AVALIAÇÃO DA IMDb
5,1/10
296
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe son of the richest man in town wants to marry the town's beauty queen, but then she meets an interesting stranger who just got off the train.The son of the richest man in town wants to marry the town's beauty queen, but then she meets an interesting stranger who just got off the train.The son of the richest man in town wants to marry the town's beauty queen, but then she meets an interesting stranger who just got off the train.
JD Evermore
- Younger Cop
- (as J.D. Evermore)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Perhaps it's because I am so in love with the William Holden - Kim Novak version, or because I'm not a Gen-X'er, but this was absolutely the worst remake I have ever seen. Without the original's soundtrack, it just seemed like another typical TV movie...yes, about as bland as Kraft cheese.
I definitely give two thumbs does to this remake of a great, unforgettable classic Picnic. If William Inge would've most likely been mad to see this horrible version. The performances didn't deliver the story well whatsoever. Also I really didn't like the setting either. I prefer the original version and the 1986 version. Both beautifully done & heart-touching. The 2nd version I've saw it on youtube and loved it. You could also watch the 1955 film in youtube too. Any of those two versions are way better than the 3rd version.
My late-Mother & I hated it. She never approved bad remakes of classics.
My late-Mother & I hated it. She never approved bad remakes of classics.
The Czech director Ivan Passer is perhaps the most unfulfilled of great contemporary filmmakers. His masterpieces in America--BORN TO WIN and CUTTER'S WAY--were seen by almost no one, and I doubt he had much of an audience for this "Kraft Premier Movie," which belies Robert Altman's notorious remark about Kraft's television products--"as bland as their cheese." William Inge's study of stifled erotic yearning in a small town now takes on a mythic stature. But powerful as that mythos is, Passer doesn't turn the star-crossed leads (Gretchen Mol and Josh Brolin, both luminous) into statues. On the contrary, he just accretes amazing lyricism everywhere--it stacks up on the surface of the movie like so many barnacles. The ending is a blissful liftoff that may make you feel you're living in another time and place. Visually, the work may not be as distinguished as you might like, but in terms of intuitive rhapsodic skill, Passer is right up there with Altman. Somebody, anybody, get this man more work.
The 1955 film is one of my favorites, so it colors my assessment of this newer version. If the classic film did not exist, this TV movie would be a bit more engaging and commendable. But though competently made on a far less opulent budget, it pales in most respects.
The acting performances in this remake are, for the most part, more true to life, but lack the emotional punch and/or charisma of Holden, Novak, Russell, and all the fine actors of the 1955 version. The TV movie is bland in comparison.
The script is serviceable but unmemorable; the 1955 script is full of memorable moments and dialog.
The TV movie's music is especially inferior, generic small ensemble music, with some obviously synthesized instuments. Compare that to the 1955 film's beautiful and effective big orchestra score, by George Dunning.
The last scene in both versions is instuctive. The 1955 version gives me a rush of elation, a feeling of joyous culmination. The TV movie, ehh.
And though I was very fond of Mary Steinburgen in "Melvin and Howard" and "Time After Time", here she is completely miscast as the old maid middle aged school teacher. She's too pretty and sexy for the role, and lacks the emotional impact Rosiland Russell gave to what should be a pitiful despirate character.
The acting performances in this remake are, for the most part, more true to life, but lack the emotional punch and/or charisma of Holden, Novak, Russell, and all the fine actors of the 1955 version. The TV movie is bland in comparison.
The script is serviceable but unmemorable; the 1955 script is full of memorable moments and dialog.
The TV movie's music is especially inferior, generic small ensemble music, with some obviously synthesized instuments. Compare that to the 1955 film's beautiful and effective big orchestra score, by George Dunning.
The last scene in both versions is instuctive. The 1955 version gives me a rush of elation, a feeling of joyous culmination. The TV movie, ehh.
And though I was very fond of Mary Steinburgen in "Melvin and Howard" and "Time After Time", here she is completely miscast as the old maid middle aged school teacher. She's too pretty and sexy for the role, and lacks the emotional impact Rosiland Russell gave to what should be a pitiful despirate character.
But where can I buy a copy? I would love to get it on dvd, but can't seem to find it anywhere. I can't even find a streaming copy to view. Can anyone help?
Você sabia?
- CuriosidadesThe original Broadway production of "The Picnic" by William Inge opened on February 19, 1953 at the Music Box Theater, ran for 477 performances and won the Pulitzer Prize in Drama in 1953.
- Erros de gravaçãoCar tires would not have made peeling noises when leaving a dirt parking area.
- ConexõesVersion of Férias de Amor (1955)
- Trilhas sonorasHey Baby
By Bruce Chanel
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By what name was Piquenique (2000) officially released in Canada in English?
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