O Fantasma

Unlike the other reviewer of this movie, I thought it was a stunner. Yes, it's odd, and yes, it's shot in a lot of darkness, but I think it works. It's like a parable -- simplified, cut to the bone. We know little about the protagonist, or why he does why he does; we're just told the story, in all its bizarrerie. He seems more like a dog than a human (as his growling etc shows), but there's no pop-psychology here, no explanations, just the story of his movement into ever darker depths of bestial behaviour. It's not light, but it is extremely sexy -- the scene where he puts on a pair of old motorcycle gloves, salvaged from the garbage he collects by day, and starts to caress himself sends a shiver down the spine. Other scenes are more brutally direct, but the movie's lack of coyness makes it as refreshing as it is disquieting. I found it riveting.

This is a somewhat interesting idea - if it really went anywhere. I enjoyed the first act as the young man becomes obsessed and I hoped the film would go further and to more mature places. The film just feels like a very long excuse to watch the gorgeous young man who plays the lead with no clothes on - and he's nude constantly for those who are interested in that.There's nothing wrong with making a hot film but honestly, this goes nowhere and manages only to raise a few interesting questions and then do zero with them.

I can't help but feel it's a protracted excuse to see this 18 year old beauty in his all his narcissistic glory. The filmmakers seem confused in their own descriptions of the action on the commentary track and seem to think that "Shocking Images" equals a strong film. Nah, not by a long shot. It's hardly the hard-hitting exploration of intense obsession it tries to be and succeeds only in being a pictorial of a this guy.

One need only to see the "special features menu" where it lists "eye candy" and each scene of the young man in his glory is featured for added pleasure. Come on now gentlemen... who are the filmmakers and anyone who seriously watched this film kidding? I'm all for a serious, dark explorations of taboo but this is not it.

What no one seems to find in the film is the gradual regression of the hero to a canine level. We begin with his attachment to his dog as the only keen affection in his life -- they kiss, fondle, etc. Like the dog, Sergio tends to judge and eventually express his erotic energy through smell (e.g. the scene where he licks the shower wall), and at the end he is wandering the heaps of refuse poking and smelling at random, as the dog does.

His sexual hunger is probably to be passively possessed, but his culture and friends may demand a more active role. Yet he never finds satisfaction in such a role -- he rebuffs the fellow who's going down on him in the toilet -- and one imagines that what he really wants from the hunky motorcycle driver is to be assaulted and possessed by him. His loneliness and social anomie, as well as his undefined erotic drives, send him down a spiral of dehumanizing impulses until he seems to have forsaken any recognizably human responses.

It's an interesting and original film fantasy (I agree with the comment that "eye candy", perhaps the editor's addition,indicates a pornographic intent) but too simply developed to challenge your imagination.

O FANTASMA is not a movie for the casual audience. This dark and seamy vision of sexual confusion is almost unremittingly harrowing, but director Joao Pedro Rodriques drives his vision of a young lad (who lives on the periphery of society and longs to be wanted and loved, even in the 'forbidden world' of same sex attraction) from reality to surreality.

Metaphors abound: the hero works in garbage disposal on the night shift - a stance that sums up his world's view of his persona. Apparently the actor Ricardo Meneses was selected for the lead simply on the basis of his presence and his animal appeal.

This is a rich performance of a boy with an approach/avoidance to his sexuality and Meneses is unafraid to bear it all in his portrayal of passion on the edge. The drive for sexual gratification is dark, sensuous, and bordering on dangerous. His eventual transformation as a 'comic book-like' predator seems natural in the way both director and actor drive this story to its inevitable ending.

The film is VERY dark photographically and while this technique matches the message (this is a story about life in the night), it is difficult at times to visualize the action. The noisy musical scoring becomes almost unbearable at times. But despite these reservations O FANTASMA suggests the debut of a remarkable directorial talent and certainly gives heed to a major screen presence in Ricardo Meneses! Not for everyone, but for those with an eye for something original then try this little film. In Portuguese with subtitles

`O Fantasma' is definitely a disturbing movie. After seeing it, surely you will leave the movie theater thoughtful, impressed and full of pessimism. A movie that makes you think about loneliness in the big urban areas. A story that may be happening outside your house, while you live a comfortable life inside. It is a lonely world that belongs to the night, to the shadows, making part of the underground of the big cities. Once belonging to this world, it seems that its habitants are deteriorated into indigent human beings, who lose their names, homes and origins.

The movie tells the story of Sergio who works at night as a garbage collector on a big city. He lives alone with his dog - and that introduces you into a universe where man and animal live under merged boundary conditions. Sergio is a lonely guy. Homosexual, he keeps himself away from a female job colleague who is always flirting with him. He has no lover, family or friends. But he seems to be always in the company of an enormous desire, which will conflict with his own loneliness.

Loneliness and desire summarise Sergio's reality and push him into a primitive world, where man becomes animal. The protagonist tries to consume his strong sexual desire through anonymous, casual and wild sex. Thus, it is on the dark corners, public toilets and other filthy places where Sergio tries to satisfy his sexual impulse. But the promiscuity of those moments does not appear to satisfy him, since his desire leads him to the figure of an attractive swimmer guy. A guy who lives in one of the districts that Sergio runs into his night shifts, during his journey of work and garbage. That hard and solitary reality makes desire becomes obsession. Apparently, a single motivation only exists: search the young guy, peeping, observing him from distance and getting touch with an opposite environment.

But Sergio seems to be conducted to an unavoidable end: a curious reversal process of the Human evolution. From human being, he seems to revert through a trail that takes him to some animal condition. As if loneliness and desire would lead to the most primitive stage of mankind. The anti-evolution process transforms him in an irrational creature: he eats, drinks, urinates and evacuates as an animal. It is when Sergio abandons his man's part and, protected by black latex clothes, ruptures with the present and starts roaming on an urban world like an animal guided by his instincts only.

A frightening scenario, result from a contemporaneous reality - at same time empty, isolated and cruel. And that victimized Sergio.