Pinóquio

lovely if you adore the book and you are child. nice because it represents new meet with Nicoletta Braschi and Roberto Benigni. because Benigni deserves his Pinocchio . and this is the most important trait of film. a nice film. for the memories, for the flavor of childhood, for the invitation to rediscover the masterpiece of Collodi. many critics are justified about this movie. but it has its special charm. and this saves it from the unfair status of bad film. because it preserves the magic of original story. and this is not small thing. so, an adaptation. or only the Pinocchio of master Benigni.

First off, I saw the Italian version of Pinocchio, subtitled in English. After watching the Italian version on DVD, we decided to switch to the English-language track to hear what it sounded like. It was like fingernails on a chalkboard...As unprofessional as watching a dubbed Godzilla movie.

Anyway, after hearing all the incredibly negative press about this film, I'm not sure why we rented it. But when my family got a free rental, we decided to choose a movie that we wouldn't actually pay money for...and we chose Pinocchio. First of all, the movie is certainly not an excellent, 5 star affair. But it is a decent film that entertained the three of us for close to two hours. Strong Points- Technically speaking, the film is beautifully made with beautiful sets, cinematography and scenery. These are not enough to entertain anybody but the most pompous film critic of course. The best part of the film for me, was the very faithful adaptation of the original classic story (foolish American audiences may say too dark...and yes, I am an American). It brought back fond memories for all of us, of the original story we had enjoyed as children. And Kim Rossi Stuart as the doomed Lucignolo (not Leonardo) is charming. Weak Points- Well, as many commenters have noted, Roberto Benigni is simply miscast in the role of Pinocchio and the sight of a 50-year old man playing a little boy does get annoying. But even so, he's not half as bad as they say he is. All in all, it's an entertaining, if average, film as long as you have the brain cells to read the subtitles. Just a quick trivia note....one of the reasons the English dubbing is so bad (in my opinion) is that it was incredibly rushed. Benigni was supposed to dub his own voice, but dropped out at the last minute and was replaced my Breckin Meyer. By this time, the US release date was fast approaching, the film was directed at a childrens audience and the studio felt it couldnt release a childrens movie with subtitles. *** 1/4 stars.

I am so relieved to finally watch a movie that tells the story along the lines as it was originally told rather than rewriting it and watering it down or sugar coating it to make it more acceptable for those who can't take dark situations from a child's story. This movie, with its sets, not-so-mind-blowingly-overdone effects, and layout makes it a very charming retelling of the classic tale, though I have sadly seen the horribly done dubbed version and wish to see the subtitled one instead. People would be turned off seeing grown men playing as boys, especially by Roberto Benigni playing the titular character... however, once you watch it, you can see how well they play the part, giving the whole movie a rather different kind of charm where grownups play boys. I find it sad that this charming movie is bashed and even nominated a Razzie just because they only minded the dubbing or the fact it's nothing like the Disney movie. Give this movie a chance and watch it in a different way if you are truly an aficionado for the classic tale; you will then really love this film.

First thing I did was to erase from my head the version of the puppet that was created by the Disney factory. Then I had to struggle to admit old Roberto as a kid, and his wife as a fairy, but now I am old enough to admit both licenses, especially from someone who did something as silly as "La vita è bella". But most of all, I had to have a bigger, harder struggle to take off those stupid glasses we wear more often than not, to see everything through Hollywood eyes. And there I was: watching an Italian film about an Italian puppet, based on an Italian book, with an old Italian clown in the main role, done with a lot of affection, with great cinematography by Spinetti, and great art work by Donati, to whom the film is dedicated... I enjoyed it very much, and even if it is hated by almost anybody that saw it, I still would recommend it to my dearest friends.

nice. but not convincing. beautiful. but not enough. amusing. only for few sequences. touching. for good intentions. its sin - each viewer has his image of Pinocchio. and this image is very and deep different by Benigni work. his ambition to create the Collodi legendary character is far to be inspired. it is silly and too strange. because, unfortunately, it is not a joke but a movie , not a parody but adaptation of a great book. sure, poor Benigni is innocent. but his innocence, his desire to do a good work remains a failure. not for acting but for mixture between costumes, delicate images and his old humor recipes. he is saboteur of his labor. explanation - no measure of ingredients and the sparkles of ridiculous. but it is an exercise. not catastrophic. only very far by expectations.