AVALIAÇÃO DA IMDb
6,4/10
14 mil
SUA AVALIAÇÃO
Em 1942, uma jovem escocesa, Charlotte Gray, se oferece para ser recrutada como agente secreta na França ocupada pelos nazistas, na esperança de reencontrar o homem que ama, um piloto que es... Ler tudoEm 1942, uma jovem escocesa, Charlotte Gray, se oferece para ser recrutada como agente secreta na França ocupada pelos nazistas, na esperança de reencontrar o homem que ama, um piloto que está desaparecido.Em 1942, uma jovem escocesa, Charlotte Gray, se oferece para ser recrutada como agente secreta na França ocupada pelos nazistas, na esperança de reencontrar o homem que ama, um piloto que está desaparecido.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 6 indicações no total
Rupert Penry-Jones
- Peter Gregory
- (as Rupert Penry Jones)
Mathew Plato
- Jacob
- (as Matthew Plato)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
If nothing else, the superb cinematography makes Charlotte Grey a winner. The picture is filmed through a creative and sensitive eye with wonderful angles, evocative moods and sensitive textures and shades. The rain and snow outside the train window in the opening scenes is somehow just so right. But photography aside, this is a gripping and well acted work that will satisfy fans of both war movies and love stories. Michael Gambon gives an Oscar worthy performance. It's also so nice to see a film that does not have one of those dreadful syrupy and impractical happy endings. Not that it's a totally sad ending. Call it a bitter sweet ending. In any case this film is an absolute delight from the titles to the closing scene.
In the midst of WWII, Charlotte Gray (Cate Blanchett) falls for dashing pilot Peter Gregory. She is recruited into the secret service since she spent time in France and is fluent. When Peter is lost behind the lines, she pushes to get the courier job for the French Resistance. Only she has the ulterior motive to find her missing love. Once on french soil, she finds french communist fighter Julien Levade (Billy Crudup).
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
This is an utterly old fashion melodrama. That has less to do with the setting or time period. It has more to do with the style and the subject matter. The romance has no time to develop and has a very superficial manufactured old romance novel feel. Other than a pretty face, there is nothing to justify the grand romance being depicted. It would probably be more compelling to have this about a family member. Cate Blanchett is a truly wonderful actress, and any positives from this movie are all due to her. There is a sense of danger but it doesn't persist. Director Gillian Armstrong has made a beautiful movie. It just doesn't have better passion or excitement.
This film has a genuine feel for the grand old tradition of Hollywood war romances. It's elegantly crafted escapism of the highest order, beautiful to look at, with the added bonus of an intelligent script and great performances all around. As I've seen time and again where poor endings mar otherwise good films, I'm always keen on how the curtain falls. This one had what I felt was a great curtain line that nicely tied in the heroine's odyssey of identity confusion and moral ambiguity in the shadow world of undercover war espionage (a "gray" that was more than just her name) to her eventual discovery of self, strength, and purpose as her true character is slowly forged in the crucible of danger and strife. As war brings out the very worst of qualities in humanity, so too can heightened expressions of bravery, compassion, and loyalty serve to greatly ennoble the human spirit in times of blood and sorrow. The movie does a nice job of highlighting that theme in several of its characters. Cate Blanchett does a wonderful job with the title role and this film is a strong 9 out of 10.
Pretty dreadful adaptation of Faulks' novel.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
Gillian Armstrong presents a sanitised version of the book, with much of the meat of Charlotte Gray's relationships removed. Unfortunately the story hangs off the intensity of these relationships she has - with Cannerly and Lavade in particular who are never really given screen time to develop. The acting is pretty dull, and the actors are not really helped by the witheringly dull script. Gambon does his best with what little he is given in the role of Lavade, as does Ron Cook as Mirabel, but Crudup and Blanchett are just not firing on all cylinders. Maybe this is because the story has been so acutely edited, paring away all the extraneous parts of the story but in the end offering a sequence of events that create no tension either as a thriller or a romance.
My other gripe is the art direction. This looks like a made-for-TV drama, with the costumes and mis-en-scene looking fresh, clean and unused. This drama is based in the 1940s during a war, life was dirty and shabby. Armstrong and her production designer give us an unrealistic picture of wartime France and Britain.
Unfortunately this is really just an average British Television Period Drama.
Serendipity! This relatively unknown movie -why?- is another compelling showcase of Blanchett's talent. She kept the storyline moving along and engages the audience with her wonderful camera presence. She is believable as our heroine because of her chemistry with both male interests, make resolve with her vulnerabilities, yet still able to be strong as a secret agent should and providing a motherly side, sheltering little ones from harsh truths in dangerous times.
France's beautiful & panoramic countryside was the backdrop during WW2. The clothing, locale and props of the period seem authentic. The actors delivered their parts very well, contributing credibility to the story's basis. Charlotte Gray conveys what people undergo and learn about the world and themselves in dreadfully gripping circumstances.
Realistic, moving, tear-dropping!
France's beautiful & panoramic countryside was the backdrop during WW2. The clothing, locale and props of the period seem authentic. The actors delivered their parts very well, contributing credibility to the story's basis. Charlotte Gray conveys what people undergo and learn about the world and themselves in dreadfully gripping circumstances.
Realistic, moving, tear-dropping!
Você sabia?
- CuriosidadesThe true story of Nancy "White Mouse" Wake inspired Sebastian Faulks' 1999 novel Charlotte Gray upon which this movie was based. Australian Prime Minister Julia Gillard said Mrs. Wake was "a truly remarkable individual whose selfless valor and tenacity will never be forgotten." Born in New Zealand, but raised in Australia, she is credited with helping hundreds of Allied personnel escape from occupied France. Working as a journalist in Europe, she interviewed Adolf Hitler in Vienna in 1933 and then vowed to fight against his persecution of Jews. After the fall of France in 1940, Mrs. Wake became a French Resistance courier and later a saboteur and spy, setting up escape routes and sabotaging German installations, saving hundreds of Allied lives. She worked for British Special Operations and was parachuted into France in April 1944 before D-Day to deliver weapons to French Resistance fighters. At one point, she was top of the Gestapo's most wanted list. "Freedom is the only thing worth living for. While I was doing that work, I used to think it didn't matter if I died, because without freedom, there was no point in living", Mrs. Wake once said of her wartime exploits. It was only after the liberation of France that she learned her husband, French businessman Henri Fiocca, had been tortured and killed by the Gestapo for refusing to give her up. She was Australia's most decorated servicewoman, and one of the most decorated Allied servicewomen of World War II. France awarded her its highest honor, the Legion D'Honneur. She also received Britain's George Medal, and the U.S. Medal of Freedom. In 2004, she was made Companion of the Order of Australia. She died in London on August 8, 2011 at the age of ninety-eight.
- Erros de gravaçãoThe German colors during the Nazi Regime were actually Black, White and Red. These were also the colors of the N.S.D.A.P. and were present on the shield of the German helmets of the Wehrmacht and all of the flags at this time. So the Bundesrepublik Deutschland (West German) colors of Black, Red and Yellow are not appropriate for the film.
- Citações
Psychiatrist: Of these three, which in your view is the most important: Faith, hope or love?
Charlotte Gray: Hope.
- Trilhas sonorasBlack Eyed Susan Brown
Master performed by Phil Harris and his orchestra featuring The Three Ambassadors
By courtesy Hindsight Records
Written by Al Hoffman and Al Goodhart
Published by Keith Prowse Music Publishing Co Ltd
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- How long is Charlotte Gray?Fornecido pela Alexa
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- Data de lançamento
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- Também conhecido como
- Charlotte Gray
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 741.394
- Fim de semana de estreia nos EUA e Canadá
- US$ 46.271
- 30 de dez. de 2001
- Faturamento bruto mundial
- US$ 5.323.109
- Tempo de duração
- 2 h 1 min(121 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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