A Professora de Piano

To be honest I had to go have a stiff drink after this film; I felt drained and my shoulders were knotted. I also had to talk the whole thing out with the friend I saw it with for a good half hour. Whatever else this movie is, it's not dull - you have to have respect for anything that produces such a visceral reaction, even if you couldn't claim to have 'enjoyed' the experience. (Anyone else I've talked to who's seen it has responded in much the same way.)

The reason the film is so powerful is not simply because it deals with unpalatable subject-matter like sado-masochism and violently dysfunctional relationships - that on its own would leave no defence against a charge of exploitation. It packs a punch because whatever her deeply ingrained character flaws, however reprehensible her behaviour (and at one point that's VERY), the piano teacher Erika always retains your sympathy - you never forget the type of influences which might have made her what she is, while scenes as subtle as the one where she walks down a street of shoppers, being casually bumped into without apology, remind you of her utter isolation. Isabelle Huppert's performance is as brilliant as it is uncomfortable and I can't even imagine how she might have wound down after a day's filming.

Appalling, compelling, horribly funny at times, but ultimately deeply despairing look at how people damage each other. View with caution.

Isabelle Huppert must be one of the greatest actresses of her or any other generation. "La Pianiste" truly confirms it. As if that wasn't enough, Annie Girardot plays her mother and Annie Girardot is one of the greatest actresses of her or any other generation. So, as you may well imagine, those pieces of casting are worth the horror we're put through. Isabelle and Annie play characters we've never seen before on the screen. A mother and daughter yes but with such virulent fearlessness that sometimes I was unable even to blink or to breath. Personally, I don't believe in the director's intentions, I don't believe they (the intentions that is) go beyond the shocking anecdote and the ending made me scream with frustration but I was riveted by the story written in the face of the sensational Huppert and the fierceness of Girardot's strength. I highly recommend it to cinema lovers anywhere and to the collectors of great performances like me, you can't afford to miss "La Pianiste"

The Piano Teacher (2001)

This is a difficult movie. It's difficult to watch at times, if you take it seriously. But I think it was difficult to film, to write, to act.

The premise is subtle even if it sounds sensational--show the inner mind and inner life of a brilliant woman who is mentally ill. She has compulsive issues, I think, and sexual repression that has led her to masochistic and finally sadistic extremes. She is admirable in some external way for her self-control which reads, to an outsider, as cold precision, the kind needed to be an extraordinary classical pianist.

But the movie takes us inside her life, first to the unhealthy relationship with her mother, then the oddly stern and indifferent role she takes with her advanced students. Finally there is a young man who sees only her ability, and her external beauty. (This woman, Erika, is played by the incomparable Isabelle Huppert.) He is a pianist of unusual talent, but he wants not to concertize, but to live life. He plays hockey. He has friends. He smiles warmly. He is, in short, a healthy normal and rather handsome young man.

And he falls for Erika. This is where the movie gets weirder and weirder, but also more challenging. They play an intense game of sexual chicken, at first, and lots of head games. He knows she's superior to him in some way--older, more severe---but he has no idea about her slanted view of life and of sex. He wants her. He becomes a pupil of hers just for that reason. She pretends not to care, or to rebuff him (in part this isn't pretense because she's afraid). Finally a couple of serious and demented confrontations occur.

And things unravel in a very interesting way. Some people will find it simply sick and unwatchable. It also happens very slowly--if the film has an obvious flaw, it's the pace. It's in love with itself far too much. But if you get into that flow, and can take the pain that will rise up, then you will at least be greatly affected. That's more than most movies can say.

It's all quite in ernest. I don't think it's a bit campy or playing games with the viewer. It's really trying to get at this woman's psyche--and the young man's, since he gets in deeper than he intended. It's filmed with terrific planning and visual panache. And it makes some kind of deranged sense, too. In fact, there are probably more people in these kinds of situations than I'll even know, and to them I say give this a careful look.

Erika Kohut (Isabelle Huppert) has a volatile home life with her combative mother leading to violence at times. Erika has disturbing sexual tendencies such as porn shop visits, self-mutilations, and voyeurism. She's a piano professor at a conservatory. She's hard on her students especially the fragile Anna Schober. Walter Klemmer is a new student at the conservatory despite her objection. He's taken with her and she eventually lets him into her sexually disturbed world.

Isabelle Huppert has such great screen presence. She's great at playing damaged, vulnerable, and cold. It's not the most fun watch. There are a couple of really weird scenes. Her relationship with her mother is outrageous. This is an interesting character study of a troubled woman.

Why is it that Freud was always talking about hating your father? Mommies do the best job of screwing you up, and Erica's (Isabelle Huppert) mom is a doozy.

Huppert can always be counted upon to give an incredible performance, and she is superb here in the painful-to-watch film. She is carrying an incredible amount of psychological baggage, and it really affects her emotionless life. She is looking for love, but only finds seduction. Part of the problem is hers as she has no concept of what love is. She has a warped sense of S&M that she supposes is love, but when faced with reality, she is shocked and cold.

I should warn you that the ending is certainly unconventional, but the film is unconventional as well, so it fits.