O Alvo Errado

This is a movie that uses one of those "clever" dirty tricks that the writer ought to have avoided: It's analyzing itself so tightly that, according to its own analysis, it is necessarily a masterpiece. It's blowing its own trumpet. It's too self-aware. And the pity is that it doesn't need it. It starts out slow, but it's actually a very good story, which should have been allowed to run its course *au naturel*, without the over-analytical commentary by Critical Jim. This, for me, is the main reason why this movie fails to garner more than a 6 out of 10.

Another reason is, as I said, it starts out too slow. It takes too long to get into high gear. It has too little to engage the viewer. For half the movie, the only thing that makes you want to spend your time on it is Portia de Rossi's prettiness. To be a really good movie, it needed to have had a number of more attractive elements, be they pretty women or interesting plot turns.

Not that this would stick in your head, but...it's an enjoyable caper movie. We get to see TIm Allen playing against type, Christian Slater doing his eyebrow thing), Richard Dreyfuss as a wizened mentor (sort of a criminal Yoda), and Portia DeRossi looking gorgeous.

The story is mostly told in flashback form, as a bound Christian Slater relates his tale to hitman Allen. It's predictable at times, but worth a look, especially on video. I understand it hasn't had a wide theatrical release in the US yet, and that makes a certain amount of sense. It's just not violent or flashy enough for the average US filmgoer. Oh well. Everyone's missing out on a good natured, likable film.

Best line, from Allen to Slater: "Has anyone ever told you you sound EXACTLY like Jack Nicholson?"

Not a bad film at all. Considering some of the rubbish that makes big money this was smart enough to keep me interested. Obviously the flashback driven structure is a bit predictable and cheesy, but I have seen way dumber films this year. I don't know about Tim Allen's casting though - it wasn't a disaster but it didn't quite do the business for me. Kudos to him for playing against type, but he was too warm for what is by definition a muderous criminal (I think Nicholas Cage or Robert Duvall might have nailed this part). Overall this could have been much worse,, ( imagine Ms. J Roberts as the love interest.) The plot was fine if a little contrived, and the constant movie references wore a bit thin presented as they were. Competent enough though, it a pity that it didn't have have a bit more je n'est ce quio. Still more challenging than the recent skywalker ranch product if you're in the video store

WHO IS CLETUS TOUT is one of those movies that is surprisingly better than expectations will allow. Christian Slater plays a con who gets mistaken for a man wanted by the mob, and Tim Allen is a hitman who needs a reality check. There's a lot of chuckles to be had, and the film as a whole works.

6 out of 10

I almost avoided this flick because the title didn't do anything for me. That may have been what happened to it when it was in general release because it sank pretty quickly. A movie-buff friend of mine recommended it, so I put it on my Netflix list and finally popped it into the player.

Cletis Tout turned out to be great fun. I enjoyed the interwoven flashbacks and the comments made by Critical Jim (played by Tim Allen). Christian Slater plays a take-off on his usual slimy lying characters by playing a crook who tells the truth.

It helps to have seen some of the movies that Critical Jim riffs on as Finch's story unfolds, but that's not completely necessary. Pop a bottle of wine with a couple of friends some Friday night and enjoy this movie.