Missão Kashmir

Overall I really enjoyed the nearly 3 hour epic ride of "Mission Kashmir". But I couldn't help but cringe at times when it took on a bit of a political bent that clearly favored one side over the other in the India-Pakistan battle over Kashmir. It's not that I disagree or agree with the stance, but just that it was a bit heavy-handed at times. The way the heroes and villains were portrayed stylistically gave away the ending. The bad guys looked and acted like monsters, the good guys were smiling family men. And of the bad guys who looked good? Well you just knew it was a matter of time that they would change their ways. The action kept the movie going at a brisk pace, though I found these scenes to be the least exciting. I was more moved by the human interplay between the characters. But the highlight for me were the musical scenes; in particular, I loved one scene where the misguided hero finds his long lost childhood girlfriend on the set of a song and dance performance. It was so electrifying I had a hard time staying in my seat.

Overall, I liked this movie, and as a newcomer to Indian cinema, I look forward to seeing many more. (7 out of 10)

When I saw KHAMOSH, also directed by Vidhu Vinod Chopra, I thought it was the worst movie ever. I thought that Chopra was a terrible director. Then, I saw MISSION KASHMIR.

MISSION KASHMIR has a rather confusing line if you don't follow it completely. Inayat Khan (Sanjay Dutt) is a Kashmiri cop whose son falls from a second-story window by accident. No doctor treats the boy in fear of a fatwah issued by a terrorist named Malik-ul-Khan. The boy dies.

Blinded with fury, Khan organizes a raid on a house Malik-ul-Khan is staying at. Unknown to the police, the house is owned by an innocent family of four and Malik-ul-Khan is there merely as an uninvited guest. During the raid, all terrorists and almost all members of the family are shot down. The only survivor is the ten-year-old boy Altaaf.

Khan adopts Altaaf, but is continuously fearing that the boy will one day realize that he was the masked man who killed his family. One day, Altaaf finds the mask and realizes the truth. He attempts to murder his foster father and runs away.

Years later, an ex-Mujahiddin Pathan radical terrorist named Hilal (brilliantly portrayed by Jackie Shroff) is in search of a brave soldier to help him in his jihad and in a top secret mission code-named Mission Kashmir. Who else does he pick, but his "baccha" (child) Altaaf (Hrithik Roshan)?

Along the way, we meet the beautiful and playful TV reporter Sufiya Pervez (Preity Zinta).

MISSION KASHMIR is no ordinary action movie. It is actually more of a drama set on a violent background. Don't misunderstand me; action lovers will be thrilled by this film.

The special effects of MISSION KASHMIR are extraordinary and the music and songs are the best I've seen in years. One thing I used to dislike about many films was that there would be songs where they did not belong. The songs here are well-worded and absolutely appropriate.

Jackie Shroff's portrayal of Hilal is equally outstanding. One can take a look at his eyes and realize that this man is a fanatic.

If MISSION KASHMIR were an American film, it would receive the Academy Award for Best Picture, Best Actor (Hrithik Roshan), Best Actress (Preity Zinta), Best Director (Vidhu Vinod Chopra), Best Supporting Actor (Jackie Shroff), Best Supporting Actress (Sonali Kulkarni), Best Music, and Best Special Effects.

Simply an outstanding film.

9.5 out of 10

A shikara sits on a still lake, the beauty of Kashmir resplendent in the background, a hazy mist clutching the mountains; it is quiet, calm, still. The stillness is shattered by an explosion, the Shikara is in flames to the strains of "dhuan dhuan" in the background, as if to reiterate the point of a burning Kashmir, once a stunning land, now ravaged by repression and terrorism, eaten by fear, divided by politics in the name of religion.... ...This movie is not a stereotype bollywood movie,its a mixture of an art movie & a commercial movie,a battle between love & hatred...MK is a DIFFERENT BRICK IN THE WALL..Technically, the film is on par with any Hollywood film with a bombastic climax....It truly gives a picture of the beauty of kashmir & its culture.I know some people feel it has not done that well despite huge commercial expectations at the box office.. but it turned out to be an international blockbuster, ranking among the top 50 rentals in the US and dubbed into most major languages around the world.Mission Kashmir is not an ordinary movie,even Hollywood can feel ashamed in front of such an extraordinary masterpiece with cutting-edge cinematic techniques and state-of-the-art sound direction. ,it is easily one of the finest Hindi films ever with flawless direction, mesmerizing locations, pleasant music,hi-fi special effects and some stunning performances by almost everyone in the cast, this really makes for a great movie experience.Vidhu Vinod Chopra captures the essence of Kashmir so beautifully that by the end of the movie you actually start feeling proud to have such a heavenly place in your country.The movies raises a hope that after all the mishaps that's going in kashmir, there will be peace. after the dark, there will be a morning. and love and peace will en cover the Kashmir. the Dal lake will again be filled with heavenly water replacing the live explosives.. The climax of the movie was the best climax I have seen in this genre..,the fight sequence,especially the technique... of Normal and Slow motion shots syncronised with sound... This end sequence would have been less than seen without that great artwork (Old and almost ruined wooden house with lifelike cobwebs and not to forget the swamps),.....excellent cinematography,innovative camera work,beautiful sets and awesome action sequences(one of the best in world cinema)makes this movie an unforgettable classic.The location in the climax shot at the dal lake was mind-blowing,the scene in which the lotus sub-merged was a true portrayal of kashmir under terrorism.Its a realistic movie dealing with terrorism,the weak point is confusing story line if you don't follow it properly & secondly some songs were not required to be there during some parts of the movie.Hrithik was awesome in the movie so as Sanjay and every other actor,Jackie Shroff who was once tortured by the Soviets in Afghanistan now runs a jihad against India funded by two shadowy agents and, behind them an equally shadowy Osama bin Laden look-alike. Indians should learn to praise such a gem movie instead of copying Hollywood flicks.Mission Kashmir is a masterpiece which can not be made again and again,if it would have been an American movie,it would have surely won the Oscar.Vidhu Vinod Chopra has made a cracker of a film, weaving together an intelligent and responsible film, blending and balancing big action with emotion and feeling, almost perfectly. MK is not just about bombs ,missiles & guns,it also has flowers,beautiful shikaras,excellent music,religion,innocence,love & romance.If you are a typical masala movie lover,this one is not for you but if you have the creativity and an artistic eye this one is a must watch for you....! Mission Kashmir is a realist yet artistic portrayal of terrorism and strife in... it is truly a patriotic movie must watch for every Indian,....a dedication to Kashmiriyat, the centuries old tradition of religious tolerance and harmony..!

Rating: 8.5 out of 10 Reviewed by: Mohammad Ali Ikram

There are certain movies that are inherently difficult to rate. I know I have had this dilemma in the past with movies like Ishq and Dil Kya Kare. The former because the glamour, comedy and the performances were just too fun that I initially forgave all the melodrama and the beaten-to-death story-line. (On repeated viewings, I usually skipped the post-interval proceedings.) The latter suffered from a commercial-look wannabe syndrome, but the performances and the hard to comprehend motivations of the characters were most enticing. Now, Vidhu Vinod Chopra's Mission: Kashmir puts me in the same boat again. Undoubtedly, this is a very good film from one of our top directors, but Chopra's choice of story to complement the magnificence of every other aspect of his movie, brings the film down a few rungs from Classic status.

So first the down-side. The tale commences with Inspector Inayat Khan (Sanjay Dutt) and his wife, Neelima (Sonali Kulkarni) living in eternal bliss amongst the beauty of the disputed territory. Or so it seems until their only child dies of a domestic accident because no doctor is willing to medically attend to him as a result of a fatwa by a radical separatist (Puru Raajkumar). The Inspector is expectedly angered and troubled by his son's "murder" and in his police force's mission to eradicate the separatist clan, they unfortunately let loose also on a family of innocents. Altaf (a young Hrithik Roshan), is orphaned and traumatized in the police act, and Neelima insists Inayat and she adopt the young child to fill the void in their own lives. (And to compensate for the Inspector's guilt.) So far, so good. There's trouble in paradise (pun intended) when Altaf quickly discovers the identity of his family's killer and devotes the rest of his life to the cause of eliminating Inayat Khan from the planet. He joins forces with Hilal Kohistani (Jackie Shroff), a materialistically minded terrorist, who will help the bachcha in exchange for Altaf spear-heading Hilal's treaturous Mission Kashmir, a plan to enable Kashmir become an Independent State.

Now you hopefully see my problem. The movie lapses too quickly into the sub-plot of terrorist without a cause and it dwells on it too long. For a movie about Kashmiriyat, the narrative focus on terrorism is too much. (Yes, terrorism is undoubtedly a problem in the region, but other recent directors have already tackled this topic numerous times in Roja, Maachis, Dil Se, Hu Tu Tu and most recently, Fiza.) So if you can forgive the familiar story-line, you're in for a major treat elsewhere. Vinod Chopra uses enough other pawns to keep you glued to your seat for each and every minute of his ode to Kashmiriyat.

First witness, the unparalleled technical quality of the movie. Symbolism and metaphors (courtesy screenplay assistance of a US university professors and novelist) compliment the visuals, serving as blessings in disguise to the numbed brains of commercial film-goers such as myself. Of course, Binod Pradhan's cinematography of each and every breath-taking crevice of Kashmir helps demonstrate how we South East Asians are destroying one of God's greatest gifts to mankind.

The editing is sharp and quick in The Matrix-inspired action sequences, yet soft and transitory in the more dramatic and emotional moments of the movie. (The action sequences are a major highlight, particularly the awesome and stylized climax-based ones.) And the music, above all, is apparently authentic Kashmiri-folk. (The dances are unique, though I will admit I found some of them a bit too unusual to my naive tastes.) Shankar-Ehsaan and Loy know how important it is to use musical background themes to enhance a scene's mood and punctuate the dialogues.

Performances too, are first rate. I have never seen Sanjay Dutt give such a raw and heart-felt performance. He is the true star of the movie. (Here's an actor who has learned that it is never too late to defy convention and type-casting in his acting career.) Hrithik is raw and effective, excelling most in the action sequences (but most will notice how this role is almost an extension of his angry young man act from the recent Fiza.) Preity Zinta is gorgeous and disarming as always with her natural effervesence in the supporting role of Altaf's childhood love, Sufiya Parvez. And Jackie excels in a brooding and menacing performance which is unfortunately underwritten. (Then again, Jackie always steals the scenery in Vinod's films.) Only Sonali Kulkarni disappointed. What I found distracting about her talent is that her face and body language is most emotive, which is a rare aptitude for even the biggest talents, but her voice is stunningly wooden. She needs a quick course in voice modulation.

What then to conclude about Mission Kashmir? Yes, it is a must see, and likely one I will watch at least a half-dozen times more in the future. And so it will grow on me, a rare quality for movies which usually fade in their appeal over time. I must commend Vidhu Vinod Chopra for always making films from the heart. The problem remains for him that the average filmgoer wants instant gratification, not a movie that takes time to sink into your system. Let's see if this Mission proves me wrong.

To an American, especially a post-9/11 American, the idea of a "terrorist musical" would seem outrageous and naive. It would be grossly unfair to make fun of this film in that way, though; MK defies classification in Hollywood genres. The diapason of themes in this movie is impressive and, to quote Roger Ebert, one actually cares what happens to these people, even the unholy maker-of-fatwas Hilal. A young man's flirtation with extremism is teated, as well as the little-understood Hindu-Moslem, and little-known Russian-Pathan dynamics. I loved the scenery and cinematography, and was very interested to hear about the symbolism from the other IMDb commenter's.