AVALIAÇÃO DA IMDb
7,0/10
14 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaSeveral lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives.Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives.Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 21 vitórias e 22 indicações no total
Merete Voldstedlund
- Andreas' mother
- (cenas deletadas)
Henning Jensen
- Leif
- (cenas deletadas)
Steen Svare
- Sportsman
- (as Steen Svare Hansen)
- …
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is a very intimate and enjoyable film. It shows every day characters in their own surroundings interacting in a manner that is very naturalistic and true. Director Lone Scherfig has directed with a sure hand and the situation is believable.
The ensemble cast plays well, as it is with the majority of the Dogme95 films. At times, they make us forget that we are watching a film, as it struck me, that I was just intruding in the life of a bunch of people in that town in Denmark.
What is amazing is that the film doesn't become an Italian travelogue as it would have been the case had this story been done by a non-Scandinavian director with pressures from studio heads. It has the right amount ingredients and it makes a delicious minestrone for all to enjoy.
Bravi a tutti!
The ensemble cast plays well, as it is with the majority of the Dogme95 films. At times, they make us forget that we are watching a film, as it struck me, that I was just intruding in the life of a bunch of people in that town in Denmark.
What is amazing is that the film doesn't become an Italian travelogue as it would have been the case had this story been done by a non-Scandinavian director with pressures from studio heads. It has the right amount ingredients and it makes a delicious minestrone for all to enjoy.
Bravi a tutti!
I have to admit, after the first few minutes I was wondering if I'd even manage to finish the whole thing. Also, as this was the first Dogme film I'd seen, I was also really questioning the whole concept. The opening scenes seemed amateurish in both filming and acting, with jerky editing and camera movements, and seemingly one-dimensional characters. But it really grew on me as I kept watching. The more the characters revealed themselves, the more sympathetic and complex they became. It actually became quite engrossing as the film progressed. There were just so many moments of geniune warmth and humor. In fact, what really struck me about this film after it was all over was its geniuneness. I haven't seen anything so heartwarming in a long time. 8/10.
At the time of writing, "Italian for beginners" is a big hit on the Berlin Film Festival. The reason may be that it´s another film made under the Dogme 95 certificate, but it can easily stand on its own, without comparison to "The Celebration", "The Idiots" and "Mifune". Basically it´s a comedy-drama (although one of the Dogme rules prohibits genre definition) telling several interwoven stories connected by the Italian-for-beginners-class. There are a whole variety of characters: the young pastor, the hothead short order cook from the sports restaurant, the clumsy girl from the bakery etc. All very recognizable everyday types, but beautifully realized by its talented cast, with special kudos to Peter Gantzler, cast against type and hilariously underplaying as the nerdish impotent hotel clerk. Lars Kaalund is also very funny, sporting a very authentic sounding Italian.
Director Lone Scherfig has made a very endearing, romantic film that is very universal in its tone, which is probably why it has performed so well at the Berlin film festival. For a feel-good movie experience, you should definitely go see "Italian for beginners".
Director Lone Scherfig has made a very endearing, romantic film that is very universal in its tone, which is probably why it has performed so well at the Berlin film festival. For a feel-good movie experience, you should definitely go see "Italian for beginners".
A clever film, with low production values but a witty script and great cast. The characters are so real and vivid. You sympathize with them, want them to succeed. There are so many tiny little things that make it leap from the screen. As you become caught up in the story you forget that the camera is a little shaky, the video not always perfectly focused. The scenes in Italy are absolutly beautiful. The director uses colors well, the color of the characters clothes reflects their emotions. Never heavy handed or pushy, just a sweet little film.
10Xenon242
I had the pleasure of seeing Italiensk for begyndere in a pretty small, intimiate cinema, which set the audience up beautifully for this movie.
The characters really drive this story, rather than the film pushing the characters around. What results is a movie that takes its own time to say what it needs to say, and that allows us to gain insight on what really is a broad spectrum of very human, very diverse personalities.
Romantic comedies-dramas, by and large, are pretty hit-and-miss, though more miss than hit if they come from Hollywood. They're bogged down in clichés, saccarine melodrama and characters that don't at all behave like real people. Italiensk for begyndere avoids all that, giving us characters that could just as well be the person sitting three seats from you in the cinema, that's how human they are.
I didn't feel at all cheated with this film, and left the cinema feeling like I saw a film that speaks to people. Superb.
The characters really drive this story, rather than the film pushing the characters around. What results is a movie that takes its own time to say what it needs to say, and that allows us to gain insight on what really is a broad spectrum of very human, very diverse personalities.
Romantic comedies-dramas, by and large, are pretty hit-and-miss, though more miss than hit if they come from Hollywood. They're bogged down in clichés, saccarine melodrama and characters that don't at all behave like real people. Italiensk for begyndere avoids all that, giving us characters that could just as well be the person sitting three seats from you in the cinema, that's how human they are.
I didn't feel at all cheated with this film, and left the cinema feeling like I saw a film that speaks to people. Superb.
Você sabia?
- CuriosidadesIn May 2010 it was revealed that Zentropa Productions officially acknowledged plot similarities to Maeve Binchy's novel "Evening Class". Writer-director Lone Scherfig 'borrowed' part of her plot from the Irish novel without giving any credit to the original author. Binchy was not credited in the original release of the film as Zentropa had determined they were not in breach of copyright, but after Binchy's representatives approached them they paid a non-disclosed compensation and added a credit for her in later releases.
- Erros de gravaçãoWhen Karen turns the dial of the IV, she reduces the dose instead of increasing it.
- Citações
Olympia's Father: That sounds disgusting.
- Versões alternativasThere are two different versions of the film with different editing and sequencing. The original version shown at the Berlin film Festival and in several european countries ran 118 minutes; theatrical version shown in the US ran 112 minutes.
- ConexõesReferenced in Bodilfesten 2001 (2001)
Principais escolhas
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- How long is Italian for Beginners?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Italian for Beginners
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.544.753
- Fim de semana de estreia nos EUA e Canadá
- US$ 66.047
- 21 de jan. de 2002
- Faturamento bruto mundial
- US$ 16.350.876
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