Um jovem aventureiro chamado Milo Thatch se junta a um grupo intrépido de exploradores para encontrar o misterioso continente perdido da Atlântida.Um jovem aventureiro chamado Milo Thatch se junta a um grupo intrépido de exploradores para encontrar o misterioso continente perdido da Atlântida.Um jovem aventureiro chamado Milo Thatch se junta a um grupo intrépido de exploradores para encontrar o misterioso continente perdido da Atlântida.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias e 14 indicações no total
Michael J. Fox
- Milo
- (narração)
Jim Varney
- Cookie
- (narração)
Corey Burton
- Moliere
- (narração)
Claudia Christian
- Helga
- (narração)
James Garner
- Rourke
- (narração)
John Mahoney
- Preston Whitmore
- (narração)
Phil Morris
- Dr. Sweet
- (narração)
Leonard Nimoy
- Atlantean King
- (narração)
Don Novello
- Vinny
- (narração)
Jacqueline Obradors
- Audrey
- (narração)
Florence Stanley
- Mrs. Packard
- (narração)
David Ogden Stiers
- Mr. Harcourt
- (narração)
Natalie Strom
- Young Kida
- (narração)
Cree Summer
- Princess Kida
- (narração)
Jim Cummings
- Additional Voices
- (narração)
Patrick Pinney
- Additional Voices
- (narração)
- (as Pat Pinney)
Steven Barr
- Additional Voices
- (narração)
- (as Steve Barr)
Avaliações em destaque
Maybe it's because it doesn't follow the typical Disney formula, but this fun, interesting, and hits on some relevant points about dreams, ambitions, and human greed. If you're looking for a dashing prince to save a beautiful princess, go watch another movie. If you want a movie that is enjoyable to watch again and again, watch this one. While character development varies, it's not hard to like the characters. Even the antagonists are likable, in the way that only villains can be. The animation style is different than most other Disney films, and personally, I like it.
This is one of those movies Disney has kind of swept under the rug and forgotten about, for reasons I don't understand. Kida is not featured with the rest of the Disney Princesses, (even though she is one of many who are actually princesses within their world of origin). This is another nuance I don't understand, and it, sadly, only serves to prove just how under-appreciated this movie is.
This is one of those movies Disney has kind of swept under the rug and forgotten about, for reasons I don't understand. Kida is not featured with the rest of the Disney Princesses, (even though she is one of many who are actually princesses within their world of origin). This is another nuance I don't understand, and it, sadly, only serves to prove just how under-appreciated this movie is.
Atlantis: The Lost Empire could very well be Disney's most ambitious animated feature to date. It features intense, merciless scenes of battle and peril, depicted in some of the most stunning and fresh animation of the 2000's decade. The bravery and the thought process behind the film was nonetheless detailed, involved, and intricate, yet its payoff was pretty sour.
We'll discuss that later. The film centers around Milo Thatch (voiced by Michael J. Fox), a brainy cartographer and linguist who works for the Smithsonian Institution studying the language and the environment that existed in the lost continent of Atlantis. He believes he possesses directions to the underwater world of Atlantis, in a book called "The Shepherd's Journal." After getting shut down by the museum board to pursue the costly adventure, Milo conveniently meets Preston B. Whitmore (Mahoney), a millionaire who offers to send Milo and an already organized crew down to the depths of the oceans to search for Atlantis, all expenses paid.
Milo accepts and goes on to meet his band of misfits. They are gentle giant Dr. Sweet (Morris), explosives expert Vinny (Novello), teenage mechanic Audrey (Obradors), crabby Mrs. Packard (Stanley), chef Cookie (the late Jim Varney), and quirky Mole (Burton), whom are all lead by Commander Rourke (Garner). Together, they plumb the depths to search for the continent of Atlantis, and get more than they bargained for along the way.
The film's animation is lively, bright, and visually intelligent. It almost looks like scattered scenes from a comic book, that have come to life. The film was released in 2001, and unfortunately, found itself caught in the awkward time where animation was beginning to change drastically. Just one month before the release of Atlantis, came Shrek, a runaway hit shooting Dreamworks' popularity up to the stars. Not to mention, just a few years before that, we had A Bug's Life, Toy Story, and its sequel - all CGI animated features. Hand drawn animation was quickly decimating, and kids and parents blamelessly began looking elsewhere. That elsewhere was the brighter, more sophisticated color scheme of CGI; a method that would eventually transform animation forever.
Atlantis: The Lost Empire was victim of poor timing and unfair judgement, when in reality, it's a breathtaking adventure. It's not perfect, but it's a great leap from traditional Disney clichés such as soft music, cheery characters, and sing-a-longs. That might also be the reason why many parents were turned off as well. The film is very swashbuckling and adventurous. Some of the scenes of peril are frightening, intense, and very, very serious. The PG-rating is the not the thing you're used to seeing on a Disney film, and because of that, this found itself a bit blacklisted.
Because of all the uncertainty of where a project like this go, Atlantis's gross was a modest one, especially for animated films, and failed to drum up a significant amount of revenue. Because of this failure, a sequel, titled "Shards of Chaos," a spin off series titled "Team Atlantis," and a water-ride at Disneyland were all canceled. Disney was clearly anticipating a breakthrough success, but sadly, it all vanished before their eyes, and Atlantis: The Lost Empire would bring one word to people's minds; underwhelming.
Despite a few things lacking, like credible character development of Milo's crew, Atlantis is a wonderful adventure. It almost reminds me of a more attractive, animated Pirates of the Caribbean before the films even came out. The risk of releasing the film was high, but Disney took the chance, and as a result, created an attractive animated film with style, wit, and action galore. How many failed risks can one say that about? Voiced by: Michael J. Fox, Jim Varney, Cree Summer, Claudia Christian, James Garner, Corey Burton, John Mahoney, Phil Morris, Leonard Nimoy, Don Novello, Jacqueline Obradors, and Florence Stanley. Directed by: Gary Trousdale and Kirk Wise.
We'll discuss that later. The film centers around Milo Thatch (voiced by Michael J. Fox), a brainy cartographer and linguist who works for the Smithsonian Institution studying the language and the environment that existed in the lost continent of Atlantis. He believes he possesses directions to the underwater world of Atlantis, in a book called "The Shepherd's Journal." After getting shut down by the museum board to pursue the costly adventure, Milo conveniently meets Preston B. Whitmore (Mahoney), a millionaire who offers to send Milo and an already organized crew down to the depths of the oceans to search for Atlantis, all expenses paid.
Milo accepts and goes on to meet his band of misfits. They are gentle giant Dr. Sweet (Morris), explosives expert Vinny (Novello), teenage mechanic Audrey (Obradors), crabby Mrs. Packard (Stanley), chef Cookie (the late Jim Varney), and quirky Mole (Burton), whom are all lead by Commander Rourke (Garner). Together, they plumb the depths to search for the continent of Atlantis, and get more than they bargained for along the way.
The film's animation is lively, bright, and visually intelligent. It almost looks like scattered scenes from a comic book, that have come to life. The film was released in 2001, and unfortunately, found itself caught in the awkward time where animation was beginning to change drastically. Just one month before the release of Atlantis, came Shrek, a runaway hit shooting Dreamworks' popularity up to the stars. Not to mention, just a few years before that, we had A Bug's Life, Toy Story, and its sequel - all CGI animated features. Hand drawn animation was quickly decimating, and kids and parents blamelessly began looking elsewhere. That elsewhere was the brighter, more sophisticated color scheme of CGI; a method that would eventually transform animation forever.
Atlantis: The Lost Empire was victim of poor timing and unfair judgement, when in reality, it's a breathtaking adventure. It's not perfect, but it's a great leap from traditional Disney clichés such as soft music, cheery characters, and sing-a-longs. That might also be the reason why many parents were turned off as well. The film is very swashbuckling and adventurous. Some of the scenes of peril are frightening, intense, and very, very serious. The PG-rating is the not the thing you're used to seeing on a Disney film, and because of that, this found itself a bit blacklisted.
Because of all the uncertainty of where a project like this go, Atlantis's gross was a modest one, especially for animated films, and failed to drum up a significant amount of revenue. Because of this failure, a sequel, titled "Shards of Chaos," a spin off series titled "Team Atlantis," and a water-ride at Disneyland were all canceled. Disney was clearly anticipating a breakthrough success, but sadly, it all vanished before their eyes, and Atlantis: The Lost Empire would bring one word to people's minds; underwhelming.
Despite a few things lacking, like credible character development of Milo's crew, Atlantis is a wonderful adventure. It almost reminds me of a more attractive, animated Pirates of the Caribbean before the films even came out. The risk of releasing the film was high, but Disney took the chance, and as a result, created an attractive animated film with style, wit, and action galore. How many failed risks can one say that about? Voiced by: Michael J. Fox, Jim Varney, Cree Summer, Claudia Christian, James Garner, Corey Burton, John Mahoney, Phil Morris, Leonard Nimoy, Don Novello, Jacqueline Obradors, and Florence Stanley. Directed by: Gary Trousdale and Kirk Wise.
Thank goodness Disney is making some animated features with punch! This is one. None of that eye-rolling cuteness that you usually put up with because you are with toddlers!
This film is fun, fun, fun! The characterizations are fine, the science fiction framework better than most live action films of the genre, and the art just gritty enough to be cool.
The action is fast--almost too fast! But the film covers a lot of ground (and water), so things have to move quickly. I'd like to see the sequel.
Disney's producers should take a very proud bow for making an exciting story with excellent characters. And the actors who do the voices deserve strong applause for giving the characters true depth. (The doctor was my favorite!)
More like this!
This film is fun, fun, fun! The characterizations are fine, the science fiction framework better than most live action films of the genre, and the art just gritty enough to be cool.
The action is fast--almost too fast! But the film covers a lot of ground (and water), so things have to move quickly. I'd like to see the sequel.
Disney's producers should take a very proud bow for making an exciting story with excellent characters. And the actors who do the voices deserve strong applause for giving the characters true depth. (The doctor was my favorite!)
More like this!
Here's what I knew about "Atlantis" before watching it:
* - It's officially Disney's first animated sci-fi adventure. I'm not sure how accurate that is (I like to nitpick) but it made me curious first time I heard it described.
* - The preview looked, for the most part, damn cool. Evidently, it was also "too cryptic" according to some critics after the fact.
* - It apparently did SO badly that Disney said, "Screw it, let's re-release 'Spy Kids'".
So, with all that said, how is the movie?
Hella-cool.
I'm a sucker for animated fantasy that involves stirring music and rampant special effects anyway, but "Atlantis" goes all out. It's a throwback to all the CGI eye-candy shots in "Beauty and the Beast" and "Aladdin", so much so that it's almost an effects animator's Best-Of Show. The characters maybe aren't that memorable (except, perhaps, for the ship's medical officer), and the plot's a little dull, but this isn't a movie you watch for the plot.
Here's a controversy that bothers me. The "failure" (as in, it "only" took in, like, five-hundred-million or something; I know animators who'd kill to see fifteen bucks of that) of this movie compared to the popularity of "Shrek" and "Monsters Inc." has been seen as evidence of the death of traditional animation. I don't think that's true. How do you account for the "South Park" movie? What about "Final Fantasy"? Really, the story and the artistry is everything, not the method. I don't know what Disney's comeback movie will be like, but I don't think they're out of the picture yet.
* - It's officially Disney's first animated sci-fi adventure. I'm not sure how accurate that is (I like to nitpick) but it made me curious first time I heard it described.
* - The preview looked, for the most part, damn cool. Evidently, it was also "too cryptic" according to some critics after the fact.
* - It apparently did SO badly that Disney said, "Screw it, let's re-release 'Spy Kids'".
So, with all that said, how is the movie?
Hella-cool.
I'm a sucker for animated fantasy that involves stirring music and rampant special effects anyway, but "Atlantis" goes all out. It's a throwback to all the CGI eye-candy shots in "Beauty and the Beast" and "Aladdin", so much so that it's almost an effects animator's Best-Of Show. The characters maybe aren't that memorable (except, perhaps, for the ship's medical officer), and the plot's a little dull, but this isn't a movie you watch for the plot.
Here's a controversy that bothers me. The "failure" (as in, it "only" took in, like, five-hundred-million or something; I know animators who'd kill to see fifteen bucks of that) of this movie compared to the popularity of "Shrek" and "Monsters Inc." has been seen as evidence of the death of traditional animation. I don't think that's true. How do you account for the "South Park" movie? What about "Final Fantasy"? Really, the story and the artistry is everything, not the method. I don't know what Disney's comeback movie will be like, but I don't think they're out of the picture yet.
From the animation to the side characters, Atlantis is a surprisingly awesome Disney movie. It's got action, and funny jokes, and everything you could want in an action-adventure movie. Highly recommend this one.
Você sabia?
- Curiosidades(at around 1h 25 mins) Jim Varney (Cookie) died just before finishing the film. The "I ain't so good at speechifying" line near the end is the only line not spoken by Varney. Steven Barr did the voice for that scene.
- Erros de gravação(at around 53 mins) Cookie tells Audrey that he has 'all 38 United States' as a tattoo. In 1914 the United States consisted of 48 states, but Cookie probably got his tattoo years before, maybe when the United States did consist of 38 states - between 1877 and 1890.
- Cenas durante ou pós-créditosThe Walt Disney Pictures logo is embossed onto steel.
- Versões alternativasEven though Chayanne sang "Where the Dream Takes You" in both Spanish dubs, the Latin Spanish track on Netflix and Disney+ retain Mya's version, while the Castilian Spanish track keeps Chayanne's version.
- ConexõesEdited into Curtas Animados Zen: Cityscapes (2020)
- Trilhas sonorasWhere the Dream Takes You
Lyrics by Diane Warren
Music by Diane Warren and James Newton Howard
Performed by Mya
Mya appears courtesy of A&M Records
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Atlantis: El imperio perdido
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 120.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 84.056.472
- Fim de semana de estreia nos EUA e Canadá
- US$ 329.011
- 10 de jun. de 2001
- Faturamento bruto mundial
- US$ 186.053.725
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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