Branca de Neve

The dark wonder of the Brothers Grimm, the quixotic imagination of writer/director Caroline Thompson (The Addams Family, Edward Scissorhands), state-of-the art special effects by Reel Elements and the breathtaking spectacle that has become a symbol of Hallmark Entertainment combine for a truly visionary retelling of the classic fairy tale . . .

Born from a drop of blood in a flutter of apple blossoms, and framed in ebony, a young girl named Snow White becomes the blessing of a loving peasant couple, John and Josephine. But with her birth comes a curse and the end of her mother's life. Left alone with an infant daughter, John braves a brutal winter in search of food for his starving angel. Salvation comes unexpectedly when the father's tears melt the frozen tomb of a bewitched creature, the Green-Eyed One. In thanks, the insinuating beast grants John three wishes: nourishment for Snow White, a kingdom in which to raise his family and a queen by his side. But John's cause for celebration is short-lived.

For the Green-Eyed One has devious plans for the well-being of his own family. Owing his loathsome spellcasting daughter, Elspeth, a long-awaited wish, he encourages her desires for appointment to the throne. A kingdom to rule is hers for the waiting, the new King John is hers for the belittling and a luscious little stepdaughter named Snow White, is hers to toy with and destroy at will.

The castle awaits. A looking glass is calling. And a fairy tale like no o ther begins...

Those reliable guys at Hallmark Entertainment are behind this cheapjack adaptation of the classic fairytale, filled with cheesy special effects and familiar faces. It's often an example of so-bad-it's-good entertainment, with plenty of overacting and bizarre situations to take your mind off the shortcomings of the script and set-up.

Certainly compared to the recent likes of SNOW WHITE AND THE HUNTSMAN, SNOW WHITE: THE FAIREST OF THEM ALL is a cheap version of the tale. Rubbery masks are used for some of the characters, and the CGI effects that do occur are, well, rather cheesy. The acting is hardly of a high standard either: as Snow White, Kristin Kreuk (the world's first part-Chinese Snow White?) is pretty but wooden, while Miranda Richardson can't resist but to ham it up terribly as the evil Queen.

Still, there are better actors in support, and these include Clancy Brown who looks fantastic underneath some truly 'Grimm' make-up. Warwick Davis unsurprisingly appears as one of the dwarfs, and there's a nice comedic turn from the underutilised Vincent Schiavelli. Watch out for Vera Farmiga in an early turn.

It's not your traditional version of the Grimm's famous story, but this effort by Hallmark Entertainment (distributed by Disney) certainly has it's merits!

Caroline Thompson's script tells the traditional story of the princess with "skin as white as snow" and the jealous stepmother who wishes her stepdaughter dead. But Thompson decides to elaborate the story with several touches of her own. For instance, Snow White's father, John (played by Tom Irwin), releases a "jinn" or "genie" type creature (Clancy Brown) from a frozen prison in the ice. To show his thanks, the creature grants John three wishes: 1) milk for his infant daughter, 2) a kingdom, and 3) a queen. But the candidate chosen to sit at King John's side, is none other than the creature's hideous sister, Elsbeth (Miranda Richardson). As an "act of kindness" to his sister, he transforms her blemished skin to worldly beauty. But King John's heart still lies with his dead wife, Josephine (Vera Farmiga). So, Elspeth's first spell of manipulation is cast.

Another added plot twist borrows from another Grimm's story, "Snow White and Rose Red". Queen Elsbeth lets her raging hormones get the best of her when Prince Alfred (Tyron Leitso) spurns her lusty advances. For revenge, Elsbeth turns the prince into a bear, who then seeks out Snow White to help break the spell.

In a psychological twist, Esbeth disguises herself as Josephine, Snow White's mother, when she delivers the poisoned apple. Quite clever.

Hallmark Entertainment regular Miranda Richardson is perfectly cast as the woman who's sole existence rides on being "fairest in the land". In her usual brilliant way, Richardson's performance is deranged yet humorous all at once.

Kristin Kreuk (WB's "Smallville") as "Snow White" gives a deeper performance than one would expect. Rather than turning the princess into a sugary sweet victim, Kreuk brings out the human qualities of a teenager who longs to be seen as more than the beauty she is. Because of Elsbeth's spell on him, her father ignores her. Her stepmother hates her. The visiting prince swoons over her. The poor girl simply wants to be loved and known for the person behind the beautiful face. Kreuk was the perfect choice.

The seven dwarfs are creatively reworked as the creatures that control the weather. They travel around the countryside as a rainbow, with each of them playing a different color. Named for the days of the week, each dwarf's personality comes from the old nursery rhyme' "Monday's child is fair of face, Tuesday's child is full of grace.....". Warwick Davis, of Ewok fame, plays "Saturday". Davis is no stranger the Snow White story, having performed in and directed many pantomime productions in his homeland of England. In another creative twist, Vincent Schiavelli plays "Wednesday"....the only "dwarf" over 4.5 feet tall! Michael J. Anderson (Twin Peaks) plays "Sunday" the kind-hearted sympathetic leader of the "magnificent seven".

As in anything she is in, Vera Farmiga is wonderful. She is under used sadly, as Josephine is buried for most of the film. Thankfully she is brought back for the famous apple sequence.

If you are expecting a live action version of the Disney 1937 classic, you will be greatly disappointed. The film rides on it's own merit and will hopefully become another family classic. Thanks Hallmark!

Hallmark Entertainment's seemingly remorseless quest to film every fairy tale ever made meant that they'd eventually get to the Grimm brothers' tale of Snow White and the seven dwarves - except that as told by adapters Caroline Thompson and Julie Hickson only six of them are dwarves, as part of their development of the classic tale. Unfortunately, you know what they say about the road to hell and good intentions.

"Snow White" also works in a few elements of "The Snow Queen" - the shards of Queen Elspeth's mirror flying into people's eyes and causing them to not see her evil for what it is - but also adds some interesting twists to the yarn; her psychosis is for once given some basis (the Queen's insecurity over the hideousness that is her true self is the ultimate cause for her going over the edge when her mirror informs that it is her stepdaughter, not she herself, who is the fairest of them all), and the septet - the days of the week in... um... corporeal form - are also a bit more defined than the norm. Lovely British Columbia scenery and a fine score by Michael Convertino also help; the problem with "Snow White" is, however, Snow White herself.

Other characters here get fleshed out, but Snow White remains a bit too passive for comfort - it's less the fault of Kristin Kreuk's performance than the basic script and character, but there's only so much you can do with a symbol instead of a person. Miranda Richardson has much more scope as the wicked stepmother, and is clearly enjoying herself (although you do wonder why nobody notices the woman is obviously a few sandwiches short of a picnic), but a few less wisecracks would have helped - "It looks like I finally left you breathless!" she cackles post-poisoned apple delivery.

A lot more wonder would also have helped; "Snow White" is sadly short of magic, and doesn't really take as much advantage of its story as it could (except for the sadly truncated attack of the garden gnomes... not as daft as it sounds, trust me). This is particularly sad considering Caroline Thompson did such a good job on "Black Beauty" and as the scripter of "The Nightmare Before Christmas" and "Edward Scissorhands." It is, however, always good to watch Vincent Schiavelli and Michael J. Anderson (the dwarf from "Twin Peaks") - but fairytale completists, Richardson fans and guys in love with the brunette from "Smallville" will get more from this ultimately dull tale than I did.

This movie could have been so much better. The sets were beautiful and the special effects were very good. Many of the cast were also good. However, it's very hard to over look the flaws in the script. There were so many parts that weren't explained so you weren't sure why the part was in the movie. Some of the lines were also poorly written. The movie wasn't horrible, but overall it really could have been so much better. I gave it 5 out of 10 stars.