Matadora de Aluguel

This movie is very good except for the ending.It is suppose to be a surprise to me it was a let down and a big one at that.The story is well construct you come to care for the two main characters and then wham the ending.I own a few of those movies with that ending but this one it does not work at all.Sam and Crystal goes through so much together to end this way is stupid.I can't explain without revealing this bad ending so see the movie it is good only the last 4 minutes are stupid.The acting is very good except one character you see only three times,what is she in this movie I don't know.That's why the ending is so bad.But see it it is worth the price of the renting.I give it a 7 out of ten,I was so mad when I saw the ending that I give it a 7 but on the whole movie beside my reservation on the ending it is worth a 9 out of ten.

I liked this movie right from the beginning. It's obvious by the way it looks that it isn't a blockbuster, but it certainly was entertaining, moody, and well executed. I especially liked the music, which added to the atmosphere of the film, and was written by former Prince band members Wendy & Lisa. It stars the lovely Natasha Henstridge as a mysterious woman who wanders into a small bookshop looking for work. The dubious owner is sceptical at first, and refuses her request even though he is attracted to her. But he is soon drawn to her, as he witnesses her being run over as she leaves his store. Many good plot twists and turns follow, in this stylish thriller.

But the ending was unsatisfying, and left me wanting more.

This dark mystery/thriller begins well enough, but it gets increasingly implausible until by the end it loses most of its credibility. Crystal Ball (Natasha Henstridge) walks into a second hand bookstore owned by Sam Kane (Angus MacFadyen) ostensibly to apply for a job. Upon leaving, she is hit by a car. Sam takes her to the hospital and cares for her while she recovers. The impact causes her to lose her memory, so she doesn't know who she is or where she lives. The two fall in love and then Crystal suddenly remembers that she was sent by Merv Gutman (Peter Fonda) to kill Sam because Merv thinks Sam stole money from him. The film goes through a number of gyrations including confrontations between Crystal and her boyfriend Tommy G (Liam Waite), Crystal and Merv, Sam and Tommy G, Sam and Merv, Crystal and Sam, etc., etc.

The plot has a few interesting twists, but the dialogue is banal and many of the scenes drag. However, for a film made on a $3.5 Million budget, director Darrell Roodt delivers some excellent photography and shows himself to be talented at creating powerful imagery.

If there are two things that stand out from this film, they are the talents of Roodt and Henstridge. Roodt gives the images style and richness with interesting perspective shots and a number of beautiful location shots. I'd like to see him get a more prominent project where he can put his talents to work. Natasha Henstridge carries the film with an excellent performance that should portend a shot at meatier roles in the future. Her striking appearance and superior acting ability is made even more obvious playing against journeyman Angus MacFadyen, whose performance here helps validate his relegation to supporting roles throughout his career. MacFayden is stiff and forced, contributing little to the believability of his character. As mediocre as MacFayden is, Liam Waite is worse. Peter Fonda gives a nefarious performance in a minor role.

This film isn't bad for a B movie and shows twinkles on the horizon for Roodt and Henstridge. I rated it a 6/10. With a stronger screenplay, it could have been very entertaining.

Pretty decent film noir, well acted, gets better as it goes along. Then a stupid tacked on surprise ending blows all sense of reality. God I hate it when they do that. Sure I was surprised. Why wouldn't I be? Why would I expect an ending that nothing suggested and that negates everything I've seen before? The movie has charismatic leads (Henstridge has done a lot of bad stuff, but she's very good here in what I can only describe as the Linda Fiorentino part), Peter Fonda is sho'nuff creepy as the villain, Liam Waite (Henstridge's real life partner) is convincing as a hit man, and Angus MacFadyn makes a believable hero. There are some nice (believable) twists and earned climaxes along the way. Some clichés, yes (amnesia). But all in all, a very good time until the silly betcha-didn't-see-that-coming, surprise-is-everything last couple of minutes. Oh well, life is full of disappointments.

Nothing quite appears as it seems, right up to the unexpected twist at the end. All the characters have some kind of hidden agenda. Most of the actors were unknown to me, except for Fonda and his was a minor part at best; but I think it was very well acted, directed, and the cinematography was very well done. All in all, I think it was a pretty cool movie.