Invencível

Invincible (Werner Herzog).

Set in the years before WWII, a simpleton cum Jewish Pole strong man, was recruited by a German mystic cum showman, who's intent on dressing him up into Aryan legends, to perform legendary feats of strength on a hybrid cabaret-like show for Nazis patrons?

I wouldn't believe it either, but its supposedly inspired by a true story. Thank god for the inspiration of mad geniuses!

I laughed so hard at the first few chapters of this movie, its embarassing. But I regretted my rash reaction by film's midpoint. For what was deemed funny early on (weird mix of acting styles, idiosyncratic dramatic developments, and outlandishly funny English accents etc), got into me like second skin. And I realised by some point, I have seen one of the most oddly "moving" films in recent memory.

Two words, child-like innocence (or was it three?). Whatever. This flick me liked and it comes with my highest recommendation. Watch it, and learn.

Next up, Herzog's Heart of Glass.....

This is a film about a Jewish young man who witnessed the hatred and discrimination towards the Jews by the German Nazis before the Second World War.

I found the first half of the film boring. It was slow, and there was not much to offer. The scenes were not emotional, and lack climax. The acting was bad too, as the actors lacked emotion. It only plainly told the viewers what happened in Berlin's entertainment shows. Zishe was indeed very strong, and the film concentrated on this aspect. The director filmed many shots of Zishe lifting very heavy weights, bending metal object etc. However, all these displays become like a bodybuilding show.

The second half of the movie was more pleasant to watch. Zishe saw the Nazis starting to harm the Jews, and he urged the Jews to leave Germany. However, no one believed him. In this latter half, there are more scenes which makes people think. For example, there was a scene which Zishe walked among an island full of red crabs. I think it means that the Jews were like the red crabs, they could not escape from the island.

In the end, Zishe died of an infection caused by a wound in the leg. His death was two days before the Second World War. I think the directors want to carry a secret message here. As Zishe was the hero among the Jewish population in Germany, his death means that even the strongest Jew could die. Without Zishe the Jewish population became vulnerable. Then two days after that, extermination of the Jews began. Overall, I think this film is thought provoking, but the acting is not good. The actors and actresses showed no emotion, and the story is not convincing.

I just saw this touching movie at the Stockholm Film Festival, and I have to say Herzog is still as poignant, charming and direct in his storytelling as ever. Not afraid to cast people who just have pure feelings, no plastic acting-by-the-book moves and more than one and a half expressions on their faces.

The frame of the story is a little jewish village in Poland in 1932, where a big family lives a poor but happy life. The eldest and the youngest sons, Zishe and Benjamin, mocked by some people as the thick and the thin, lead us through thick and thin of their lives. Based on a true story, the legend of the Invincible Zishe Breitbart, played bravely and somewhat charmingly naive by Jouko Ahola (the 1997 and 1999 strongest man), still is told among the jewish people. A man who accepted his physical strength as the gift of God, and thereby felt obliged to define his goal by that call. When he gets hired at a varieté in Berlin, he finds himself confronted with the Nazis, his strange employer Jan Hanussen, played by the impressive Tim Roth, who wants to sell him off as Siegfried, a blond, germanic hero who can even lift an elephant. It is obvious that Zishe has to decide whether he wants to deny his identity or rather become a Samson and fight for who he is. A touch of romance is added by the real life concert pianist Anna Gourari, who is almost over-acting, almost resembling a silent movie actress.

A very international, very special cast. Told in a simple, poetic and beautifully photographed way, Herzog manages to make you overlook the only downside of the whole movie: the bad language, german spiced english.

For people who care more about the persons than the action, this movie comes highly recommended.

Werner Herzog has always been one of my favorite filmmakers and it was hard to keep up with him when I joined the military so this was the first film of his I have seen in a theater since "Fitzcarraldo". I did like this film but its clearly not one of his best. As I watched this film I could not help but think of the other actors Herzog has used in the past and how they could be cast in this film. Of course Tim Roth would have had Klaus Kinski in his role. Eva Mattes would be Marta who's played by Anna Gourari and how many times has Herzog used a non actor in the lead? The cinematography is terrific and the period is beautifully detailed. The music is by Hans Zimmer and he is a legend but his score doesn't evoke the same haunting sounds that Popol Vuh did. I didn't mind the fact that Jouko Ahola as Zishe cannot act. He really isn't suppose to. Herzog is going for a more realistic response to the complexities of what is going on around him. Herzog has done this before with Bruno S. Tim Roth is excellent and I also liked the charm of Anna Gourari. And its always good to see Udo Kier! This film is certainly not up to "Aguirre" or "Nosferatu" or "Fitzcarraldo" but it is better than "Kaspar Hauser". Not great but its pure Herzog.

A film broadcast at 2am on channel 4 and starring Tim Roth ! I remember the last movie broadcast on channel 4 with Tim Roth in the credits which was THE WAR ZONE , one of the few movies I've regretted watching due to the depressing content and since INVINCIBLE centres around the birth of Nazism I wasn't expecting too many uplifting moments but I certainly recommend Werner Herzog's strange and interesting drama based on a true story

!!!! SPOILERS !!!!

In a Polish town the circus arrives and blacksmith's son Zishe Brietbart beats the strongman in a competition and impressed with Zishe's physical strength a theater agent signs him up where he performs at Berlin's Cabaret Of The Occult which is owned by Danish nobleman Hanussen . Since it's 1932 the Nazis are on the rise so Hanussen reinvents Zishe as " Siegfried " and shows his predominantly Nazi audience the physical strength of this Ayran . Hanussen shows this as proof of Ayran superiority while at the same time impressing his audience with his own occult powers . However despite his own naked opportunist agenda Hanussen has a secret of his own that he doesn't want known to his audience ...

Some people may claim how ridiculously ironic it is having a Jew pretending to be an Ayran strongman in order to put forward a racist agenda but this I feel is the whole point of the story which one has a feeling has been turned into a fable rather than a story that has stuck to rigid facts . Certainly the most bitter irony about the rise of Nazism is that one of the architects of Nazi philosophy Alfred Rosenberg had a Jewish name while Hitler , Heydrich and Eichmann were of Jewish descent themselves ( Though technically not Jews - According to tradition if your mother wasn't a Jew neither are you ) so people with an irony deficency will have a problem understanding this beautiful and intelligent film

And I don't apologise for thinking this is a beautiful and intelligent film , it might not have the reputation of Herzog's other films like the painfully overrated FITZCARRALDO but it's one I can certainly recommend for a mainstream audience . However there is one serious flaw that stands out and that is the casting of Jouko Ahola as Zishe . You do get the gut instinct that Herzog wanted to cast a certain Austrian body builder turned politician in the lead role and it's impossible to watch Ahola without being reminded of Big Arnie except Ahola is an even more wooden actor and his lack of thespian skills is made even more obvious when he's playing opposite Tim Roth is one of his most impressive roles which slightly damages the movie