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O Centro do Mundo

Título original: The Center of the World
  • 2001
  • Unrated
  • 1 h 28 min
AVALIAÇÃO DA IMDb
5,8/10
5,4 mil
SUA AVALIAÇÃO
O Centro do Mundo (2001)
Home Video Trailer from Artisan
Reproduzir trailer1:00
2 vídeos
27 fotos
Drama psicológicoRomance sensualDramaRomance

Um engenheiro de computação de sucesso conhece uma stripper em um café. Ele oferece a ela $ 10.000 e ela oferece 3 dias e noites sem penetração em Las Vegas.Um engenheiro de computação de sucesso conhece uma stripper em um café. Ele oferece a ela $ 10.000 e ela oferece 3 dias e noites sem penetração em Las Vegas.Um engenheiro de computação de sucesso conhece uma stripper em um café. Ele oferece a ela $ 10.000 e ela oferece 3 dias e noites sem penetração em Las Vegas.

  • Direção
    • Wayne Wang
  • Roteiristas
    • Wayne Wang
    • Miranda July
    • Paul Auster
  • Artistas
    • Shane Edelman
    • Balthazar Getty
    • Molly Parker
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,8/10
    5,4 mil
    SUA AVALIAÇÃO
    • Direção
      • Wayne Wang
    • Roteiristas
      • Wayne Wang
      • Miranda July
      • Paul Auster
    • Artistas
      • Shane Edelman
      • Balthazar Getty
      • Molly Parker
    • 77Avaliações de usuários
    • 65Avaliações da crítica
    • 44Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos2

    The Center of the World
    Trailer 1:00
    The Center of the World
    Center Of The World: They Don't Look Like You
    Clip 2:01
    Center Of The World: They Don't Look Like You
    Center Of The World: They Don't Look Like You
    Clip 2:01
    Center Of The World: They Don't Look Like You

    Fotos27

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    + 19
    Ver pôster

    Elenco principal22

    Editar
    Shane Edelman
    Shane Edelman
    • Porter
    Balthazar Getty
    Balthazar Getty
    • Brian Pivano
    Molly Parker
    Molly Parker
    • Florence
    Peter Sarsgaard
    Peter Sarsgaard
    • Richard Longman
    Maryjane Green
    Maryjane Green
    • Lap Dancer
    • (as Karry Brown)
    Alisha Klass
    Alisha Klass
    • Pandora Stripper
    Mel Gorham
    Mel Gorham
    • Roxanne
    Lisa Newlan
    • Porn Site Woman
    Jason McCabe
    • Pete
    • (as Jason Mccabe Calacanis)
    Travis Miljan
    • Dog Owner
    Jerry Sherman
    • Old Man
    Carla Gugino
    Carla Gugino
    • Jerri
    Pat Morita
    Pat Morita
    • Taxi Driver
    Robert Lefkowitz
    • Motel Manager
    John Lombardo
    • Gondolier
    Kathy Florez
    • Maid
    Ian Gomez
    Ian Gomez
    • Delivery Man
    Alison Amberley
      • Direção
        • Wayne Wang
      • Roteiristas
        • Wayne Wang
        • Miranda July
        • Paul Auster
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários77

      5,85.4K
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      Avaliações em destaque

      benjm

      Interesting for the Right Person

      I thought this movie was a very worthwhile rental. However, it is not for everyone. Here is what I enjoyed:

      1. Extremely convincing acting; 2. Sophisticated scripting and edits; 3. Intelligent dialog; 4. Interesting use of digital video (think grainy "Blair Witch" shots); 5. Some hot sex scenes; 6. Characters that interested me; 7. Deals with very raw and real emotions for these characters; 8. Director doesn't spoon feed the viewer. Some things in the scenes are better left unsaid, and they are left implicit for the viewer to grasp. I enjoy being treated as intelligent; 9. I appreciate the take on the dark side of Internet wiz-kids; 10. The movie succeeded in getting me to feel the mood of the characters very well. The feelings you are left with after watching the film--the ambiguity, the desire, the bitter-sweet frustration, even the slight weariness--enhanced the impact of the film for me.

      What you May Not Care For:

      1. Was I able to relate to the main male character only because I am a male involved in high-tech field?

      2. Very slow pace. This is about burning emotions, coy dialog, and appreciation of believable acting. It's very cerebral. Not a typical drama by any means.

      3. If you want to see even more sex, then rent a porn film. The sex here is not just about sex, but about adult loneliness and other adult themes.

      4. There is a lot of subtle symbolism and fragments of dialog that you have to pay attention to get the most out of the film.

      5. Many people who did not groove with the director as a whole would think the beginning, middle and ending was too slow and not satisfying.

      6. If you don't appreciate the challenge of shooting realistic looking digital video in poorly-lit situations you may think the photography sucked. I didn't, it worked for me, but it's not for everyone.

      7. Confusing cross-cutting scenes forward and backward in time. I thought it was very appropriate, but it could annoy others looking for simpler fare.

      8. Too many things left unsaid in the dialog to be totally clear what is going on. I liked this, thought if very appropriate for what the characters were experiencing, and it made it feel much more voyeuristic, even kinky. Again, not for everyone.

      9. You may not be able to get beyond the fact you are supposed to feel sorry for an Internet Wiz Millionaire and a confused young stripper who gets paid a lot of money for one weekend in Vegas. On the hand, they are still just two human beens and that is, I think, the whole point...

      10. If you are a horny person looking for naked woman with big boobs I think the film will leave you, well, kind of flat.

      In short, an interesting film for a young guy involved in high-tech and likes to think...
      Swampfox

      UNEVEN FILM, BUT WHAT A PERFORMANCE

      If you decide to rent this film or catch it on HBO (which seems to run it several times a month these days), know up front that it is uneven and ultimately doesn't really end up anywhere interesting. The writer/director Wang was trapped with only two possible outcomes, granted. But after the level of trust his performers put into him, he owed them and us something more satisfying than where the movie takes the audience. However, the performance of Molly Parker makes watching this film more than worth the failings of the script.

      No one, NO ONE, came close to what she does in this film that year. If you have any respect left for the choices the Academy of Motion Picture Arts and Sciences members, not to mention most of the critic groups, don't watch this movie. The fact that Parker was completely overlooked, while Julie Robert's over-hyped, far-short-of-spectacular turn in ERIN BROCKOVICH got the accolades, shows what total rubbish these critical popularity horse races really are. In CENTER OF THE WORLD Parker gives an astoundingly brave performance. Yet it is the nuanced, subtle touches that show the viewer her character's shifting attitudes that make it such a stand-out job.

      Without a single line of expository dialogue to illuminate the internal one, one can follow the character's struggle to maintain the control she thought she had on her own emotions. The idea that some young people have the wisdom of adults without having had the experiences to form that wisdom and what happens when they face situations that test them in a similiar fashion is very intriguing. Its a shame the film cannot match the effort Parker puts into it. Peter Sarsgaard does a 180 degree flip from his turn in BOYS DON'T CRY and while not as amazing as Parker, he does fine job too. His character is more of a now stock one: the brilliant guy with immature sexual development.

      But above all else, bravo Ms Parker, BRAVO!
      postmanwhoalwaysringstwice

      Filmic Art in Digital

      To the best of my knowledge "The Center of the World" was shot on a digital camera. If this is the case, then that was a very wise choice for the material and tone of the same. "The Center of the World" is an intellectual adult's version of "Pretty Woman" (although, I couldn't help but notice a few similarities to Egoyam's "Exotica"). On the most basic level is where we leave "Pretty Woman", however. This film is definitely not for all tastes, but that would be a loss for those folks. "The Center of the World" has a lot to say about human sexuality, loneliness, and money and the simple link between them in this modern-age. It's about the loss of human contact and connection between people in the same room; it's about perception and misjudgment. Additionally, there's a very primal ritual running through the sex scenes in this film that speaks volumes about human evolution versus technological evolution. There's a lot here and I don't want to ruin it for anyone by continuing my rant.
      riprock

      A fine film that will be misunderstood

      The Center of the World is a film that will separate the careful, thoughtful viewers of cinema from the tourists. Understandably, an unrated movie about a stripper and her client heading to Las Vegas for a three-day long, $10,000.00 lap dance is bound to attract a certain crowd. And most of them will be disappointed. The audience will probably split three ways: Those that are going to be disappointed because it isn't `Pretty Woman', those that will be disappointed that it isn't `sexier', and those careful viewers that will realize the film is neither Hollywood romance nor full-on pornography.

      The Center of the World is about human contact as commerce. Both characters supply it. Richard through the internet company he works for, and Florence at Pandora's Box, the strip club where she sells carefully controlled human contact for `$60.00 for two songs.' Ironically, both characters are cut off from what most people would consider normal contact by the fact that they `sell' a specialized form of it. Florence by the rules of her job and Richard by the multiple computers screens he cannot seem to get away from.

      The characters are somewhat comfortable in their respective situations until they leave the controlled environments with which they have set up for themselves and with which they are familiar. Even in one of the least real places on earth, Las Vegas, real human contact sneaks in and screws things up. As they start to get to know each other and deal with sometimes mundane and sometimes intense situations, Richard mistakes it for something deeper and Florence sees it for what it is but retreats back into her role as the untouchable stripper. Neither character seems comfortable with normal contact. Florence certainly doesn't want it from someone who pays to see her naked body and Richard seems ill equipped to handle even a normal relationship, let alone one that starts with $10,000.00 cash changing hands.

      Viewers looking for a fairytale will be just as disappointed as those looking for hardcore porn. Yes, there is explicit nudity. But it's cold, calculated nudity. Nudity stripped of it's erotic power. Yes, there is a pretty stripper and rich guy willing to pay for love. But he isn't Richard Gere and she isn't Julia Roberts and this isn't Hollywood.
      mdinfo1

      Very sensual and daring

      It's hard to find a truly erotic movie made in America. Most mainstream films have little sex/no nudity and a whole lot of violence. And what constitutes "erotic art" in films is made up horribly contrived, unbelievable Cinemax/Playboy movies. That lack any real heat and are amazingly unsexy and boring.

      So a film like "Center of the World" is a rare gem. It actually is sensual, erotic and the participants in the sex scenes seem comfortable and actually engaged in what they are doing. The scenes do not come off as awkward or simulated. Which is the challenge for any film director. To make the audience believe what they are seeing is real.

      What's special here is that a great actress who one would actually like to see do nudity/sexual material, has the lead female role. There's no body doubles here and Molly seems really comfortable with the nudity and explicit sex scenes. She looks absolutely gorgeous throughout the movie. And is not the traditional, cookie butter starlet that is churned out in a 1,001 Cinemax skin flicks.

      Hollywood should make more of these films. Unfortunately, I think during this age of "sexual repression" in the arts, our natural human sexual needs will continue to be hidden from view on both the big and small screens.

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      Interesses relacionados

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      Enredo

      Editar

      Você sabia?

      Editar
      • Curiosidades
        The scene of Florence's character engaging in masturbation was performed by porn actress Alisha Klass, not Molly Parker.
      • Erros de gravação
        When Jerri is yelling at Florence in the hotel room, the crew and equipment are reflected in the mirror.
      • Citações

        Florence: Women want to feel desired. And men love it when their women make that extra effort to be desirable. After all, without sex, none of us would be born. And we are all born out of a woman's cunt. It is the center of the world. And the more we can do to glorify that holy spot, the more we're doing for mankind.

      • Cenas durante ou pós-créditos
        The opening credits are done as if they were just typed at the moment the image is on the screen. As such, there are typos which get back-spaced and then quickly fixed.
      • Conexões
        Featured in Siskel & Ebert & the Movies: Freddy Got Fingered/The Body/Crocodile Dundee in Los Angeles/The Center of the World/Keep the River on Your Right (2001)
      • Trilhas sonoras
        Black Cat Bone
        Written by Guy Fixsen and Margaret Fiedler

        Performed by Laika

        Courtesy of Too Pure Records (Beggars Banquet)

      Principais escolhas

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      Perguntas frequentes17

      • How long is The Center of the World?Fornecido pela Alexa

      Detalhes

      Editar
      • Data de lançamento
        • 18 de maio de 2001 (Itália)
      • País de origem
        • Estados Unidos da América
      • Idioma
        • Inglês
      • Também conhecido como
        • El centro del mundo
      • Locações de filme
        • Santa Clarita, Califórnia, EUA
      • Empresas de produção
        • Artisan Entertainment
        • Redeemable Features
      • Consulte mais créditos da empresa na IMDbPro

      Bilheteria

      Editar
      • Faturamento bruto nos EUA e Canadá
        • US$ 1.101.344
      • Fim de semana de estreia nos EUA e Canadá
        • US$ 67.809
        • 22 de abr. de 2001
      • Faturamento bruto mundial
        • US$ 1.460.687
      Veja informações detalhadas da bilheteria no IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        • 1 h 28 min(88 min)
      • Cor
        • Color
        • Black and White
      • Mixagem de som
        • Dolby Digital
      • Proporção
        • 1.85 : 1

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