the reinsertion of the deleted scenes (including even more that's featured in the trailer but aren't even in the deleted scene section) could have been made. Seeing how neither is even remotely likely, I'll just have to go on wishing, and enjoy the picture for what it is, a flawed attempt that is still a must see for fans. Here's to some alternate cut turning up one day, grainy and edgy...which is really the way MR. SHOW is meant to be anyway!

A swamp of wasted comic ingenuity, Run Ronnie Run has about 10 minutes of clever, even hilarious parody to its name before being cleaned out of laughs. For the remainder of the time, this Sundance handout spun off from David Cross and Bob Odenkirk's hilarious HBO program Mr. Show With Bob and David, stumbles along, confusing with trendy and audacious all the infantile throwaways and pop culture references that it tediously stretches to frame its running time. Camouflaged behind a bulletproof mullet, Cross plays the Ronnie in question, a beer-gorging deadbeat hayseed who whiles away the hours wreaking havoc on his Georgia hometown. His exploits are caught on tape by a Cops-like reality show called Fuzz, and he's noticed by pathetic infomercial personality/inventor Terry Twillstein, played by an astute Bob Odenkirk, who sees Ronnie's popularity with lowbrow viewers. He promotes the idea to TV executives for a show in which he is arrested in a different city each week. The show becomes phenomenally successful, making Ronnie rich and famous, surprise surprise.

But while the text isn't up to Mr. Show's lofty benchmark, some big laughs do emerge, as when Hollywood stars beseech Ronnie to rob them, or when Ronnie's one semblance of soul-searching on death row involves his last meal: waffles, squarely nosing out corn dogs. Cross and Odenkirk, who ultimately disowned this movie, hardly reproduce a shred of the wit of any one of various sundry sketches from their show, but David Koechner has some time here to do his thing as an illiterate alcoholic redneck moron and Sarah Silverman Program regular Brian Posehn is one of the writers.

Ronnie's guilelessness is essentially a one-dimensional gag. Cross can be hilarious, but he's just more fitting when he's bald. Here his act is eclipsed by the innumerable celebrity cameos such as Jack Black, Trey Parker and Matt Stone, John and Rebecca Romijn Stamos, Ben Stiller, Jeff Goldblum, Mandy Patinkin, Kathy Griffin, etc., and episodes which don't follow at all from the premises, including one that reveals the "gay conspiracy" overseen by Patrick Warburton and forces them to give up their plot for world domination. It's completely non-sequitary in the film, and it's particularly memorable.

Almost four years after HBO unceremoniously stopped running "Mr.Show with Bob and David",many of the producers,cast and crew of the show came together to make a feature-length movie about arguably one of the more memorable characters created on it:Indominable shirt-less redneck ne'er-do-well Ronnie Dobbs(David Cross,in one of the best showcases of his talent). This effort is a treat to those who enjoyed the show and/or the character,but I imagine the appeal is fairly limited.

This film is sort of a Rags-to-riches story,telling of just how Ronwell Dobbs went from ordinary,below-average intelligence hoodlum from rural Georgia who has a penchant for getting in trouble with the law,to a national and international celebrity and anti-hero,due much in part of the grooming of prissy,disgraced English film producer and failed inventor Terry Twillstein(Bob Odenkirk,who doesn't seem to get employed enough for my money). Terry gets his chance to groom Ronnie when the local sheriff in Ronnie's home-state(M.C.Gainey)makes a deal with Terry to take Ronnie off his hands. From there,Ronnie goes about finding creative new(and old)ways to get arrested in every state in the nation and many cities of many countries around the world. He,naturally becomes hugely rich and,as wealth is often to do to people,makes Ronnie an even bigger irresponsible ass than before.

Chock-full of cameos,ranging from former "Mr.Show" cast members such as Mary Lynn Rajskub(as herself),Sarah Silverman and Brian Posehn to non-show affiliates such as Jeff Goldblum,Matt Stone,Trey Parker,Scott Thompson,Mandy Patinkin,Jeff Garlin,Dave Foley,Andy Richter and Garry Shandling,this film is funny and loose,but it seems to be sort of an odd fit for the material it's presenting. Anyone familiar with "Mr.Show"knows that the sketches and characters had no end and merely blended into the next segment,simply to wrap around and come back to the host segment,whereas this movie has to flesh out a story that initially had one,maybe two segments of about seven minutes in length and make it into a full 90 min. film. It works just well enough as is,but it does kinda feel like writers Odenkirk and Cross and director Troy Miller were getting bored with the story and wanted to create a quick resolution to it. Granted,this show works no worse than just about any SNL sketch that got green-lighted in the past(Night at the Roxbury,anyone?),but having been a fan of the original show,I suppose I expected more.

As it is,it's a great showcase(as said earlier)for Cross and a tantalizingly sharp skewering of current television standards and what makes a celebrity in this culture.

Obviously this movie isn't as good as the t.v. show was, but it IS scarce, precious Mr. Show product. You have to take what you can get. I've watched the 24 episodes of Mr. Show many times. We all know that most of them were just brilliant. The problem is, 24 episodes isn't enough. Consequently, even though I had read the accounts of how New Line allegedly butchered this film in the editing room, I had to buy it when I saw it on the rack in the store.

Basically, you have to wade through a lot of bland, unoriginal material to find those small islands of greatness that recall the best of Mr. Show. The "Three Times One Minus" One video was fantastic, for instance. Those were among the funniest characters they created on Mr. Show, and their presentation here improves on what we had seen before. It was a great example of how having a full film crew and a studio budget permitted a more elaborate rendering of a great idea.

Perhaps one defect in this movie that is not New Line's fault was the decision to make Ronnie Dobbs the focus of the story. Ronnie Dobbs was NOT one of the better characters from Mr. Show. The first of the two skits in which he appeared (season 1) was very broad and way below the intelligence of the usual Mr. Show skit. It was SNL quality (which is to say poor). The second Dobbs skit (season 3)--the musical one--was actually pretty funny, especially David Cross' song (which Mandy Patinkin sings in the film), but even so there isn't really enough in the character to support an entire film. The decision to base the film on Dobbs is a bit surprising for the additional reason that Mr. Show prided itself on not relying on a stable of established or recognized characters. They were too classy, unlike SNL, to turn to a "Wayne's World" or "Church Lady" every week just to milk out a few undeserved laughs based purely on audience recognition. I would have expected Bob Odenkirk and David Cross to write a film script based principally on new characters (with some from the t.v. show maybe appearing once or twice in smaller roles). Surprising.

Ultimately, though, the price is worth it for die hard Mr. Show fans dying for some additional material; just don't hold out hope for a movie on par with the series. You'll get your money's worth based on Three Times One Minus One and Jack Black's cameo alone (and I usually think Jack Black is wildly overrated).

A final observation: the appearance of Jeff Goldblum in this movie confirms something I suspected ever since he narrated (without credit) the Civil War Re-enactment skit in the television show; he must be a fan of Bob and David's.