Beatrice e o Monstro

NO SUCH THING (3 outta 5 stars) A weird kind of project for indy art movie writer/director Hal Hartley... a modern day version of "Beauty and the Beast". A heavily made-up Robert John Burke is "The Beast", a near-immortal monster living as far from humanity as he can. Unfortunately, people still keep seeking him out, causing him to respond with violence. All he really wants is the peace of death... and when pretty, young reporter Sarah Polley is taken to him as a sort of sacrifice he offers to spare her life if she'll help him find a missing scientist who may be able to grant him his fondest wish. The movie starts out well... the monster gets some funny, earthy dialogue and the tentative relationship with "The Beauty" doesn't seem too forced. Towards the end, however, the story seems to fall apart a bit... becoming less believable and a little unfocused. The movie concludes in grand "art movie" style... with a series of arty crosscuts and fades that look very stylish... but don't really bring things to a satisfying close.

Hal Hartley's strange tale opens with a monster giving a soliloquy in the vein of the sad reflection that Count Dracula makes on his condition, while Jonathan Harker listens, in Werner Herzog's "Nosferatu". The story alternates between modern settings of a television network and the home in Iceland of a legendary monster that -as in "King Kong"- will become a victim of the manipulative methods of the communication media (with Helen Mirren in charge.) The scenes dealing with the reserved journalist (Sarah Polley in an outstanding underacted performance) surviving a plane crash, meeting a community of weirdoes in Iceland and finally facing the monster, are the most attractive; the following is rather clichéd, though this endearing monster (who looks like a rock star) keeps making until the end, insightful comments on human beings, when we were still creeping "to reach the shore", and our destructive ways. 8/10.

The plot of No Such Thing is the kind that dreams are often made of, it is weird yet it has something in the way of a narrative.

Sarah Polley flies to Iceland in search of her missing fiancée only to discover beast dressed in a 17th century outfit, drinking his life away from depression. He wants to die, but he cannot, because he is indescribable. The forces of man's world cannot harm him. Polley, offers to help him by brining him back to civilization. They are searching for a famed doctor who has managed to manipulate the law of physics to create a force that 'may' be strong enough to break this unbreakable monster, but first, the monster has to clean up his act.

I have always liked Sarah Polley, I think that was why I was drawn to this film. The idea was intriguing, and the film certainly is, but that does not necisarily make it good. No Such thing has no such idea of what it wants to be. Sometimes it is happy, sometimes sad, sometimes cute and sometimes grim. One thing that is consistent is it's inconstancy.

Perhaps the best way to look at No Such Thing would be to call it a twisted take on Beauty and the Beast. Even if watched this approach, it is not so easy to fall in love with the movie. Polley and her large warty co star make a poor screen couple, and they have very little to say to each other. The screenplay is mostly dialogue for the sake of dialogue.

The film keeps you going, so I wouldn't call it disappointing, but the climax is way too short and contrived, and it is followed by an almost non existent ending. It the kind that wakes you wanna ask, 'What was this all about?'

I would imagine most people who have viewed No Such Thing have asked that very question when it ended. If you wanna join the list be my guest. For better or worse, it is a very weird tale.

Hal Hartley is an original film maker. With this film, which I recently saw in DVD form, he presents us a modern day parable about the media an its influence on our lives.

It's curious to see how ahead of his times Mr. Hartley is when he deals with paranoia, even before the attacks of 9/11, in his own subtle way. It was not intentional, I'm sure, but he proves to have a keen eye for what was coming.

The film is not one of Mr. Hartley's best, but we see his sure hand behind all what he is trying to do here. He is working with a cast that is working with him for the first time, with the exception of Robert John Burke, the Monster. Sarah Polley, is one of the best actresses working in movies these days. Her Beatrice is a study in contrasts. Also excellent, as always, is Helen Mirren, Beatrice's boss who is ruthless, arrogant, and manipulative. She knows the secret of how to get attention in the worst possible ways. Julie Christie makes a rare appearance as a kind doctor who befriends Beatrice.

The scenery in Iceland is magnificent and Mr. Hartley captures it brilliantly.

Imagine that the original "Outer Limits" folks remade "King Kong" in their standard monster style and you have a good idea of "No Such Thing's" look and feel. Then throw in a little "Mighty Joe Young" banter, "Beauty and the Beast fashions", and "The Song of Bernadette" for good measure.

The film is a stylistic masterpiece and the banter between the beast and Beatrice (Sarah Polley) is surreal comedy at its best. If you enjoy quirky and subtly off-kilter films then the superficial story of "No Such Thing" will be a real pleasure in itself. Don't let frustration over the underlying meaning ruin the fun during the first viewing-just go with it.

The DVD does not contain a director's commentary so the viewer is left to speculate on just what this thing is really about; what themes Hartley is serious about and to what degree the obvious themes are just there for parody and laughs.

My retrospective take is that it is about the interplay of evolution and intelligent design, with the monster an artifact left over from creation. God created the monster, knowing that humankind needs fear for motivation. He expected us to have evolved beyond fear and hate of each other long before now, creating a need for the monster. But this did not happen, making the monster irrelevant and God disillusioned with humankind. Both he and the monster are bored with the stupidity they see.

God decides to intervene so the monster can go away and be put out of it's misery. He chooses Beatrice for this mission and she goes through a miracle survival experience to heighten her appreciation for life and to give her a distanced perspective free of fear and hate (the plane was going to crash with no survivors). Sarah Polley is perfectly cast as Beatrice; her Beatrice is somehow both detached and expressive. If you enjoy Polley you will love this character.

Virginia Woolf: Someone has to die Leonard, in order that the rest of us should value life more.