Adicionar um enredo no seu idiomaEleven souls, trapped in an underground carpark, are attacked by deadly, remote controlled toys. Only a few will survive.Eleven souls, trapped in an underground carpark, are attacked by deadly, remote controlled toys. Only a few will survive.Eleven souls, trapped in an underground carpark, are attacked by deadly, remote controlled toys. Only a few will survive.
Fotos
David Will No
- Colonel
- (as David No)
Avaliações em destaque
Subterano (2003) is an Australian movie that I recently found on Tubi. The storyline follows eleven strangers who find themselves randomly in a car garage. They don't know how they got there but as they start investigating their surroundings they discover robots, creatures and people from the future that wants to kill them. Is there any hope for escape and getting back home?
This movie is written and directed by Esben Storm (Deadly) and stars Alex Dimitriades (Ghost Ship), Tasma Walton (Mystery Road), Alison Whyte (Satisfaction), Janet Edwards (Smokin Aces) and Jason Stojanovski (Beat).
This movie is wild and I couldn't tell if it was purposely trying to be a "so bad it's good" project or not. The action sequences are very uneven as are the kill scenes. There's a couple scenes that made me smile, but for the most part there's nothing special here. Some of the costumes and technology depictions were cool and the ID opening was hilarious. The aciting was very mediocre and the villain at the end was awful and entertaining at the same time.
Overall, this is a bad movie that I'd recommend skipping. I'd score this a 3/10.
This movie is written and directed by Esben Storm (Deadly) and stars Alex Dimitriades (Ghost Ship), Tasma Walton (Mystery Road), Alison Whyte (Satisfaction), Janet Edwards (Smokin Aces) and Jason Stojanovski (Beat).
This movie is wild and I couldn't tell if it was purposely trying to be a "so bad it's good" project or not. The action sequences are very uneven as are the kill scenes. There's a couple scenes that made me smile, but for the most part there's nothing special here. Some of the costumes and technology depictions were cool and the ID opening was hilarious. The aciting was very mediocre and the villain at the end was awful and entertaining at the same time.
Overall, this is a bad movie that I'd recommend skipping. I'd score this a 3/10.
...since all of the originality this script needed really IS "buried!" At least it is another opportunity to see the chiseled talent of Alex Dimitriades at work, though a bit of a letdown after his career-making performance in the searing indie HEAD ON.
Set in a future where VR video games aren't just a way of life, but have infused nearly every aspect of pop culture, (in other words, not all that different from today), Dimitriades plays one of the underground rebels of a faction known as the "Orphans Of The Revolution." It all gets kind of "JUDGE DREDD-meets-THE-MATRIX" from here, so I'll just skim over what passes for the "finer points." Having escaped an execution date with the help of an old flame (Tasma Walton), both renegades find themselves in the wrong place at a VERY wrong time, trapped in the parking deck of a high-rise with several other unlucky people.
Because living in this high-rise is the part-time sociopath/full-time "daddy's boy" who has just perfected a VR game called...you guessed it, SUBTERANO. Sonny has one of those dysfunctional relationships with his dad, and therefore has channeled all his hate, frustration and aggression into a game that has now transcended its VR origins and become part of the real world...and the captives in the parking deck must now play for their lives, or suffer the deadly consequences.
It certainly sounds more interesting than it is, and it isn't hard to believe that it actually sat on a shelf two years after its completion. I always wondered how movies would begin to reflect the tech advances in special effects achieved with THE MATRIX, and in its own just-okay CGI work, SUBTERANO reflects the very beginnings of the beneficial influences reaped by low-budget projects from the much superior forerunner.
Unlike CUBE, to which SUBTERANO bears more than just a passing resemblance, the characterizations are not as fully realized, so to the actors' credit they do at least manage to keep us interested before the "game" dispatches most of them. The dialogue at best never rises above soap-opera level, which makes one wonder how much time was spent on the script development as opposed to the special FX (which obviously gobbled up most of the film's meager budget.) Once you get past the somewhat tedious set-up in the first third of the movie, SUBTERANO does get curiously watchable afterward. A few trims here and there would probably make it more palatable for kids with a PG-13 sensibility. As it is, it's a fairly harmless piece of late-night fodder when nothing else is on.
(Note to Alex and Tasma: fire your agents and get new ones.)
Set in a future where VR video games aren't just a way of life, but have infused nearly every aspect of pop culture, (in other words, not all that different from today), Dimitriades plays one of the underground rebels of a faction known as the "Orphans Of The Revolution." It all gets kind of "JUDGE DREDD-meets-THE-MATRIX" from here, so I'll just skim over what passes for the "finer points." Having escaped an execution date with the help of an old flame (Tasma Walton), both renegades find themselves in the wrong place at a VERY wrong time, trapped in the parking deck of a high-rise with several other unlucky people.
Because living in this high-rise is the part-time sociopath/full-time "daddy's boy" who has just perfected a VR game called...you guessed it, SUBTERANO. Sonny has one of those dysfunctional relationships with his dad, and therefore has channeled all his hate, frustration and aggression into a game that has now transcended its VR origins and become part of the real world...and the captives in the parking deck must now play for their lives, or suffer the deadly consequences.
It certainly sounds more interesting than it is, and it isn't hard to believe that it actually sat on a shelf two years after its completion. I always wondered how movies would begin to reflect the tech advances in special effects achieved with THE MATRIX, and in its own just-okay CGI work, SUBTERANO reflects the very beginnings of the beneficial influences reaped by low-budget projects from the much superior forerunner.
Unlike CUBE, to which SUBTERANO bears more than just a passing resemblance, the characterizations are not as fully realized, so to the actors' credit they do at least manage to keep us interested before the "game" dispatches most of them. The dialogue at best never rises above soap-opera level, which makes one wonder how much time was spent on the script development as opposed to the special FX (which obviously gobbled up most of the film's meager budget.) Once you get past the somewhat tedious set-up in the first third of the movie, SUBTERANO does get curiously watchable afterward. A few trims here and there would probably make it more palatable for kids with a PG-13 sensibility. As it is, it's a fairly harmless piece of late-night fodder when nothing else is on.
(Note to Alex and Tasma: fire your agents and get new ones.)
In Australia, a majority of films have to go through the Australian Film Finance Corporation before production. That usually means that Aussie flicks are underfunded, and Subterano is no exception. I tried to like this film. As an Aussie, I felt that I had a duty to like this film. But I couldn't. The script is terrible, the plot is unsuspenseful and you could really care less about the characters.
Sci-fi wise, Australia has had some success with 'Escape from Jupiter'. That was a children's TV series practically unheard of outside of Australia. And, in reality, Subterano is nothing more than an overbaked form of that, with little in the way of budget and creativity. Avoid this film at all costs. I remember saying that this is, without a doubt, proof that Australia should stay away from science fiction cinema. And I stand by that.
Sci-fi wise, Australia has had some success with 'Escape from Jupiter'. That was a children's TV series practically unheard of outside of Australia. And, in reality, Subterano is nothing more than an overbaked form of that, with little in the way of budget and creativity. Avoid this film at all costs. I remember saying that this is, without a doubt, proof that Australia should stay away from science fiction cinema. And I stand by that.
Seriously!
Sometimes i just get the feeling that the whole movie industry is after my mental health. Someone could ask why? well the aswer is really simple > movies like SUBTERANO. When "wannabe" sci-fi flicks go bad this is a good sample what happens, totally lost script, bad acting, bad catch, bad cpu animations, bad sounds, and last, but not least bad atmosphere.
I do not recommend this movie nor will i ever say it is good, i will simply poke my eyes blind next time i even hear someone say "subterano", i mean HOW BAD CAN MOVIES GET REALLY?
Sometimes i just get the feeling that the whole movie industry is after my mental health. Someone could ask why? well the aswer is really simple > movies like SUBTERANO. When "wannabe" sci-fi flicks go bad this is a good sample what happens, totally lost script, bad acting, bad catch, bad cpu animations, bad sounds, and last, but not least bad atmosphere.
I do not recommend this movie nor will i ever say it is good, i will simply poke my eyes blind next time i even hear someone say "subterano", i mean HOW BAD CAN MOVIES GET REALLY?
In a future society apparently ruled by virtual games, Conrad (Alex Dimitriades), the leader of a revolutionary group called "The Orphans of the Revolution", escapes from the guards when he was going to be executed, and with the support of his girlfriend Grace Stone (Tasma Walton), he goes to the last level of a parking garage trying to escape to a sanctuary. However, the garage is shutdown by a crazy teenager that has developed a new version of a deadly game called Subterano, and Conrad and Grace, with four teenagers, a security guard and an elder accountant have to play the game and fight to survive.
What a crap is the screenplay of this low-budget movie! Indeed it is a silly game, with no development of the characters, the place and time, and even their motives, being a complete mess. The imbecile writer uses a shallow situation, indeed a rip-off of "Logan's Run"and "The Running Man", and a director uses some computer effects and makes this movie. The good point is the beautiful unknown actress Tasma Walton, who has a good performance. In the end, if the viewer shuts-down his or her brain, it may be a watchable movie for killing time only. My vote is four.
Title (Brazil): "Subterrâneo" (Ünderground")
What a crap is the screenplay of this low-budget movie! Indeed it is a silly game, with no development of the characters, the place and time, and even their motives, being a complete mess. The imbecile writer uses a shallow situation, indeed a rip-off of "Logan's Run"and "The Running Man", and a director uses some computer effects and makes this movie. The good point is the beautiful unknown actress Tasma Walton, who has a good performance. In the end, if the viewer shuts-down his or her brain, it may be a watchable movie for killing time only. My vote is four.
Title (Brazil): "Subterrâneo" (Ünderground")
Você sabia?
- CuriosidadesThis film is considered an Ozploitation picture, an Australian exploitation movie.
- ConexõesReferences Hellraiser - Renascido do Inferno (1987)
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Subterano
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Proporção
- 1.85 : 1
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