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IMDbPro

Primeiro Verão

Título original: Presque rien
  • 2000
  • R
  • 1 h 40 min
AVALIAÇÃO DA IMDb
6,7/10
5,5 mil
SUA AVALIAÇÃO
Jérémie Elkaïm and Stéphane Rideau in Primeiro Verão (2000)
Trailer 1
Reproduzir trailer1:58
1 vídeo
18 fotos
DramaRomance

Mathieu, de 18 anos, passa o verão na casa de verão de sua mãe, na Bretanha. Na praia, ele conhece Cédric, um garoto da sua idade. Uma história de amor começa entre os dois meninos.Mathieu, de 18 anos, passa o verão na casa de verão de sua mãe, na Bretanha. Na praia, ele conhece Cédric, um garoto da sua idade. Uma história de amor começa entre os dois meninos.Mathieu, de 18 anos, passa o verão na casa de verão de sua mãe, na Bretanha. Na praia, ele conhece Cédric, um garoto da sua idade. Uma história de amor começa entre os dois meninos.

  • Direção
    • Sébastien Lifshitz
  • Roteiristas
    • Sébastien Lifshitz
    • Stéphane Bouquet
  • Artistas
    • Jérémie Elkaïm
    • Stéphane Rideau
    • Marie Matheron
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    5,5 mil
    SUA AVALIAÇÃO
    • Direção
      • Sébastien Lifshitz
    • Roteiristas
      • Sébastien Lifshitz
      • Stéphane Bouquet
    • Artistas
      • Jérémie Elkaïm
      • Stéphane Rideau
      • Marie Matheron
    • 58Avaliações de usuários
    • 26Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos1

    Come Undone
    Trailer 1:58
    Come Undone

    Fotos18

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    + 13
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    Elenco principal29

    Editar
    Jérémie Elkaïm
    Jérémie Elkaïm
    • Mathieu
    • (as Jeremie Elkaïm)
    Stéphane Rideau
    • Cédric
    • (as Stephane Rideau)
    Marie Matheron
    Marie Matheron
    • Annick
    Dominique Reymond
    Dominique Reymond
    • La mère
    Laetitia Legrix
    • Sarah
    Nils Öhlund
    • Pierre
    Réjane Kerdaffrec
    • La psychiatre
    • (as Rejane Kerdaffrec)
    Guy Houssier
    • Le père de Cédric
    Violeta Ferrer
    • La mère de Pierre
    Robert Darmel
    • Le patron du café
    Charline Levaque
    • L'aide soignante
    Sarah Reyjasse
    • La vendeuse de gaufres
    Eric Savin
    Eric Savin
    • Le copain d'Annick
    Gildas Chotard
    • Le videur
    Maxence Rabret
    • Le petit garçon de la plage
    Michel Angely
    Jean-Louis Aoustin
    Jean Arrighi
    • Direção
      • Sébastien Lifshitz
    • Roteiristas
      • Sébastien Lifshitz
      • Stéphane Bouquet
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários58

    6,75.5K
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    Avaliações em destaque

    6Libretio

    Well-intentioned story of sexual awakening

    PRESQUE RIEN

    (USA: Come Undone /UK: Almost Nothing)

    Aspect ratio: 1.85:1

    Sound format: Dolby Digital

    While visiting his sick mother in Brittany during summer recess, a teenage boy (Jérémie Elkaïm) falls in love with a local youth (Stéphane Rideau), but their relationship falters as Elkaïm is cut adrift from all that was once familiar to him, with near-tragic consequences.

    Sébastien Lifshitz's intimate drama chronicles the sexual awakening of a naive teenager over the course of an idyllic summer, recounted in piecemeal fashion as the director cuts abruptly between timeframes, from Elkaïm and Rideau's love affair to the former's subsequent hospitalization following an off-screen suicide attempt, rendered 'naturalistic' by hand-held camera-work and some improvized dialogue exchanges in key scenes. The results are confusing, to say the least: Just as the boys begin to strike out from their families and forge a life for themselves, Elkaïm slips into depression (why?) and appears to reject Rideau (why?), after which he goes looking for him again, only to find solace in unexpected quarters.

    Anyone hoping for a rose-tinted love story will come away feeling more than a little disappointed, though Lifshitz refuses to compromise the sexual aspects of his own screenplay (co-written with Stéphane Bouqet): Elkaïm and Rideau are completely nude in several sequences, and there's a memorable, full-on sex session amongst the sand dunes which should satisfy all but the most ardent porn-watcher. But the boys' attachment is complicated by their relationship with their respective families, especially Elkaïm, who feels unable to declare his burgeoning sexuality because of a recent tragedy which has driven his father away and confined his mother to her sick-bed. Sad, complex and not a little frustrating, the movie works its magic in quiet ways, but it's a little too cold and dispassionate to satisfy all tastes.

    Nicely produced on a modest budget, the film also stars Dominique Reymond, Marie Matheron and Laetitia Legrix as the three women in Elkaïm's life (mother, aunt and sister, respectively), along with Nils Ohlund as one of Rideau's former boyfriends, who figures heavily in the narrative's closing stages. The two leads are fine in difficult roles, and both have become iconic figures in European gay cinema: Rideau starred in such well-regarded Queer movies as WILD REEDS (1994), FULL SPEED (1996), TRANSFIXED (1997), SITCOM (1998) and THREE DANCING SLAVES (2003), while Elkaïm - who looks like a Bel Ami porn beauty - also appears in the gay-themed drama YOU'LL GET OVER IT (2002) as the love object of handsome Julien Baumgartner (SEXY BOYS). Director Lifshitz made his feature debut with the French TV production LES TERRES FROIDES (1999) following a series of short films with Queer themes, and his latest entry is WILD SIDE (2004), another perceptive exploration of omnisexual angst.

    (French dialogue)
    10tevanson

    Beautiful in cinema and soul

    Stephane Rideau was already a star for his tour de force in "Wild Reeds," and he is one of France's biggest indie stars. In this film, he plays Cedric, a local boy who meets vacationing Mathieu (newcomer Jamie Elkaim, in a stunning, nuanced, ethereal performance) at the beach. Mathieu has a complex relationship with his ill mother, demanding aunt and sister (with whom he has a competitive relationship). Soon, the two are falling in love.

    The film's fractured narrative -- which is comprised of lengthy flash-backs, bits and pieces of the present, and real-time forward-movement into the future -- is a little daunting. Director Sebastien Lifshitz doesn't signal which time-period we are in, and the story line can be difficult to follow. But stick it out: The film's final 45 minutes are so engrossing that you won't be able to take your eyes off the screen. By turns heart-breaking and uplifting, this film ranks with "Beautiful Thing" as must-see cinema.
    8paul2001sw-1

    More than nothing

    'Presque Rien' is a beautifully observed portrait of the experiences of a young French homosexual. Eschewing both stereotypes and preaching, it's a wonderfully naturalistic film, superbly acted, shot with a feel for the seaside town where the action takes place, never melodramatic but often painfully real. If anything it's almost too realistic, as there's little in the way of conventional plot, just scenes from a life. But the absence of conventional dramatic tension counts for less than it might in a world so subtly drawn. 'Presque Rien' might not be the most exciting film ever made; but its simple humanism serves it well compared with the pre-conceived celebratory or bigoted viewpoints that often mar treatments of this theme. Worth a watch.
    grahamclarke

    Deeply Moving

    It seems that what French cinema does best is slice of life drama. Come Undone is one such drama, yet way above the quality that we've come to expect from the genre.

    Director Sebastien Lifshitz slices the narrative, then pieces it together in a way which is at first confusing but which ultimately adds much to the emotional tone of the film. The meeting and parting of two boys in their late teens is related without offering much in the way of a clear explanation as to how or why. The emphasis being on the troubled emotional journey one of them undergoes as a result of the unexpected love relationship that develops.

    Besides his keen cinematic eye, Lifshitz's major success is eliciting from both Jeremie Elkaim and Stephane Rideau totally convincing performances. There's not one false note sounded. The smaller parts too are handled well.

    A deeply moving, beautifully played, complex film. One that certainly warrants more than one viewing.
    harry-76

    Summer Romance

    "Presque rien," a simple story of two 19-year-old youths who meet and fall in love while both are on summer vacation, offers an affecting romance of vascillating passion.

    Told by director Sebastian Lifshitz and writers Stephane Bouquet and Lifshitz through a series of vignettes--often presented in a nonsequential timeline--the unfoldment provides some work on the part of the viewer to position these disjointed fragments together.

    However, the basic scenario is so simple that the unfoldment does unite in post-reflection. It is an interesting tale, made plausible by two fine performances by the leads.

    Jeremie Elkaim as Matthiew evokes a slightly moody, troubled youth, longing for affection, and willing to give of himself in a new relationship. Elkaim's work beautifully conveys Matthiew's need for companionship and for escape from a staid and mundane domestic environment.

    Stephane Rideau presents yet another of his remarkable performances as Cedric. Rideau immerses himself in the role so skillfully that his craft brilliance is taken for granted. As close to the late James Dean as has been seen recently, Rideau takes his place in the Alain Delon legacy as one of France's leading young actors. Rideau possesses an arresting countenance: even his pointed ears, protruding chin, an off-centered eye, and crooked lips seem to contribute to his handsomeness. His Cedric is non-intellectual, expressing primitive emotions in his approach to life; yet, his ardor for Matthiew rings undeniably genuine and true.

    The rest of the cast of "Presque rien" contribute to this slice-of-life tale, and we are pleased to have an opportunity to glimpse fragments of a both playful and poignant summertime romance.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Jérémie Elkaïm was 21 years old and Stéphane Rideau was 23 years old when they played the teenagers 'Mathieu' and 'Cédric'. Elkaïm would later play yet another gay teenage character in the series 'À cause d'un garçon (2002)' and Rideau would play the aging hustler 'Vassili' in 'Notre paradis (2011)'.
    • Citações

      Cédric: [at the beach] Hey, Mathieu.

      Mathieu: Please go away.

      Cédric: Why?

      Mathieu: So they don't see us together.

      Cédric: Are you ashamed or what?

      Mathieu: No, I just don't want any trouble.

      Cédric: What trouble?

      Mathieu: Can't you just leave?

      Cédric: You think I'm stupid?

      Mathieu: Just fuck off!

      Cédric: What, fuck off?

    • Trilhas sonoras
      Wise Mans Blues
      Written by Perry Blake and Glenn Garrett

      Performed by Perry Blake

      From Perry Blake's album "Still Life"

      Courtesy of Sony - ATV Music Publishing France

    Principais escolhas

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    Perguntas frequentes18

    • How long is Come Undone?Fornecido pela Alexa
    • What is Annick's relation to Mathieu?

    Detalhes

    Editar
    • Data de lançamento
      • 7 de junho de 2000 (França)
    • Países de origem
      • França
      • Bélgica
    • Idiomas
      • Francês
      • Inglês
    • Também conhecido como
      • Come Undone
    • Locações de filme
      • Pornichet, Loire-Atlantique, França
    • Empresas de produção
      • Lancelot Films
      • Man's Films
      • Arte France Cinéma
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 326.484
    • Faturamento bruto mundial
      • US$ 326.484
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 40 min(100 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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