Adicionar um enredo no seu idiomaAfter surviving prison, a man has to forge a career in the crime world.After surviving prison, a man has to forge a career in the crime world.After surviving prison, a man has to forge a career in the crime world.
- Prêmios
- 4 indicações no total
Nicholas Lamont
- Paul
- (as Nick Lamont)
Nicholas Moss
- Charlie
- (as Nick Moss)
Vincent Maguire
- Uncle Harry
- (as Vincent McGuire)
Avaliações em destaque
Have seen a good few, better examples in the Brit Gangster genre. The prison pert was more interesting than what transpires outside. Is low budget but fairly decent for the money (with a realistic vibe). Kind of hard to get excited about a movie, where so many previous and way superior efforts have been produced.
Having endured the horrors of the recent spate of cockney crime capers I had equally low expectations of this scouse crime caper but it proved to be one of the best British films of the year.
Neil Fitzmaurice's screenplay doesn't do anything radically different, let's be honest, but he manages to bring a fresh eye to a tired genre. The film follows the life of an innocent who is transformed by prison. This is told in a narrated flashback - and you even get flashbacks within flashbacks - which is difficult to pull off but somehow Fitzmaurice manages it. This framing device is usually a lazy way of keeping the audience interested during the boring bits but each section of the film is interesting in its own right and leads logically to the conclusion. Although there are a couple of plot contrivances I had to take with a pinch of salt there is nothing that damages the movie too much. While I'm sure authentic Liverpool gangsters would have spotted lots of mistakes, to a law-abiding citizen like myself it seems quite realistic. And the screenplay does a better job than most of marrying the comedy with the drama.
Fitzmaurice also acts in the film in the lead and that's probably the key to its success. All drama should begin with believable strong characters and while writers often overlook this, actors are less likely to. So Going Off Big Time has the treat of character motivations you understand and can follow without being annoyed. And actors also know how to write dialogue, which in this movie is excellent. The dialogue manages to be authentic without alienating those from outside Liverpool, which is always a help.
The original release date was September, about the same time as Snatch, but only arrives in my local multiplex in November. Timing is obviously everything and while they had bad luck with the theatrical release it should prove a video rental hit. While this was always going to be second best to Snatch, it isn't as far behind in quality as one might think.
Neil Fitzmaurice's screenplay doesn't do anything radically different, let's be honest, but he manages to bring a fresh eye to a tired genre. The film follows the life of an innocent who is transformed by prison. This is told in a narrated flashback - and you even get flashbacks within flashbacks - which is difficult to pull off but somehow Fitzmaurice manages it. This framing device is usually a lazy way of keeping the audience interested during the boring bits but each section of the film is interesting in its own right and leads logically to the conclusion. Although there are a couple of plot contrivances I had to take with a pinch of salt there is nothing that damages the movie too much. While I'm sure authentic Liverpool gangsters would have spotted lots of mistakes, to a law-abiding citizen like myself it seems quite realistic. And the screenplay does a better job than most of marrying the comedy with the drama.
Fitzmaurice also acts in the film in the lead and that's probably the key to its success. All drama should begin with believable strong characters and while writers often overlook this, actors are less likely to. So Going Off Big Time has the treat of character motivations you understand and can follow without being annoyed. And actors also know how to write dialogue, which in this movie is excellent. The dialogue manages to be authentic without alienating those from outside Liverpool, which is always a help.
The original release date was September, about the same time as Snatch, but only arrives in my local multiplex in November. Timing is obviously everything and while they had bad luck with the theatrical release it should prove a video rental hit. While this was always going to be second best to Snatch, it isn't as far behind in quality as one might think.
Saw this film on late night TV the other night and was entranced by
its sheer awfulness. Alas it surely must be added to the future
cult movie genre 'bad British gangster films' .
Right from the word go it was terrible, the clichés coming thick and
fast. The strippers, the snorters, the shooters ('did you bring it ?'),
the pretty blond lawyer, the flashbacks, the jail, the bully, the wise
old con, the predatory homosexual, the fights, the rise to the top,
the gay crime lord, the thick coppers........it just went on and on... It
is a crime film where the writer has been influenced by the genre
rather than any real knowledge of - or insight into -criminal
behavior. The end result is a rubbish plot and bad dialogue. The title itself
is a clue. Very poor.
its sheer awfulness. Alas it surely must be added to the future
cult movie genre 'bad British gangster films' .
Right from the word go it was terrible, the clichés coming thick and
fast. The strippers, the snorters, the shooters ('did you bring it ?'),
the pretty blond lawyer, the flashbacks, the jail, the bully, the wise
old con, the predatory homosexual, the fights, the rise to the top,
the gay crime lord, the thick coppers........it just went on and on... It
is a crime film where the writer has been influenced by the genre
rather than any real knowledge of - or insight into -criminal
behavior. The end result is a rubbish plot and bad dialogue. The title itself
is a clue. Very poor.
Typical story of a gangster who after going* to prison Learns that you have to get tough to get ahead! It kept me interested as I like gangster films (Hence 6 stars is probably generous) but the plot is basic and the film reeks of low budget from start to finish. Acting is pretty good especially from the main character. All in all worth a watch if you like violent films about gangsters from a Liverpool. I guess I do!
It hasn't aged amazingly but I remember when this came out and I love it just as much as I did back then. It's well written and impressive for its budget. The pacing is perfect.
Você sabia?
- Trilhas sonorasOyster Heaven
Performed by Michael J. Moran & Laurence O'Toole
written by Michael J. Moran & Laurence O'Toole
recorded by triple.m.productions
courtesy of Triple M Productions
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Going Off Big Time?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 26 min(86 min)
- Cor
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente