Após um rompimento brutal, um jovem jura permanecer celibatário durante os quarenta dias da Quaresma, mas encontra a garota de seus sonhos e nada pode fazer a respeito.Após um rompimento brutal, um jovem jura permanecer celibatário durante os quarenta dias da Quaresma, mas encontra a garota de seus sonhos e nada pode fazer a respeito.Após um rompimento brutal, um jovem jura permanecer celibatário durante os quarenta dias da Quaresma, mas encontra a garota de seus sonhos e nada pode fazer a respeito.
- Prêmios
- 1 vitória e 2 indicações no total
- Bagel Guy
- (as Michael Maronna)
- Girl in Chinatown
- (as Stefanie Von Pfetten)
Avaliações em destaque
Things get very sticky (or, not) when women try to arouse Hartnett's interest. To complicate matters, he meets sexy Shannyn Sossamon (as Erica) at the Laundromat. Still, Hartnett perseveres. He gets Christian help, in the confessional, from priestly brother Adam Trese (as John); Mr. Trese is, secretly, struggling with the same vow. Of course, the real story is the discovery, by Hartnett, of "true love" (instead of just sex).
Other than a confusing, dream sequence climax; it's all fairly predictable. Director Michael Lehmann and team succeed in making the premise unrealistic, even for a silly movie. Sossamon and Costanzo are very likable with Hartnett. There are a few laughs. One cool scene features more topless women than "Electric Ladyland".
***** 40 Days and 40 Nights (3/1/02) Michael Lehmann ~ Josh Hartnett, Shannyn Sossamon, Paulo Costanzo, Adam Trese
That said the two main characters are somewhat lacking in life and could have done with a bit more development. This is a largely French funded film and it does show in places. There are elements of French farce about it but with transposing the action to California it was always inevitable there'd be the standard Hollywood ending and it doesn't "disappoint" in that respect.
Hopefully this won't be the best film you'll see this year but it certainly could be worse.
I watched this film with two friends of mine, and despite the fact that we have fairly liberal views, all three of us (this includes both female and male) were rather appalled at what was shown, and found that there are some serious moral problems at hand. First and foremost, while some viewers might not realize it, Josh Hartnett's character is raped towards the end of this movie. His ex-girlfriend has sex with him, while he is tied to a bed, intoxicated, and only marginally aware of what is going on. In spite of this, the film does not seem to show the seriousness of the incident. The main character seems to be casual about what happened, albeit disappointed that his celibacy did not reach the 40 day mark; his current love interest, played by Shannyn Sossamon, chooses to be angry, instead of being supportive, and his ex-girlfriend revels in snide triumph. The rape of men by women does occur in real life; it is a horrific crime, as is any other form of rape, and this movie certainly doesn't help in making the society aware of its existence.
The film also paints an inaccurate and incomplete picture of human sexuality, since men are portrayed as sex fiends, who find it next to impossible to not be controlled by their desires, while women are depicted as manipulative whores. Shannyn Sossamon's aforementioned character is an exception, but she appears to be emotionally unstable, since she walks out whenever there is a problem, instead of making an attempt to communicate. When the main character ends up with her, this is treated as an "and they lived happily ever after" sort of ending, whereas realistically, what he probably has in store for him is another psychologically-damaging relationship.
The problem at hand is not in what happens in the film, but in the film's attitude towards what happens. I am not saying that a rape scene in a movie is always unacceptable. What I am saying, is that such a scene should be treated as a rape scene, and not as a casual sexual encounter. While I believe in artistic freedom, I also believe that film producers hold a level of responsibility for the sort of message that they carry across, and that is why I felt that something needed to be said. I would generally not recommend this movie, but to those who are planning on watching it - please be aware of what is going on.
Since all of his conquests make him feel bad or doomed for unhappiness, Matt (Hartnett) feels he must take drastic action by not giving in to any sexual urges.
He becomes the subject of an intense office pool and some of the girls who had bet on a specific day he would 'cave in' make moves on him. A website is dedicated to him and he is soon referred to as 'Vow Boy.'
The movie has a lot of laughs. A couple of scenes seem retundant and a couple don't belong at all, but for the most part this is pleasant enough entertainment. Josh gets some big laughs, more than anyone else, but his roommate and his boss get some too. Josh has some good chemistry with Shannyn Sossamon who plays Erica. 7/10.
Você sabia?
- CuriosidadesJosh Hartnett tried to emulate his character's celibacy. He lasted for two weeks.
- Erros de gravaçãoThe sports page of the Chronicle that Paul Constanzo's character is holding has a headline about the Raiders beating the Seahawks, a game that would not have occurred during the Lenten season.
- Citações
Mandy: [Mandy describes to Matt the importance of women's power of abstinence] Women have been doing this since, well, forever, so we know all about the power. See, us having the power, that's part of the system, and by you taking the power, you're fucking with the system. And I think you see why we can't let that happen.
- Versões alternativasThe TV version aired in the USA blurs out the nudity.
- Trilhas sonorasBig Blue Sea
Written and Performed by Bob Schneider
Courtesy of Universal Records
Under license from Universal Music Enterprises
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- 40 días y 40 noches
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 17.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 37.950.822
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.229.529
- 3 de mar. de 2002
- Faturamento bruto mundial
- US$ 95.146.283