Uma jovem que se reinventou como uma socialite de Nova York precisa voltar para sua casa, no Alabama, para obter o divórcio de seu marido depois de sete anos de separaçào.Uma jovem que se reinventou como uma socialite de Nova York precisa voltar para sua casa, no Alabama, para obter o divórcio de seu marido depois de sete anos de separaçào.Uma jovem que se reinventou como uma socialite de Nova York precisa voltar para sua casa, no Alabama, para obter o divórcio de seu marido depois de sete anos de separaçào.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 6 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Sweet Home Alabama" conceived as a simple "star vehicle" for Reese Witherspoon is advertised as a "romantic comedy". It's is quite formulaic, and surely no one entering the theater (or renting the video or DVD)has any doubt as to with whom Reese's Melanie Charmichael (Smooter) will end up with when the closing credits start to roll.
Herein lies the basic fault, however, with this interpretation of a tried and true plotline: by the end of the film it seems apparent that both of the two men in Melanie's life would be far better off without her. After accepting a proposal of marriage by the handsome and ambitious son of the May of New York City, Melanie proceeds back home to Alabama to finalize her divorce from her high school (and childhood) sweetheart, whom she abandoned seven years before, but has refused to sign the divorce papers. Upon returning to her modest roots (at variance with the more gentile upbringing she has led her New York friends and followers to believe) she insults her parents and old friends, becomes drunk (and mean) and vomits into her former husband's truck; let the hilarity ensue! In the meantime, in the part of the movie where the new fiancee is supposed to be revealed as boorish, vain and superficial, quite the opposite occurs, and the viewer is left with a very sympathetic view of the upperclass New York society man, who truly loves Melanie, and forgives her untruthfulness. Melanie's former husband, having set out to win Melanie back by making a success of himself in the intervening years discovers her to be the shallow superficial snob of the movie. Why then, would he want her back? Why did Melanie make up the story of a plantation upbringing anyway? She's just a conniving, lying, scheming, mean drunk.Where is the romance? Where is the comedy? Certainly not in Alabama.
Herein lies the basic fault, however, with this interpretation of a tried and true plotline: by the end of the film it seems apparent that both of the two men in Melanie's life would be far better off without her. After accepting a proposal of marriage by the handsome and ambitious son of the May of New York City, Melanie proceeds back home to Alabama to finalize her divorce from her high school (and childhood) sweetheart, whom she abandoned seven years before, but has refused to sign the divorce papers. Upon returning to her modest roots (at variance with the more gentile upbringing she has led her New York friends and followers to believe) she insults her parents and old friends, becomes drunk (and mean) and vomits into her former husband's truck; let the hilarity ensue! In the meantime, in the part of the movie where the new fiancee is supposed to be revealed as boorish, vain and superficial, quite the opposite occurs, and the viewer is left with a very sympathetic view of the upperclass New York society man, who truly loves Melanie, and forgives her untruthfulness. Melanie's former husband, having set out to win Melanie back by making a success of himself in the intervening years discovers her to be the shallow superficial snob of the movie. Why then, would he want her back? Why did Melanie make up the story of a plantation upbringing anyway? She's just a conniving, lying, scheming, mean drunk.Where is the romance? Where is the comedy? Certainly not in Alabama.
It's pretty easy to see where the storyline is going from the outset but it remains an enjoyable story with plenty of smiling throughout and entertaining moments. An easy going film which I've been able to watch a few times now and still enjoy, so it must be doing something right!
I cannot envision anyone but Reese Witherspoon as Melanie, a snooty-but-lovable up-and-coming New York City fashion designer from Alabama who receives a marriage proposal from the prominent, well-bred son of the mayor of New York. Of course, this means that she must go back to the small town where she was raised to demand a divorce from Jake (Josh Lucas) - seven years after walking out on him.
Aside from being a love story, this film shows us that you cannot escape your past, no matter how hard you try. Everywhere she turns Reese's character is beset by the people and events of her youth. Old friends seem almost compelled to reminisce about their youthful escapades. She just cannot seem to get away from it. You really get a sense of how she must feel when you see her in the honky-tonk bar, surrounded by rednecks with no visible exit.
Witherspoon is right at home in the role as a smart, sassy young woman ala 'Legally Blonde'. However the real star of the show is Josh Lucas. His expressive face lends an authenticity to Jake that transcends the stereotypical former football star and produces a charismatic, likable guy who just wants to win back his girl. But if it is stereotypes that you want, they are there to be found. Most prominent is the mother of Reese's fiancé, played by Candice Bergen. She is one tough politician who is as cold as ice and predictably obsessed with her public image. Others include the independent, feminist girlfriend, the redneck buddies and a gay fashion designer.
Director Andy Tennant also likes to deal with some classic historical and societal conflicts in this movie, such as the North versus the South. In addition to numerous Yankee/redneck jokes, Witherspoon's dad (Fred Ward) is involved in the regular reenactment of a Civil War battle. Tennant also seems to be a fan of love's ability to prevail in the face of these conflicts. His film 'Ever After' has a similar theme it deals with the struggle between nobility and commoner during medieval times. Specifically, it is about a Prince who falls in love with a peasant girl. Despite the odds, their love overcomes this obstacle.
If you like romantic comedies, you should like this film. Despite its flaws this movie is upbeat, entertaining and it comes with a lesson about the futility of trying to escape your past that might prove invaluable to some audience members.
Aside from being a love story, this film shows us that you cannot escape your past, no matter how hard you try. Everywhere she turns Reese's character is beset by the people and events of her youth. Old friends seem almost compelled to reminisce about their youthful escapades. She just cannot seem to get away from it. You really get a sense of how she must feel when you see her in the honky-tonk bar, surrounded by rednecks with no visible exit.
Witherspoon is right at home in the role as a smart, sassy young woman ala 'Legally Blonde'. However the real star of the show is Josh Lucas. His expressive face lends an authenticity to Jake that transcends the stereotypical former football star and produces a charismatic, likable guy who just wants to win back his girl. But if it is stereotypes that you want, they are there to be found. Most prominent is the mother of Reese's fiancé, played by Candice Bergen. She is one tough politician who is as cold as ice and predictably obsessed with her public image. Others include the independent, feminist girlfriend, the redneck buddies and a gay fashion designer.
Director Andy Tennant also likes to deal with some classic historical and societal conflicts in this movie, such as the North versus the South. In addition to numerous Yankee/redneck jokes, Witherspoon's dad (Fred Ward) is involved in the regular reenactment of a Civil War battle. Tennant also seems to be a fan of love's ability to prevail in the face of these conflicts. His film 'Ever After' has a similar theme it deals with the struggle between nobility and commoner during medieval times. Specifically, it is about a Prince who falls in love with a peasant girl. Despite the odds, their love overcomes this obstacle.
If you like romantic comedies, you should like this film. Despite its flaws this movie is upbeat, entertaining and it comes with a lesson about the futility of trying to escape your past that might prove invaluable to some audience members.
Reese Witherspoon terrific heartfelt performance makes this movie work. I originally had my doubts about seeing this one but I bought the DVD and I highly enjoyed the movie. Reese Witherspoon has good chemistry with both Patrick Dempsey and Josh Lucas. The film although predictable is full of funny moments and a lot of heart.
I am glad I didn't listen to critics and watched this movie! It is a very good movie with charm, humor, sadness and most of all, genial acting! Reese Witherspoon and Josh Lucas are the two characters that you can relate to. Especially the dog part is very fun. I think what makes this movie good is that it is a story you can relate to, but made with humor. Yet there are a part sadness in the story.
It begins with that Melanie is asked by the son of the mayor if she wants to marry him. Then she says yes, but she has things to make up and decides to go down to her hometown in Alabama to get a divorce from her husband who she hasn't met for years, not after she lost her child and he was drunk on their wedding.
The concept and plot is very smart, when the tone is told with humour even in situations that are serious. In fact, if the movie hadn't humor, it had been falling apart. The humor is lifting the story to a little more than just good. It is so fun, so full of genial and amusing characters, excellent acting and an excellent ending. Maybe a movie that mostly girls like to watch, but anyway a good movie.
It begins with that Melanie is asked by the son of the mayor if she wants to marry him. Then she says yes, but she has things to make up and decides to go down to her hometown in Alabama to get a divorce from her husband who she hasn't met for years, not after she lost her child and he was drunk on their wedding.
The concept and plot is very smart, when the tone is told with humour even in situations that are serious. In fact, if the movie hadn't humor, it had been falling apart. The humor is lifting the story to a little more than just good. It is so fun, so full of genial and amusing characters, excellent acting and an excellent ending. Maybe a movie that mostly girls like to watch, but anyway a good movie.
Você sabia?
- CuriosidadesThis was first film to shoot in New York City after the September 11, 2001 attack on the World Trade Center. Specifically the second week of October 2001.
- Erros de gravaçãoAt the reception at the end of the movie, Mel's dress is clean and dry. On the beach just before, it was dirty and wet from the storm and sand.
- Citações
Melanie Carmichael: The truth is I gave my heart away a long time ago, my whole heart, and I never really got it back.
- Cenas durante ou pós-créditosDuring the end credits some photos are shown with the cast. In a sequence of them Melanie's parents are "scared" by a punk with a pierced tongue, Mel's co-worker from the beginning of the movie, who comments on her accent when she dreams.
- ConexõesEdited from John Henry (2000)
- Trilhas sonorasBring on the Day
Written by Amy Powers and CJ Vanston
Produced by CJ Vanston
Performed by Charlotte Martin
Courtesy of The RCA Records Label
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Sweet Home Alabama?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 127.223.418
- Fim de semana de estreia nos EUA e Canadá
- US$ 35.648.740
- 29 de set. de 2002
- Faturamento bruto mundial
- US$ 180.622.424
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente