Liam

I thought it was a very moving film, really got the viewer involved. Showed understanding and made you feel apart. It has it's good sense of humour, seriousness and reality. The characters were brilliant,I especially enjoyed the little boy who played Liam, (Antony Burrows) and I thought the Jewish Family (The Samuel's) were very good in particular. My favourite and best part of the film, I have to say was at the end, when the daughter at the Jewish House, Jane Samuels (Gema Loveday) takes on her dramatic scene. Overall, I highly recommend 'Liam' and congratulate all those which took part, thank you.

I was surprised to see so many negative comments, mainly from the U.S This is an utterly engrossing film, not a minute of it's content is superfluous and I was engrossed throughout the whole 90 minutes. The acting was superb from all and Liam will break your heart! the plot may have been a little far-fetched, but everything else was absolutely spot on,the religious aspect in particular sent chills through me, it was so real believe me!. This is another wonderful piece from Jimmy McGovern and I recommend it whole heartedly.

It is surprising to read some of the reviews obviously from the young and wealthy. Life, even 50 years ago, was like this in the north of England. A Hovis advert maybe but a totally brilliant film, beautifully observed, with all the settings and trimmings of the era.

How many others can remember this kind of school, the hard life in the home, the metal bath - usually in front of the fire. The film was faultless. The children superb and the adults just as I remembered them. 10 out of 10

Having seen the (in my opinion excellent) "Dirty Pretty Things" before, I knew pretty well what to expect from Stephen Frears. I expected to see a socially engaged drama and that's exactly what I got. This time however, the movie is situated during the time of the Depression and not at the present day. But being very interested in that time period, that was just another fine reason to watch this movie.

It tells the story of two young children in Liverpool during the Depression, called Liam and Teresa. When their dad loses his job at the ship yard, their family is facing very difficult times. Blaming the cheap Irish labor and the rich Jewish owners, their dad joins the fascists. In the mean time Liam is about to make his first Holy Communion, which makes it even more difficult for the poor family, because it will cost them too much money on new clothes. Their father, too proud and stubborn to ask for help, hating the church for their immoral behavior (monthly asking for more money, while they already have so much and the family hasn't got anything left) and hating all people who aren't 'English' he decides to go for drastic measures. But just as his hatred reaches its top, it will all explode into his own face...

When you aren't able to face criticism on the Catholic church, you better don't even think about watching this movie. You'll find plenty of it from the beginning until the end and I know that not too many people like that or are able to cope with it, believing that it is not true or perhaps exaggerated. But it has to be said that it isn't wrong. Despite what many of you might believe, this was really the way how it all went at that time (My mother told me several times that even in the fifties and sixties this was still common practice). However, when you are able to cope with that anti-religious 'fanatism', you'll see that this is a very good and relevant social drama. The story does a very good job in showing the poverty, the rise of fascism, the desperation and the tough grip that the Catholic church had on the ordinary man and woman. Of course, this story would have been nothing if it hadn't been supported by a fine cast. Especially the young Anthony Borrows did a very nice job, but the other actors like Ian Hart, Claire Hackett, Megan Burns,... sure deserve to be mentioned as well.

Overall this is a very nice movie with a very good story, some fine acting and a sober, but powerful message. I really liked what I saw and I consider this as the second hit for Stephen Frears. I give it a 7.5/10.

Move a Dickens story up into the time of the Depression. Add elements of Steinbeck's "Grapes of Wrath." Add the blackshirt Fascists from "1900." Add a little boy whose father and brother are involved in desperate economic problems complete with unions and favoritism, as in "Billy Elliot."

Make it very dark, and very drear. Let the camera see drearily, smokily, darkly, unclearly.

Let the characters speak in their own, natural way, without regard to an American audience having difficulty understanding them.

This is "Liam." It is an indictment of religion, the undeniable caste system of the UK, and of government in general. It is a film that was difficult to watch, although never did I say anything like "this is bad." It was just difficult to watch.

Everything rang true, and it was heartbreaking, with a few uplifting moments...but very few. This is an excellent film, a very well-acted film, well-directed and with an excellent screenplay. But difficult to watch, in spots.