Assunto de Meninas

At age 25, Piper Perabo plays the most challenging of all her roles to date. Although the film may fall short in many areas from its direction, supporting acting, its ending, and overall moral, Piper is pure poetry in this Coming of Age, dramatic love story of Youth. Yes, the film is very strong in some areas that makes the overall production fall short. Even though Piper is wonderful, she could not save the film. If you are gay, you will respect this film. Will you enjoy it, is up to the individual. It is a strong story, and far from a comedy about girls in an all girl school. Many of its late night viewers who watch this on their cable station in the middle of the night will get the wrong idea what kind of film this is by its log line. It is far from your b-movie status, where everybody gets naked and has a good time. This movie aims high to be powerful, and sadly falls short. Mischa Barton, the little dead girl under the bed in the Sixth Sense is also in this film. She too is amazing at the age of 16. Keep your eyes on this one, she just may be the next big thing to hit the big screen.

Lost and Delirious is an awkward, but strikingly earnest film. The story deals with a love affair between two girls at an exclusive prep school as witnessed by their roommate. Mischa Barton plays Mary, the new girl at school who quickly realizes that the two girls she shares a room with are a good deal more than just friends. Paulie (Perabo) is an outspoken girl with a troubled past, and Tori is a privileged girl from a more traditional family.

The first time Mary catches Paulie and Tori kissing on a rooftop in the middle of the night, she assumes they are only practicing for future encounters with boys. Soon enough, the two are sharing a bed in the nude, and the sounds they are making through the night leave little doubt as to what is going on. Mary accepts their relationship, and the three seem on their way to being good friends. Things take a turn for the worst when Tori's younger sister walks in the room one morning and catches Tori in the nude with Paulie. It's absolutely astonishing to see how fast Tori pushes Paulie away from that moment on. Tori explains that her parents would basically disown her if they found out. She spreads the word around campus that Paulie is actually a sexual predator who crawls in bed with her from time to time.

Tori ends up being a rather unlikeable character as the film progresses. She immediately hooks up with a boy from a nearby school, and openly flaunts the fact that Paulie means nothing to her. We know this isn't true from the start, however. Notice the agony on her face after she walks away from explaining to her little sister how there's nothing between herself and Paulie. She even goes as far as telling Paulie that she'll never love anyone else as much. All this after dumping and ridiculing her! Is this supposed to make Paulie feel better about being dumped? Anyway, enough about Tori...

Piper Perabo steals the show as Paulie. Her character would best be described as dangerously romantic and obsessive. She loves Tori more than could easily be explained here. Her constant public displays of devotion leave nothing to the imagination about how she feels. At one point, she even challenges Tori's new boyfriend to a duel in the nearby woods. There is nothing anyone can do to console Paulie or curb her obsession. At one point, even Mary is taken under her spell until loving memories of her late mother seem to bring her back to reality. Paulie has nothing like that to fall back on. Once she sees that she will never be with Tori, it can only end tragically for her. Piper Perabo needs to be in better films like this one. No more Cheaper by the Dozens or Coyote Uglys, please! This is not your typical film about teen love to say the least. Although this film has a few flaws, you will not soon forget it after seeing it. To see such devotion for one person from another is rare, even in movies. There are sex scenes, and they are handled honestly and tastefully. The film will no doubt remind all of its viewers about their most painful crushes, regardless of whom they may have been for. There are a few minor side plots that may not seem to fit with the central theme of this film, but overall you will likely find it a rewarding experience. And you have been warned: this film will probably depress you.

8 of 10 stars.

The Hound

Another great movie by Léa Pool (La Demoiselle sauvage, Emporte-moi).

This is not a lesbian-film, it's a film about love, about the happiness and the pain that goes with it. It's a true and poignant movie, but also very evocative and profound. The acting is excellent by the three lead characters: Piper Perabo, Jessica Paré and Mischa Barton. They're really in it. Because you see, almost everybody, sometimes in their life, get through a period like these girls are going. Who hasn't been completely shattered by a relationship that's going nowhere or simply doesn't lift up? Funny parts too: especially those with the gardener offering some words of advice to Mouse. Léa Pool makes also good use of the slow-motion to describe the pain, the emotion, the passion. In all, a movie that should be seen.

Seen at the Devonshire Odeon Cinema, in Windsor (Ontario), on August 21st, 2001.

85/100 (***½)

This movie has almost nothing in common with its insiration "The Wives of Bath". The movie does have everything to do with single minded love that turns to obsession. Piper Perabo as Paulie plays the role of her career, far surpassing anything else she has appeared in to date (although in Coyote Ugly she is beguiling!)

Jessiaca Pare plays the part of Tory well, and in some scenes steals the show with beautifully played emotions and torn loyalties. I have yet to see Jessica reach the heights of emotion she portrayed in this movie.

The movie ends very weakly, and in my view drawing the curtain a few minutes earlier would have made L&D almost perfect. Well done Lea Pool on one of the movies that made same sex love acceptable and better understood. Shame that it did not have a wider audience at the time of its release.

There are few words to describe a movie such as "Lost and Delirious." The most conspicuous being "beautiful." No matter what your views may be on homosexuality, there isn't a person out there who can truly say that they did not feel the tremendous pain that Paulie felt when Tori walked out of her life. Every camera angle, tape speed, background, audio effects...everything...in this movie is absolutely perfect. I've never seen anything like it. The only other picture I can remember of this same artistic caliber would be John Duigan's 1998 film "Lawn Dogs." However, even it does not leave you with the emotional sting that "Lost and Delirious" does. The bottom line is, do NOT rule out this film because of the basis of it's storyline. It is not all about the sexual relations & lesbian activity. It is very much a deep look into the human spirit.