A Última das Guerras

It was not until the end of the film that I discovered that this was a real life account by Ernest Gordon of the horrors suffered by the allied POW's building the Burma Railroad.

No film can ever show how terrible it was, despite the attempt to film in sequence with the actors dieting in order to lose weight as time went on. The actors would have had to do three years manual labor in the jungle heat for 18 hours a day on 1,000 (or less) calorie meatless slop, while suffering dysentery, beri beri, pellagra, tropical ulcers, regular beatings and other cruelty, all the time unaware of what was happening at home or how the war was going. They lived under the constant fear of being killed once they were no longer useful. By the time they were liberated the survivors were walking skeletons. Why the filmmakers could not find more skinny extras among the thousands available always puzzles me. When the men were lined up for roll call they could have put the emaciated looking actors at the front, and kept the well built lads at the back, dressed in rags to hide their muscular bodies.

I deducted two stars for the aforemention goof, and for the liberation in August 1945, appearing right after the dedication ceremony for the completion of the railroad in October 1943, at which the men were told they would be moved to other camps. Perhaps it was an editing slip up, but the B-24s arrived to bomb the camps, after which another flight arrived dropping leaflets immediately after.

It is a credit to the filmmakers that this relatively low budget movie conveys this terrible period so well. Although few, if any men, who were prisoners working on the Burma Railroad are still alive, despite the disbelief of several commenters this actually happened and should not be forgotten. This should be a "must see" in school history classes.

What if I told you you will watch a war film but won't see so many war scenes? Would you believe me? Would you say "this can't be a war film!"? Well, believe me, TO END ALL WARS is this film! It's a very good WAR film where shots and guns are not seen very much. Maybe this movie should be named a "drama war" or anything like a "military drama". But let alone the genre. The important thing is to enjoy this nice movie with a different development: a Scottish group of soldiers are sent to Thailand to fight the Japanese force but ends up being kept as captive. The soldiers are forced to build a railway for the Japanese but some of them plan to escape from that hell. When they're together at night, they discuss what to do for their future but they don't seem to agree about it. The discussions (and arguments) arise and each of the prisoners defends his point of view. The acting is very good and our attention is 100% towards the story.

THROUGH THE VALLEY OF THE KWAI, the story of British POW's forced to build the Japanese jungle railroad, was my favorite book when it came out in 1962. Thus I was a bit apprehensive at what filmmakers would do to it when I heard about TO END ALL WARS, the title itself being changed. The film is different in many ways from the book, but is so powerful that the addition (apparently for dramatic excitement) of fictional characters bent on staging an escape can be forgiven. Agnostic Ernest Gordon's story of his being nursed back from the brink of death by Christian friends, thereby starting him on the road to faith--and incredibly, understanding and then forgiveness of the harsh brutality of his Japanese captors--raises this film far above any other WW2 films that I have seen (except perhaps the under-rated THE THIN RED LINE, like TO END...also filled with philosophical questions and ruminations). Although the brutality of the Japanese bushito system is shown in all its horrific brutality, some of the Japanese, especially the young man who serves as interpreter, are depicted as having touch of humanity. The film's central thesis seems to depict the affects of clinging to anger and vengeance versus seeking to be able to forgive and reconcile. The latter is shown at the end of the film when, similar to the scene in SCHINDLER'S LIST, the real Capt. Ernest Gordon and Japanese interpreter Nagase, now old men, meet and shake hands in Thailand at a memorial to those who died building the railroad. The creativity of the men, forming a Jungle University where Plato and Shakespeare are taught, is celebrated, calling to mind the inspiring film of women POW's, PARADISE ROAD.

When this thought-inspiring film finally is released to theaters or video, don't miss it. It can serve as an antidote to the dozens of mindless, vengeance-based flicks cluttering up the screens of our cinemaplexes.

After repeated watchings my rating may go up. I love the movie THE THIN RED LINE and this movie reminded me of it strongly except it did not have the excellent cinematography that film did.

I watched it because I like Robert Carlyle a lot and was not disappointed by his performance or any other of the actors on both sides of the war. The pacing was perfect and the violence was very brutal and sometimes unexpected but effective.

The message it delivered to me made the movie for me. Loving thy enemy. Just realizing that we are all just humans caught up in something we didn't start. I highly recommend this movie if you like a film made with compassion.

In a Japanese POW camp, a Scottish band of soldiers learns about a very different culture - the hard way. They also learn from the more refined and educated among them the meaning of serving each other and their enemies, to the point of self-sacrifice.

The film begins rather slowly (and overly-sentimental) but becomes an incredible story with great acting and characters, powerful philosophy and imagery. Many gripping moments of self-realization, facing reality and appreciation for life and death. The depth of relationships, self-sacrifice and lessons learned leaves the audience with a lot to process. Overall, very inspiring and well-made.