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IMDbPro

O Diário de Bridget Jones

Título original: Bridget Jones's Diary
  • 2001
  • 12
  • 1 h 37 min
AVALIAÇÃO DA IMDb
6,8/10
279 mil
SUA AVALIAÇÃO
POPULARIDADE
1.900
68
Colin Firth, Renée Zellweger, and Hugh Grant in O Diário de Bridget Jones (2001)
Trailer for Bridget Jones's Diary
Reproduzir trailer1:44
4 vídeos
99+ fotos
Feel-Good RomanceRomantic ComedyComedyDramaRomance

Uma mulher britânica está determinada a se destacar enquanto procura amor em um ano em que mantém um diário pessoal.Uma mulher britânica está determinada a se destacar enquanto procura amor em um ano em que mantém um diário pessoal.Uma mulher britânica está determinada a se destacar enquanto procura amor em um ano em que mantém um diário pessoal.

  • Direção
    • Sharon Maguire
  • Roteiristas
    • Helen Fielding
    • Andrew Davies
    • Richard Curtis
  • Artistas
    • Renée Zellweger
    • Colin Firth
    • Hugh Grant
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    279 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    1.900
    68
    • Direção
      • Sharon Maguire
    • Roteiristas
      • Helen Fielding
      • Andrew Davies
      • Richard Curtis
    • Artistas
      • Renée Zellweger
      • Colin Firth
      • Hugh Grant
    • 673Avaliações de usuários
    • 88Avaliações da crítica
    • 66Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 8 vitórias e 32 indicações no total

    Vídeos4

    Bridget Jones's Diary
    Trailer 1:44
    Bridget Jones's Diary
    Bridget Jones's Diary
    Trailer 1:39
    Bridget Jones's Diary
    Bridget Jones's Diary
    Trailer 1:39
    Bridget Jones's Diary
    Bridget Jones's Diary
    Trailer 1:44
    Bridget Jones's Diary
    'Isn't It Romantic' Cast Embraces the Clichés of a Romantic Comedy
    Clip 2:17
    'Isn't It Romantic' Cast Embraces the Clichés of a Romantic Comedy

    Fotos178

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    Elenco principal63

    Editar
    Renée Zellweger
    Renée Zellweger
    • Bridget Jones
    Colin Firth
    Colin Firth
    • Mark Darcy
    Hugh Grant
    Hugh Grant
    • Daniel Cleaver
    Gemma Jones
    Gemma Jones
    • Bridget's Mum
    Celia Imrie
    Celia Imrie
    • Una Alconbury
    James Faulkner
    James Faulkner
    • Uncle Geoffrey
    Jim Broadbent
    Jim Broadbent
    • Bridget's Dad
    Charmian May
    Charmian May
    • Mrs. Darcy
    Paul Brooke
    Paul Brooke
    • Mr. Fitzherbert
    Felicity Montagu
    Felicity Montagu
    • Perpetua
    Shirley Henderson
    Shirley Henderson
    • Jude
    Sally Phillips
    Sally Phillips
    • Shazza
    James Callis
    James Callis
    • Tom
    Charlie Caine
    • Handsome Stranger
    Gareth Marks
    • Simon in Marketing
    John Clegg
    John Clegg
    • Elderly Man
    Salman Rushdie
    Salman Rushdie
    • Salman Rushdie
    Embeth Davidtz
    Embeth Davidtz
    • Natasha
    • Direção
      • Sharon Maguire
    • Roteiristas
      • Helen Fielding
      • Andrew Davies
      • Richard Curtis
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários673

    6,8279K
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    Avaliações em destaque

    Spleen

    It's not just charming - I insist it's charming

    With certain bad movies - "Plan 9 from Outer Space" is a famous extreme example - you start to wonder if there's something wrong with people who don't realise that they're bad. I'm not saying that if someone LIKES "Plan 9" then his or her brain probably needs to be repaired; the suspicious, unhealthy thing is not LIKING the film, but being of the opinion that it's good. (Many people have a soft spot for it precisely BECAUSE they realise how bad it is. In this way it differs from something like "Timecode", where either liking the film OR having a high opinion of it is something to be embarrassed about.) And something similar applies to, say, "Citizen Kane". Disliking it makes sense; thinking it's a bad film does not.

    But there's another kind of film that tempts me to be even more presumptuous. "Dumbo" is the best example I can think of at the moment. I can see why one might (mistakenly) have a low opinion of "Dumbo": some of the footage IS mere padding, the triumph at the end is too swift, the charge has been laid (falsely, but not ludicrously) that the crows are racist caricatures ... and so forth. But surely even the people who think "Dumbo" is a bad film must still manage to like it. If they don't, THEN I'm suspicious.

    I feel this way, to a greater or lesser degree, about a number of light comedies, and this is one of them. I can't honestly say that I revere or adore "Bridget Jones's Diary" (N.B.: I'm male), but all the same, I can't help thinking that people who take an active dislike to it have something wrong with them. This applies not just to the film as a whole but to Bridget Jones, the central character, in particular. What has she done to merit dislike? She's beautiful (as beautiful as Renée Zellweger has ever been on screen), honest and kind-hearted. The diary she keeps certainly reveals her many flaws, but none is particularly pronounced, most are purely negative and anyway, she shares them all with the rest of us - so don't pretend you're not like this, too.

    This is an amiable, well-written and fresh romantic comedy with, for ONCE, an attractive female protagonist. It's far from being the greatest film ever made and there may be grounds for attacking it which I haven't touched upon (I suppose there always are), and so all in all I'll understand your not thinking as much of it as I do, but, dammit, you'd better LIKE it.
    10kwongers

    Delightful, witty, and sexy – a TRIUMPH!

    As a huge fan of the books, I had incredibly high expectations of the movie. In order for the movie to work for me, it had to capture Bridget's plucky-heroine character and the hilarious-poignant emotions that are in the book. Needless to say, `Bridget Jones's Diary' the movie worked very, very, very well. Although Helen Fielding also wrote the screenplay (w/ Richard Curtis, very skilled with romantic comedies) and keeps the laughs coming, this movie could have fallen flat on its face. But it doesn't because one, the casting is absolutely divine and two, smartly builds on some elements the book downplays.

    Renee Zellweger is absolutely perfect as Bridget Jones. She has always been one of my favorite actresses and here, she totally displays Bridget's pathetic cuteness. Zellweger gained weight for this role, too, so she looks adorably plump. It's very, very hard to not fall in love with her the moment you see her at her family's Christmas party or drinking alone at home or listening to sad, Celine Dion music. (You have a heart of stone if you aren't moved to laughs or tears or pity for her.) I can't imagine anyone else playing Bridget Jones. Zellweger fits the role because she is very much normal and approachable…we can relate to her.

    As Daniel Cleaver (her caddish Cassanova lover/boss), Hugh Grant is smoldering and hilarious. (Ok, I might be a little biased because I've been in love with him for ages and ages, but you can't deny he is a great comedic actor.) There's no trace of his stuttering that we saw (and I loved) in `Four Weddings and a Funeral' or `Sense and Sensibility.' Grant morphs effortlessly into a cad that we all love to hate and all love to love. Yes, it's a paradox, but that is what Grant brings to his role. He makes being `bad' look so sexy. You can't take your eyes off him; he brings his own humor to his role. It's lovely, smoldering, and incredibly sexy.

    Colin Firth is also a delight to watch onscreen as Mark Darcy (I think I might be in love with him, too). He is also sexy and smoldering, but not in the same wild, fiery way as Daniel Cleaver. Firth brings a very cute sweetness to his role. I don't know if it is his adorable face or his hair or the way he dresses or just the fact that he is a major sex symbol, but you can't help but fall in love with him the MOMENT you see him onscreen. There is also one very beautiful moment where he tells Bridget, `I like you very much…just the way you are.' It's incredibly romantic and, for me, ranks right up there with Tom Cruise's `You complete me' in `Jerry Maguire.' He also has rather explosive chemistry with Renee Zellweger, which is moving and sexy all at the same time. (And, of course, the author Helen Fielding used Colin Firth as the basis for Mark Darcy, so it all works out marvelously.)

    I also mentioned that the movie smartly builds on some elements that the book downplays. Yes, there are certain parts of the movie that cannot be found in the book, but I'm still glad they put them in the movie. Most of what they added doesn't necessarily build on plot but it does add to the characters. I don't want to give anything away because it's rather hilarious what unfolds onscreen. The movie is filmed in an almost Ally McBeal type of way but it remains true to the sincerity, cuteness, and pathetic naivete that Bridget Jones embodies. There are no pretensions. It's an entirely wonderful film. 10/10
    7jennifer_litchfield

    Star rating: 4 out of 5

    Bridget Jones's Diary is a surprisingly good movie. Detractors who deride it for its admittedly minimalist plot miss the point - this is a film that shows life without the layers of artificiality favoured by directors (resulting in movies somehow removed from the realm of the everyday in which us mere mortals dwell). Life is frequently aimless and trivial; and therein lies the movie's attraction. Notwithstanding of course that this is a very funny and highly original comedy.

    Bridget (played with considerable aplomb by Renee Zellweger) belongs to the ranks of that modern phenomenon - the over-30, unmarried career woman. Just when it seems Bridget may be destined for terminal spinster-hood, two opposing forces enter her life - charming cad Daniel, and uptight (but very sexy) lawyer Mark. Which of the two is her Mr. Right? And why does everyone insist on asking that question detested by all singletons - "How's your love life going?" The movie's conclusion is predictable, and although any other ending would leave the audience feeling cheated, it does seem somewhat tame and ultimately unsatisfying.

    The film encourages the viewer both to get involved with Bridget emotionally and to laugh at her at the same time. Perhaps the best joke is the milieu inhabited by her parents - where the mini-gherkin is the height of sophistication, and 60-year-olds throw garden parties with such alarming themes as 'tarts and vicars'. Bridget is certainly no social butterfly, and whilst we cringe at her public embarrassments (notably her TV report involving a fireman's pole and a bottom the size of Brazil), we triumph with her when she manages to turn a bad situation to her advantage. Maybe we can recognise a little bit of Bridget Jones in all of us.
    6davispittman

    Not as great as everyone claims, but still amusing

    Bridget Jones's Diary is a somewhat amusing movie about an English woman who wants to change her life because she finds herself in her 30s and still single. I must say though that Renée Zellweger does a wonderful job and earns her Oscar nomination for portraying Bridget Jones. Colin Firth and Hugh Grant fit their roles well also. The script is pretty average for a film like this, I don't know why but I wasn't really struck with the writing like a lot of people were, although I did like hearing Bridget's narration throughout the movie. And there were also some pretty genuinely funny moments. Now with all that said, that still doesn't mean that this romantic comedy is the best of its kind, in my opinion it's not. There were just some scenes that I thought lagged on too long and other parts that were dull. I do think that there are better romantic comedies to choose from out there, but it is worth just one watch just to see Renée Zellweger, because she really shines, if only the rest of the movie would've kept up with her. 6/10.
    10Critic2017B

    My favorite Romantic Comedy

    This film I only discovered fairly recently, and just absolutely fell in love with it. It sure seemed familiar and lo and behold then I read about the Pride and Prejudice connection and then it all made complete sense.

    This is such a charming, lovely homage to Pride and Prejudice. The three lead characters are just perfect. It is funny, sweet at times, sad at others, and just wonderfully sexy and v. romantic (especially the last 1/4th of it).

    Renee is so extraordinary as Bridget Jones, who would have ever thought she could play so believable a modern Brit woman so well. Her accent seems flawless to me. Hugh Grant is hilarious and a charming Lothario throughout. But Colin Firth is who really sold me on this film. His ability to play a guy that you start out not liking but drooling over by the end of the movie is sublime.

    I am a big fan of the less is more style of acting that Mr. Firth puts forth in this film...much of his performance is in his eyes and his facial expressions. While Daniel (Mr. Grant's character) chatters on and on and tries to charm with his wit and words, Mark Darcy (Mr. Firth's character) just has a strong and rather silent presence along with an integrity of character that is revealed and he wins us over (as well as Bridget).

    This movie has a lot going on outside of the wonderful romance as well. Contemporary events, gender inequities, social differences, work place decorum, fashion, self-image, sex, family, and friendship all come under the scrutiny of Bridget Jones and her diary.

    This is a very good adaptation of a beloved novel. The tone, scene selection, dialogue and characters capture the essence of what fans of the book love about it. I cannot imagine it any better cast or written.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      To prepare for the role, Renée Zellweger gained 25 pounds, then worked at a British publishing company for a month. Using an alias and a posh accent, she was apparently not recognized. She also kept a framed picture of her then-boyfriend Jim Carrey on her desk. Her co-workers found the photo odd, but never mentioned it for fear of embarrassing her.
    • Erros de gravação
      (at around 1h 29 mins) Bridget's flat is in Borough, but when Mark leaves it to buy her a new diary, he walks around the corner to the Royal Exchange, which is several miles away on the other side of the Thames.
    • Citações

      Bridget: Wait a minute... nice boys don't kiss like that.

      Mark Darcy: Oh, yes, they fucking do.

    • Cenas durante ou pós-créditos
      During the end credits, we see footage of a home movie taken during a birthday party, which also happens to be the birthday party that both Bridget and Mark are at that is referred to several times during the movie.
    • Versões alternativas
      The songs that play over the second half of the end credits are different. In the UK the first Robbie Williams song is followed by Dina Carroll singing "Someone Like You", and then Williams again, singing "Not Of This Earth". The US version replaces Carroll with Shelby Lynne singing "Killin' Kind", then concludes with the same Williams track.
    • Conexões
      Featured in Siskel & Ebert & the Movies: Blow/All Access/Just Visiting/Along Came a Spider/Just Melvin: Just Evil (2001)
    • Trilhas sonoras
      Magic Moments
      Written by Burt Bacharach and Hal David

      Performed by Perry Como

      Courtesy of RCA Records/BMG Entertainment

    Principais escolhas

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    Perguntas frequentes22

    • How long is Bridget Jones's Diary?Fornecido pela Alexa
    • What do the numbers on Bridget's weight scale mean?
    • What are the differences between the BBFC-15 Version and the R-Rated Version?

    Detalhes

    Editar
    • Data de lançamento
      • 17 de agosto de 2001 (Brasil)
    • Países de origem
      • Irlanda
      • Reino Unido
      • França
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Miramax (United States)
      • Official Facebook
    • Idioma
      • Inglês
    • Também conhecido como
      • El diario de Bridget Jones
    • Locações de filme
      • Bedale Street, Southwark, Londres, Inglaterra, Reino Unido(Bridget's home)
    • Empresas de produção
      • Miramax
      • Universal Pictures
      • StudioCanal
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 25.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 71.543.427
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 10.733.933
      • 15 de abr. de 2001
    • Faturamento bruto mundial
      • US$ 281.996.360
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 37 minutos
    • Cor
      • Color
    • Mixagem de som
      • SDDS
      • Dolby Digital
      • DTS
    • Proporção
      • 2.39 : 1

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