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Primeiro Verão

Título original: Presque rien
  • 2000
  • R
  • 1 h 40 min
AVALIAÇÃO DA IMDb
6,7/10
5,5 mil
SUA AVALIAÇÃO
Jérémie Elkaïm and Stéphane Rideau in Primeiro Verão (2000)
Trailer 1
Reproduzir trailer1:58
1 vídeo
18 fotos
DramaRomance

Mathieu, de 18 anos, passa o verão na casa de verão de sua mãe, na Bretanha. Na praia, ele conhece Cédric, um garoto da sua idade. Uma história de amor começa entre os dois meninos.Mathieu, de 18 anos, passa o verão na casa de verão de sua mãe, na Bretanha. Na praia, ele conhece Cédric, um garoto da sua idade. Uma história de amor começa entre os dois meninos.Mathieu, de 18 anos, passa o verão na casa de verão de sua mãe, na Bretanha. Na praia, ele conhece Cédric, um garoto da sua idade. Uma história de amor começa entre os dois meninos.

  • Direção
    • Sébastien Lifshitz
  • Roteiristas
    • Sébastien Lifshitz
    • Stéphane Bouquet
  • Artistas
    • Jérémie Elkaïm
    • Stéphane Rideau
    • Marie Matheron
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    5,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Sébastien Lifshitz
    • Roteiristas
      • Sébastien Lifshitz
      • Stéphane Bouquet
    • Artistas
      • Jérémie Elkaïm
      • Stéphane Rideau
      • Marie Matheron
    • 58Avaliações de usuários
    • 26Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    Come Undone
    Trailer 1:58
    Come Undone

    Fotos18

    Ver pôster
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    + 13
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    Elenco principal29

    Editar
    Jérémie Elkaïm
    Jérémie Elkaïm
    • Mathieu
    • (as Jeremie Elkaïm)
    Stéphane Rideau
    • Cédric
    • (as Stephane Rideau)
    Marie Matheron
    Marie Matheron
    • Annick
    Dominique Reymond
    Dominique Reymond
    • La mère
    Laetitia Legrix
    • Sarah
    Nils Öhlund
    • Pierre
    Réjane Kerdaffrec
    • La psychiatre
    • (as Rejane Kerdaffrec)
    Guy Houssier
    • Le père de Cédric
    Violeta Ferrer
    • La mère de Pierre
    Robert Darmel
    • Le patron du café
    Charline Levaque
    • L'aide soignante
    Sarah Reyjasse
    • La vendeuse de gaufres
    Eric Savin
    Eric Savin
    • Le copain d'Annick
    Gildas Chotard
    • Le videur
    Maxence Rabret
    • Le petit garçon de la plage
    Michel Angely
    Jean-Louis Aoustin
    Jean Arrighi
    • Direção
      • Sébastien Lifshitz
    • Roteiristas
      • Sébastien Lifshitz
      • Stéphane Bouquet
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários58

    6,75.5K
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    Avaliações em destaque

    Kirpianuscus

    drawings

    It gives not a story. Just sensations, emotions , drawings of states. But the atmosphere remains the lead virtue. And the performances, near cinematography are good reasons to see it. Again. A film about family and about profound loneliness. Romance, at the first sigh. But , in essence, more. A film for feel it. The nuances, the colors, the tension, the air, the flavours, the decisions, the sounds, the bitterness. And to see as familiar all. The portrait of mother by Dominique Raymond represents a real good poin. Like the performance of Jeremie Elkaim.
    6Libretio

    Well-intentioned story of sexual awakening

    PRESQUE RIEN

    (USA: Come Undone /UK: Almost Nothing)

    Aspect ratio: 1.85:1

    Sound format: Dolby Digital

    While visiting his sick mother in Brittany during summer recess, a teenage boy (Jérémie Elkaïm) falls in love with a local youth (Stéphane Rideau), but their relationship falters as Elkaïm is cut adrift from all that was once familiar to him, with near-tragic consequences.

    Sébastien Lifshitz's intimate drama chronicles the sexual awakening of a naive teenager over the course of an idyllic summer, recounted in piecemeal fashion as the director cuts abruptly between timeframes, from Elkaïm and Rideau's love affair to the former's subsequent hospitalization following an off-screen suicide attempt, rendered 'naturalistic' by hand-held camera-work and some improvized dialogue exchanges in key scenes. The results are confusing, to say the least: Just as the boys begin to strike out from their families and forge a life for themselves, Elkaïm slips into depression (why?) and appears to reject Rideau (why?), after which he goes looking for him again, only to find solace in unexpected quarters.

    Anyone hoping for a rose-tinted love story will come away feeling more than a little disappointed, though Lifshitz refuses to compromise the sexual aspects of his own screenplay (co-written with Stéphane Bouqet): Elkaïm and Rideau are completely nude in several sequences, and there's a memorable, full-on sex session amongst the sand dunes which should satisfy all but the most ardent porn-watcher. But the boys' attachment is complicated by their relationship with their respective families, especially Elkaïm, who feels unable to declare his burgeoning sexuality because of a recent tragedy which has driven his father away and confined his mother to her sick-bed. Sad, complex and not a little frustrating, the movie works its magic in quiet ways, but it's a little too cold and dispassionate to satisfy all tastes.

    Nicely produced on a modest budget, the film also stars Dominique Reymond, Marie Matheron and Laetitia Legrix as the three women in Elkaïm's life (mother, aunt and sister, respectively), along with Nils Ohlund as one of Rideau's former boyfriends, who figures heavily in the narrative's closing stages. The two leads are fine in difficult roles, and both have become iconic figures in European gay cinema: Rideau starred in such well-regarded Queer movies as WILD REEDS (1994), FULL SPEED (1996), TRANSFIXED (1997), SITCOM (1998) and THREE DANCING SLAVES (2003), while Elkaïm - who looks like a Bel Ami porn beauty - also appears in the gay-themed drama YOU'LL GET OVER IT (2002) as the love object of handsome Julien Baumgartner (SEXY BOYS). Director Lifshitz made his feature debut with the French TV production LES TERRES FROIDES (1999) following a series of short films with Queer themes, and his latest entry is WILD SIDE (2004), another perceptive exploration of omnisexual angst.

    (French dialogue)
    7jotix100

    Almost nothing

    "Come Undone" appears to elicit a lot of opinions among the contributors to this forum. Granted, it's a film that promises a take on gay life, as most viewers expect and somehow, it gets away from that promise into an introspective view at a young man's soul. The film has a way of staying with us even when it has ended. It is a character study about how a young man gets involved into a love affair with someone so much different than him that, in the end, will leave Mathieu confused, hurt and depressed when things don't go according to what he hoped the relationship would be.

    If you haven't seen the film, perhaps you would like to stop reading.

    Sebastien Lifshitz, the director of the film, has told his story from Mathieu's viewpoint. Most viewers appear to be disoriented by the different times within the film, but there are hints that are not obvious, as one can see, in retrospect. The story is told in flashbacks that might add to the way some people will view the film. This is a story about the doomed the love Mathieu felt for Cedric and the ultimate breakdown of their life together.

    First of all, Cedric, the handsome young local, pursues Mathieu until he succeeds in convincing him he likes him. Mathieu feels the attraction for Cedric too. We realize how different both young men are by the way Cedric tells Mathieu's family how he feels school is not for him. On the other hand, Mathieu, who wants to be an architect, finds beauty in the abandoned place where Cedric has taken him. We watch as Mathieu, reading from the guide book, wants Cedric's attention.

    When Mathieu comes out to his mother, she wisely tells him about the importance of continuing his career. She also points out about what future both of them would have together, which proves to be true. Mathieu appears to have learned his lesson, the hard way. He goes on to an uncertain life with Cedric and attempts to take his own life. We watch him in the hospital speaking to a psychiatrist that has treated his wounded soul.

    The ending might be confusing for most viewers, but there is a moment in the film when Mathieu goes to work in a bar where we see him washing glasses and looking intently to Pierre, the young man who frequents the bar. That is why when Mathieu goes looking for Pierre at his house, appears to be hard to imagine. Yet, we have seen the way Mathieu is obviously interested in Pierre. The last scene at the beach, when Pierre and Mathieu are seen strolling in the sand, has a hopeful sign that things will be better between them as they watch a young boy, apparently lost, but then realizing the father is nearby.

    Jeremie Elkaim makes Mathieu one of the most complex characters in recent films. This is a young man who is hard to understand on a simple level. Mathieu has suffered a lot, first with the separation of his parents, then with his depressed mother and with losing Cedric. Stephan Rideau, who has been seen on other important French films, is equally good, as the shallow Cedric.

    While "Come Undone" will divide opinions, the film deserves a viewing because of the complexity and the care Sebastien Lifshitz gives to the story.
    10tevanson

    Beautiful in cinema and soul

    Stephane Rideau was already a star for his tour de force in "Wild Reeds," and he is one of France's biggest indie stars. In this film, he plays Cedric, a local boy who meets vacationing Mathieu (newcomer Jamie Elkaim, in a stunning, nuanced, ethereal performance) at the beach. Mathieu has a complex relationship with his ill mother, demanding aunt and sister (with whom he has a competitive relationship). Soon, the two are falling in love.

    The film's fractured narrative -- which is comprised of lengthy flash-backs, bits and pieces of the present, and real-time forward-movement into the future -- is a little daunting. Director Sebastien Lifshitz doesn't signal which time-period we are in, and the story line can be difficult to follow. But stick it out: The film's final 45 minutes are so engrossing that you won't be able to take your eyes off the screen. By turns heart-breaking and uplifting, this film ranks with "Beautiful Thing" as must-see cinema.
    91up

    The time spent was worth it (and then some)

    Only after some contemplation did I decide I liked this movie. And after reading comments from all the other posters here, and thinking about it some more, I decided that I liked it tremendously. I love American films - probably because they are so narrative. They usually have a well-defined beginning, middle, and end. "Presque rien," on the other hand, makes no such attempt. I disagree with other posters that say it's 'too artsy.' In every way, this film is meant to evoke your sense memories. So often throughout the film you feel like you're there... you feel the summer sun, the breezes, the heat, the winter chill, the companionship, the loneliness, etc., etc.

    In every way, the director pulls you into the lives of the characters - which is why so many people feel so strongly that the movie disappointed them. After I finished watching it, I felt the same. But upon some reflection, I recognized that this is how the movie had to be: the 'story' isn't the narrative, it's the emotions you (the viewer) feel.

    The lighting, scenery, and camera angles immerse you in the scenes - they're rich, exquisite, and alive with detail and nuance. Although I normally cannot countenance films without a fully developed plot (after all, isn't a movie 'supposed' to tell a story), this film is definitely one of my new favorites.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Jérémie Elkaïm was 21 years old and Stéphane Rideau was 23 years old when they played the teenagers 'Mathieu' and 'Cédric'. Elkaïm would later play yet another gay teenage character in the series 'À cause d'un garçon (2002)' and Rideau would play the aging hustler 'Vassili' in 'Notre paradis (2011)'.
    • Citações

      Cédric: [at the beach] Hey, Mathieu.

      Mathieu: Please go away.

      Cédric: Why?

      Mathieu: So they don't see us together.

      Cédric: Are you ashamed or what?

      Mathieu: No, I just don't want any trouble.

      Cédric: What trouble?

      Mathieu: Can't you just leave?

      Cédric: You think I'm stupid?

      Mathieu: Just fuck off!

      Cédric: What, fuck off?

    • Trilhas sonoras
      Wise Mans Blues
      Written by Perry Blake and Glenn Garrett

      Performed by Perry Blake

      From Perry Blake's album "Still Life"

      Courtesy of Sony - ATV Music Publishing France

    Principais escolhas

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    Perguntas frequentes18

    • How long is Come Undone?Fornecido pela Alexa
    • What is Annick's relation to Mathieu?

    Detalhes

    Editar
    • Data de lançamento
      • 7 de junho de 2000 (França)
    • Países de origem
      • França
      • Bélgica
    • Idiomas
      • Francês
      • Inglês
    • Também conhecido como
      • Come Undone
    • Locações de filme
      • Pornichet, Loire-Atlantique, França
    • Empresas de produção
      • Lancelot Films
      • Man's Films
      • Arte France Cinéma
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 326.484
    • Faturamento bruto mundial
      • US$ 326.484
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 40 min(100 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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