Um Demônio está Solto

Flawed but fun typical 80s slasher. The film started out with a family and then we are introduced to "Pop". The family ends up hanging out with Pop the night they met him and Pop tells us the story of what happened with his son - but not the full story. Pop acts weird, the family leaves him, Pop goes inside his camper and we meet his son Bernie. Bernie is tied down with a chain, in a straight-jacket and special mask. Pop lets Bernie go to kill the people so they can steal their stuff. Bernie kills the family, Pop falls over and dies of ? (fright they said in the film but I thought maybe a heart-attack?) -- anyway Pop is dead and the killer Bernie is on the loose.

Next we are introduced to the main characters of the film. The main characters are part of some wilderness camp thing going on. Bernie makes his way to them and kills most all of them. Cops are also in the campgrounds investigating the murder of the family and Pop. And that's about it - minus the ending where the killer Bernie stole the cop's jacket and vehicle then drives way leaving it open for a part 2 or to simply show viewers he's still alive.

It's an okay time waster film, not grand but a watchable slasher. It has a few story flaws that most viewers will notice quickly but is a "B" slasher - and we all know what to expect of most of them.

Another reviewer mentioned the music of the film is similar to that of the classic Halloween 1978 - and that is true!! This film is not nearly as good as Halloween '78 but an alright watch.

5/10

In MOONSTALKER, a group of young, partying campers are slaughtered by an ax-wielding maniac.

Some time later, a family arrives in their camper. Soon, an old man arrives in a gigantic Cadillac, pulling a trailer / camper. Is it any wonder why the alternate name of this movie is "CAMPER STAMPER"?

Horror erupts, when the oldster tells the unwary family about his "nervous" son, Bernie. Let's just say that the family vacation is over! Add in a nearby team of camp counselors, and the mayhem continues.

In all honesty, this movie is far more enjoyable than one might expect. The characters range from goofy to zany. The killer is ludicrous, yet entertaining. The plot is typical slasher fare, but doesn't take itself too seriously.

GOREHOUNDS TAKE NOTE: The gore / blood level is minimal, with the deaths occurring mostly off-camera. Although, there is the occasional arm or leg thrown around.

EXTRA POINTS FOR: The Sheriff's office, full of ten-gallon hats on half-gallon heads!

P. S.- You'll never hear "She'll Be Comin' 'Round The Mountain" in quite the same way again. Ever!...

"Moonstalker" aptly illustrates how and why the teen slasher ingloriously died at the end of the 1980s. Although always watchable and sometimes even reasonably amusing, it's a thoroughly uninspired and derivative effort. It starts with the opening credits music being yet another blatant rip-off of John Carpenter's iconic score for "Halloween". By the time "Moonstalker" got released, "Halloween" was more than a decade old, and literally the entire world had seen it, so find something new already! The next 10-15 minutes are hilarious, but mainly because the plot is so cliched and the performances are so atrociously bad. A middle-aged father (and heavy beer can consumer) insists on spending a primitive "back-to-nature" vacation with his reluctant family in a rusty old camper, so they install themselves at the edge of a wide backwoods area. The bickering family runs into an ogre named Pop, and he's hiding his psychopathic and bloodthirsty son Bernie in a caravan, tied up with chains and wearing a bag over his head. Pop occasionally lets Bernie out, for example to feast on dim-witted camper families, but then Pop unexpectedly dies from a heart-attack and Bernie suddenly finds himself unchained with the world at his feet! From then onward "Moonstalker" plays on familiar slasher turf, as Bernie heads straight towards a nearby camping site where a bunch of young summer camp counselors are having their annual initiation weekend. Freed from his dominant father, Bernie makes the terrible (albeit understandable) mistake of switching his strait-jacket and potato bag mask for a lumberjack shirt, a cowboy hat and a shiny pair of sunglasses. I reckon it's a far more comfortable outfit for him, but he does instantly lose all the charisma and scary effect of a savage backwoods killer, especially because the mask made him somewhat a look-alike of Jason Voorhees in "Friday the 13th part 2". Luckily his appetite for nasty killings is still there. The first few murders are dull and bloodless, but "Moonstalker" eventually meets the 80s gore quota thanks to several amputations, axe-murders and even a knife in someone's forehead. The sadistic campfire moment near the finale (you'll know it when you see it) is a delightful little horror detail, but it sadly doesn't rescue the film from sheer mediocrity.

Moonstalker (1989) is a movie that was highly recommended by @jvetrano1 (Jeff) and is currently available on YouTube. The storyline follows a group that decides to go camping in the winter. They didn't know the area they picked is on the land where some historical tragic events took place for a family...and the family is still there. Some members of the family are in better shape than the others, and this may be the chance for revenge the family has been looking for.

This movie is written and directed by Michael S. O'Rourke (Deadly Love) and stars Blake Gibbons (Dexter), John Marzilli (Tales from the Darkside), Michael Capellupo (A Promise) and Kelly Mullis (How I Met Your Mother).

The storyline for this is absolutely perfect for the slasher genre - there's a great backstory, worthwhile settings and eerie circumstances. Even the background music was well selected and it possesses a relatable motivated killer. Unfortunately, the kills aren't as good as the setup, and this definitely could have used a special effects guru like Tom Savini to pull this through to iconic status. There was some cool scenes, like the "coming around the mountain" song ending. I also loved the final scene with the killer, which was classic 80s.

Overall, this is a must see for 80s slasher fans that just missed out on being a cult classic due to needing a little more gore in the kill scenes. I would score this a 6/10 and strongly recommend it.

In a straight-jacket, hood, chains and brandishing an axe, Moonstalker's crazed killer Bernie makes for a memorably imposing maniac, which is why it's a shame when he swaps this distinctive garb for a cowboy hat, dark glasses and and a plaid shirt. But even though he loses a lot of his mystique with this change of outfit, the drooling psycho remains as mean as ever, killing off most of the film's cast before the closing credits. Along the way there's quite a bit of hokey gore (rubbery body parts and splashes of blood), just a little female nudity (one of the girls strips off to take a shower with a young man), and, with the film taking place at a wilderness counselor's camp on a snowy mountain, lots of sitting around camp fires (in the film's most macabre moment, even the dead enjoy a sing-song around a roaring fire).

It's certainly no classic, but as low-budget late '80s slashers go, you could definitely do a lot worse than Moonstalker: the film is never boring, the sub-zero setting is a nice change from the traditional summer camp, the characters are likeable (the girls are all very pretty, which helps), and no-one is safe, which makes it one of the less predictable examples of the genre. Only the score really disappoints: it's a third-rate rip-off of John Carpenter's iconic music for Halloween.