Michael Jackson: Black or White
- Vídeo musical
- 1991
- 6 min
Adicionar um enredo no seu idiomaMichael Jackson's video accompanied with the single ''Black or White''.Michael Jackson's video accompanied with the single ''Black or White''.Michael Jackson's video accompanied with the single ''Black or White''.
- Prêmios
- 1 vitória e 2 indicações no total
- Native American Dancer
- (as RobbieLeeGeneral)
- Jeffrey Anderson-Gunter
- (não creditado)
- Tyra Banks
- (não creditado)
- Veena Bidasha
- (não creditado)
- Bart Simpson
- (narração)
- (não creditado)
- Homer Simpson
- (narração)
- (não creditado)
- Roberta Chow
- (não creditado)
- Blonde Kid
- (não creditado)
- Young Indian Dancer
- (não creditado)
- Dena Goodmanson - Morphing Redhead
- (não creditado)
- Khrystyne Haje
- (não creditado)
- Mother
- (não creditado)
- African Dancer
- (não creditado)
- Yuko Sumida Holley
- (não creditado)
Avaliações em destaque
But then came "Black or White" which, while still partially good, showed a darker side of the singer that even "Thriller" didn't touch.
It starts out innocently enough, with a "Dennis the Menace"-type scene where Culkin's dad (Wendt) shouts at him to turn down his stereo, to which the kid replies by dragging some humongous speakers downstairs, hooking up his guitar and blasting dad through the roof of the house. His mom (Peggy Lipton) is cool but stern ("Your father's going to be very upset when he comes down").
Then the real video begins, with Jackson singing and dancing with different races in different countries (Africa, Russia, India, etc.) about racial equality and prejudice. Then the music ends as different people are shown lip-synching to Jackson's music, each head morphing into the other to show equality between people. It's effective and the message makes it through.
BUT, then comes the end of the video, where a black panther is seen slinking out of the studio and into the dark city streets outside. The panther morphs into Jackson, sporting an arm cast(?), who proceeds to jump onto an abandoned vehicle, smash it up with a crowbar and masturbate(!) atop it. After this is done, he jumps down from the car roof, morphs back into the panther, slinks away and is gone.
Just what was THAT supposed to signify? I couldn't ponder a guess but it all but destroys the goodwill beforehand and muddies up the equality sung about earlier.
Later showings of the video excised the last part of "Black or White" after many angry calls and letters, nowadays, that's likely the only version of Michael's video you're likely to see.
It's just as well, with all the "press" Michael's gotten lately, he doesn't need anything else hanging over his head.
Five stars, for a mostly good video, courtesy of Michael's talents and John Landis' direction.
Face it, Michael - the "Thriller" is gone....
Although "Black or White" isn't one of my favorite MJ songs, it was a very creative video. I will admit that. And it was one heck of a risk for Michael. I give him a lot of props for what he has done. So, for the famous "Black or White"...
9/10
In the Black Or White minifilm, short-sighted tabloid-like critics were able to see only "masturbation" (which actually was only in their ill minds) and "violence".
But this video has the deepest symbolism I have seen in a film ever.
It called Black Or White. The whole film is about. It is about good Or bad, light Or darkness, happiness of communication between people Or despair of loneliness, peace Or aggression, nations unity Or rage and so on.
Every frame of the last, Panther, sequence is a symbol. The water, the wind, the dance, the mimic poses symbolize many things.
Absolute quality and art of costumes, light, photography, special effects.
The idea, scenario, choreography, text and music by Michael Jackson.
Denis Raphael Solyahoff, analytic contents provider for MJFCs' SCREAM International Project >
Você sabia?
- CuriosidadesThis video was the first to use the "morphing" technique (when people of all different races morph into each other in the last minute of the song). The same technology was used in O Exterminador do Futuro 2: O Julgamento Final (1991), released the same year. The fictional date of Judgement Day just happens to be Michael Jackson's birthday. It's even mentioned in the Coda by Sarah Connor: "Michael Jackson turned 40" (he really turned 39).
- Erros de gravaçãoWhen Michael is dancing with the group of Russians, the amount of artificial snow on the floor keeps changing.
- Citações
[first lines]
Father: Turn that thing off!
[goes upstairs and enters the blonde kid's room, making the rock music stop]
Father: I thought I told you to turn that thing off! It is too late and it's too loud!
Blonde Kid: But, dad, this is the best part.
Father: You are wasting your time with this garbage. *Now, go to bed!*
[exits the blonde kid's bedroom by closing the door so hard that the Michael Jackson poster falls over]
Blonde Kid: Okay.
[He brings the big speakers into the living room, sets up his electric guitar and adjusts the speakers from "loud" to "Are you nuts?". His parents notice him with his electric guitar]
Blonde Kid: Eat this.
[the boy plays an electric guitar loudly enough to fire his father into space, to finally landing in Africa]
Mother: I'm afraid your father is going to be very upset when he gets back.
- Versões alternativasAfter receiving many angry phone calls and letters of protest, the later showings of this video removed the scene where Micheal Jackson smashes a car with a crowbar, smashes a window by throwing a garbage can at it, and grabs his crotch while dancing.
- ConexõesFeatured in Top of the Pops: Episode #28.46 (1991)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Michael Jackson: Black or White (Shortened Version)
- Locações de filme
- Vasquez Rocks Natural Area Park - 10700 W. Escondido Canyon Rd., Agua Dulce, Califórnia, EUA(Spectacular rock formations.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro