The Zookeeper

'The Zookeeper' tells a harrowing and moving tale of Ludovic, an ex-communist now zookeeper, who chooses to stay back at war torn Czech Republic in order to take care of the animals. He is regularly visited and harassed by militants (who have already taken Ludovic's only companion, a vet, into their custody) that interrupt his solitude. Suddenly he encounters a young boy and then not much time later, his armed mother shows up to seek refuge. Protecting them would ensure risking his own life. During this ordeal, the three, though at times conflicted, manage to find some solace in taking care of the animals while experiencing constant fear for their own lives and the sadness in losing some of the animals due to the ice cold weather.

Made on a decent budget, the zoo setting is well constructed and the actors' interaction with the animals feels genuine. The director manages to draw the viewer into the story and engage them. While we do care about the characters we also worry about the poor animals who already spent their whole lives in captivity and now during the war there is no escape for them. We are comforted to see the three protagonists do their best to keep them safe but the death scenes are heartbreaking. The screenplay is solid and sticks to the main story. The characters are well developed and the dialogues are good. Ralph Zimen shows clever use of symbolism.

Sam Neill may be an unusual choice but he carries off the title role very well. It couldn't have been an easy role to play but the actor demonstrates his skills effectively. Gina McKee is a very underrated actress and this is one of the few movies that does justice to her immense talent. The actress is sublime. Javor Loznica does a fantastic job by being restrained and explosive when required. Om Puri makes a strong impression in a small role.

I liked the novel concept of the story. How often does one get to see a movie set in a zoo during a civil war? 'The Zookeeper' is a story about courage, survival, love and sacrifice. We see Ludovic transform into this caring person risking his own life to protect Ankiza and her son. We see Ankiza, who was raped and tortured and is now a hardened soldier who still retains the loving and compassionate side of her own self. Then there's young Zioig who forces himself to be an adult and use a gun but who still hasn't lost his innocence and compassion as is evident in his interaction with the animals. Even though one can see the ending coming, it is superbly done. 'The Zookeeper' is one powerful film that deserves multiple viewing.

Screenplay writer Matthew Bishop and co-writer/director Ralph Ziman's independently produced 'The Zookeeper' is unfairly, mostly unknown. It features above-average production values and an unusual but interesting performance by Sam Neil. Neil plays an ex-communist party member who has denounced the party and hidden himself away as an attendant in an unspecified Eastern European Zoo. Filmed on location in the Czech Republic, it tells a story that will have all too often unfolded within many war-torn European communities - where communist troops arrive and exert their control.

The emotionally challenged Zookeeper tends his animal charges alone - while attempting to remain neutral of the war raging around his unique boundaries. This won't be easy as there are others also wanting to escape the outside trauma - these come in the form of a young boy and one of his parents. The internationally sourced budget includes many well-executed scenes involving explosions and it's all expertly captured on film by prize-winning Polish cinematographer Piotr Kuklar.

There's also an effective music score by Nikolaj Egelund, supplying a haunting soundscape within the eerie shut-down zoological grounds. Popular American wildlife trainer Steve Martin (Water For Elephants '11) acted as head trainer for all the zoo animals. Acclaimed Indian actor Om Puri (Ghost and the Darkness) also appears as the vet.

The Beyond DVD offers good image and sound - this is a film deserving of better public recognition.

This follows Ludovic, a former Communist who tries to protect the animals in a zoo in Eastern Europe, in a time of conflict, until the U.N. forces arrive. He tries to ignore the proximity and behavior of an armed group of nationalists, until he is confronted by a young boy. This has three excellent actors, all from different countries, Neill, Ulrich and Puri. Every performance is magnificent. Granted, English is the only language spoken, and accents aren't necessarily spot-on, but that can be forgiven. This is very strong, suspenseful and exciting, and I was caught completely off-guard several places. It captures the chaos and uncertainty of the situation absolutely perfectly. Quite dramatic. The writing is good, and it develops rather smoothly. Pacing is fitting. Cinematography and editing are great. The DVD has two featurettes, a regular making-of, and one that deals with an actual keeper, in Sarajevo, whose interview is translated vocally into American. Both are well-done and worth the time. This has relatively infrequent moderate to harsh cussing, as well as violence and disturbing content. I recommend this to anyone who watches films about the way war affects the civilians. 8/10

The Zookeeper is one of the better-kept secrets of Sam Neill's career. After emerging from the commercial experience of Jurassic Park 3, the actor started work on something of completely different caliber, a moving drama set amidst the tumultuous background of an east European civil war. That film's director, Ralph Ziman, is that rarity in mainstream cinema: a creator of some political consciousness. It's a characteristic he showed in his first film Hearts And Mind (1996) set in Praetoria, which focused on a death squad assassin aiming to infiltrate the National African Congress. According to those who have seen it, the result was memorable but it remains obstinately unavailable on DVD, and so almost completely unknown to most viewers. After working on a pop video collection, presumably to pay the rent between serious assignments, Ziman took a number of years to develop what is by all accounts something of a pet project for him, The Zookeeper. It's a film which communicates a similar feeling of political unease, again focusing on the various costs, private and public, of social upheaval and ideological conflict.

Neill was a deliberate casting choice for the role of Ludovic, the disillusioned party member now animal keeper in some unnamed, conflict-ridden east European city, a character estranged from his former beliefs, his daughter (now living in Paris and sending recriminatory letters) and, ultimately, himself. In Ziman's co-written script, Ludovic's zoo is under direct threat from street fighting partisans while the keeper determines to keep it a 'sanctuary' from the constant shelling outside. Underlying all are the realities of the Bosnian conflict, the spectre of ethnic cleansing hovering on the zoo's doorstep. During the first part of the film, as the underpaid and frightened zoo staff disappear off, Ludovic gradually finds himself looking after the entire establishment with just the vet (Indian actor Om Puri) helping with animal care. Soon however local warlord Yeltsov (Marek Vasut, here frighteningly malevolent, seen more recently in The League Of Extraordinary Gentlemen and Van Helsing) enters the compound, and the keeper is left to fend with his animals alone.

There's an obvious metaphor to proceedings as Ludovic watches over the creatures in his own institution while outside a different, and far more dangerous, set of beasts prowl the streets. Yeltsov's brigands even call themselves 'The Young Lions' and adopt a zoo cub as a mascot - a moment which, as they hold it up for a group photograph, reminds one of the genocidal Nazi commander and his lemur in Come And See. Haunted by his past and unspecified crimes he committed while in a position of power, the question is whether Ludovic stays put either through a need to escape from the war outside and his own conscience, or through a genuine need to look after the animals. The situation is complicated by the arrival of the young widow Ankica (Gina McKee) and her son, both looking for respite and refuge after their personal experience of war atrocities. Ankica discover a more sensitive and regretful Ludovic when she comes across his private journals - but then the war intrudes again into their humanistic enclave.

The Zookeeper can be compared to No Man's Land, awarded the best foreign language film Oscar in the same year. Both cover the same contemporary events, although Ziman's film is the more intimate of the two, less satirical. In both, blue helmeted UN peacekeepers are in evidence although in The Zookeeper they are barely noticeable, standing impotent in the background. And whereas No Man's Land focuses more on the predicament of soldiery trapped in trenches, the present film finds its heart within the civilian Ludovic. He who, whilst in a uniform of his own (that of an animal keeper, in which he still takes pathetic pride), answers to no misguided loyalties on any side.

When we first see Ludovic he is roused from his bed, awoken by a dawn raid in the street outside - a moment that momentarily recalls the anxieties of The Pianist (2002). As he proceeds to and from his work, beset in turn by self doubts, moral isolationism and the demands of checkpoint guards, Neill gives an excellent browbeaten performance, his doomed gravitas conveying exactly the increasingly shell-shocked, anguished zoo employee, too many lives weighing in his grasp. Chief among the other pleasures of the film are the superb set, apparently constructed on an abandoned military base, but entirely convincing as a 'found' location. And as a corollary to Ludovic's own moral predicament, the rundown buildings containing despairing and bewildered wildlife are entirely apposite. The Zookeeper's supporting cast are also uniformly excellent.

Given the plight of the animals it would be too easy for the film to sentimentalise events and Ziman to his credit largely avoids this pitfall. The initial cremation of the big cat, the later burning of the Monkey House and the deaths in the wolf pen are all handled with restraint and during these events, Ludovic mostly internalises his grief and suffering. In fact this is the film's weakness; the zoo keeper's hidden journals and his grudging feelings towards the young family all indicate a sensitive man - especially in comparison with the callous Yeltsov - all but crushed by circumstance but still, grimly, hanging on. His story would have been helped and enriched by an opening-out towards the end in words as well as action, although the mute significance of holding hands - a motion signifying human connectiveness, which appears at key moments during the film - has its own articulate power.

While no masterpiece, The Zookeeper is well worth tracking down and it is puzzling why it has had such limited exposure on DVD. As far as I can discover it only appears on a region four disc.

Featuring one of Sam Neill's finest performances, this is an incredibly moving war drama about the human tragedy that is military oppression. Set in a zoo in the Balkans during a bombing siege, the film is gritty and realistic as well as poetically allegorical, showing the effects of war on both man and beast.

When a young boy and his mother come seeking shelter from the fascist paramilitaries rounding up all those who are not "patriots" (featuring a fantastic supporting performance by Ulrik Thomsen as their leader), Sam Neill's Zookeeper finds himself forced to come to terms with the mess he's made of his own life.

Why has this film not been widely distributed? Anyone who liked The Piano will love this! The audience is waiting!