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O Fantasma

  • 2000
  • Unrated
  • 1 h 27 min
AVALIAÇÃO DA IMDb
5,7/10
4,2 mil
SUA AVALIAÇÃO
O Fantasma (2000)
Dark RomancePsychological DramaDramaRomance

Adicionar um enredo no seu idiomaSérgio, a gay garbage collector, lives alone with his dog, leading a promiscuous lifestyle. Despite coworker Fátima's attraction, he rejects her advances, becoming obsessed with another man ... Ler tudoSérgio, a gay garbage collector, lives alone with his dog, leading a promiscuous lifestyle. Despite coworker Fátima's attraction, he rejects her advances, becoming obsessed with another man instead.Sérgio, a gay garbage collector, lives alone with his dog, leading a promiscuous lifestyle. Despite coworker Fátima's attraction, he rejects her advances, becoming obsessed with another man instead.

  • Direção
    • João Pedro Rodrigues
  • Roteiristas
    • João Pedro Rodrigues
    • José Neves
    • Paulo Rebelo
  • Artistas
    • Ricardo Meneses
    • Beatriz Torcato
    • Andre Barbosa
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,7/10
    4,2 mil
    SUA AVALIAÇÃO
    • Direção
      • João Pedro Rodrigues
    • Roteiristas
      • João Pedro Rodrigues
      • José Neves
      • Paulo Rebelo
    • Artistas
      • Ricardo Meneses
      • Beatriz Torcato
      • Andre Barbosa
    • 57Avaliações de usuários
    • 24Avaliações da crítica
    • 36Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 2 indicações no total

    Vídeos1

    Trailer
    Trailer 2:07
    Trailer

    Fotos36

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 30
    Ver pôster

    Elenco principal14

    Editar
    Ricardo Meneses
    • Sérgio
    Beatriz Torcato
    • Fátima
    Andre Barbosa
    • João
    • (as André Barbosa)
    Eurico Vieira
    • Virgilio
    Jorge Almeida
    • Police 1
    Salomão
    • Man with Doberman
    Joaquim Oliveira
    • Mário
    Florindo Lourenço
    • Matos
    Rodrigo Garin
    • Young man in bathroom
    Luis Zorro
    • Young man in Sergio's room
    • (as Luís Zorro)
    Maria Paola Porru
    • João's Mother
    João Rui Guerra da Mata
    • Police 2
    • (as Guerra da Mata)
    Lorde
    • Lorde
    Swing
    • Doberman
    • Direção
      • João Pedro Rodrigues
    • Roteiristas
      • João Pedro Rodrigues
      • José Neves
      • Paulo Rebelo
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários57

    5,74.2K
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    10

    Avaliações em destaque

    8richardgoldwater

    Watch the film again, with the commentary to learn about the fate of the Actor

    There is a missing piece of continuity, which the director's commentary ignores by claiming that the last third of the film is fantasy. It would be a spoiler to say what it is, but I found the transition dishonest. Worse, one learns from the commentary that every young male auditioning for the lead part had to do the solo masturbatory shower scene; hundreds did so until finding Ricardo, who was perfect. I am sure there was much enjoyment for the director to watch the auditions, but the horror comes at the sexual exploitation of Ricardo, made clear in the commentary. The director declined to use the actor again, because his body was "used up", leaving Ricardo to move back to live and farm with his mother. The director treats Ricardo as his character Sergio treats his sexual objects, controlling, and then abandoning them. I grieve for Ricardo.
    antonio_nova

    "Quench your thirst!"

    After I saw this movie here in Lisbon, I walked down the street (actually, this street appears in the movie), from the theater to the subway. It was nighttime. "QUENCH YOUR THIRST!" was scribbled in black graffiti in one of the walls of the station. This is a masterpiece.
    6valadas

    The scavenger

    What begins as a story of a homosexual young scavenger in the streets of Lisbon ends like an almost surreal wandering of a cartoon character amid images of litter and desolate sceneries. The sequences of the first half of the movie seem to show the young man's lonely course, obsessed by the love of men's bodies and motorbikes and feeling equally excited when he caresses any of them. His only friend is the dog which goes everywhere with him. This first half although made of a lot of fragmentary scenes some of them very crude and hard core, has some meaning by showing in acceptable realistic terms the young man's obsessive course. But in my opinion the final scenes twist that meaning and change something psychologically real and authentic into some rare pathologic anomaly of the mind which devalues the whole story a lot. The movie has however some value because of the convincing visual harshness of scenes in its first half, combining in a somewhat symbolic way the real garbage the scavengers have to collect with the filthy obsessions in the main character's mind in a series of simultaneously uncommon and sordid but real scenes.
    7kingsley-ervin

    An original and consistent fantasy

    What no one seems to find in the film is the gradual regression of the hero to a canine level. We begin with his attachment to his dog as the only keen affection in his life -- they kiss, fondle, etc. Like the dog, Sergio tends to judge and eventually express his erotic energy through smell (e.g. the scene where he licks the shower wall), and at the end he is wandering the heaps of refuse poking and smelling at random, as the dog does.

    His sexual hunger is probably to be passively possessed, but his culture and friends may demand a more active role. Yet he never finds satisfaction in such a role -- he rebuffs the fellow who's going down on him in the toilet -- and one imagines that what he really wants from the hunky motorcycle driver is to be assaulted and possessed by him. His loneliness and social anomie, as well as his undefined erotic drives, send him down a spiral of dehumanizing impulses until he seems to have forsaken any recognizably human responses.

    It's an interesting and original film fantasy (I agree with the comment that "eye candy", perhaps the editor's addition,indicates a pornographic intent) but too simply developed to challenge your imagination.
    biflexx

    COME ON BOYS... Let's be honest here

    This is a somewhat interesting idea - if it really went anywhere. I enjoyed the first act as the young man becomes obsessed and I hoped the film would go further and to more mature places. The film just feels like a very long excuse to watch the gorgeous young man who plays the lead with no clothes on - and he's nude constantly for those who are interested in that.There's nothing wrong with making a hot film but honestly, this goes nowhere and manages only to raise a few interesting questions and then do zero with them.

    I can't help but feel it's a protracted excuse to see this 18 year old beauty in his all his narcissistic glory. The filmmakers seem confused in their own descriptions of the action on the commentary track and seem to think that "Shocking Images" equals a strong film. Nah, not by a long shot. It's hardly the hard-hitting exploration of intense obsession it tries to be and succeeds only in being a pictorial of a this guy.

    One need only to see the "special features menu" where it lists "eye candy" and each scene of the young man in his glory is featured for added pleasure. Come on now gentlemen... who are the filmmakers and anyone who seriously watched this film kidding? I'm all for a serious, dark explorations of taboo but this is not it.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      First feature film directed by João Pedro Rodrigues.
    • Conexões
      Featured in Queersighted: Breaking Taboos (2021)

    Principais escolhas

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    Perguntas frequentes19

    • How long is O Fantasma?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 27 de abril de 2001 (Brasil)
    • País de origem
      • Portugal
    • Idioma
      • Português
    • Também conhecido como
      • The Phantom
    • Locações de filme
      • Lisboa, Portugal
    • Empresas de produção
      • Rosa Filmes
      • Rádio e Televisão de Portugal (RTP)
      • Instituto do Cinema, Audiovisual e Multimédia (ICAM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 126.783
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 10.953
      • 24 de nov. de 2002
    • Faturamento bruto mundial
      • US$ 126.783
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 27 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby
    • Proporção
      • 1.66 : 1

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