Em 26 e 27 de fevereiro de 2000, os Reis Originais da Comédia se apresentam em Charlotte, Carolina do Norte. Os temas são negros e brancos, homens e mulheres, velha-guarda e hip-hop.Em 26 e 27 de fevereiro de 2000, os Reis Originais da Comédia se apresentam em Charlotte, Carolina do Norte. Os temas são negros e brancos, homens e mulheres, velha-guarda e hip-hop.Em 26 e 27 de fevereiro de 2000, os Reis Originais da Comédia se apresentam em Charlotte, Carolina do Norte. Os temas são negros e brancos, homens e mulheres, velha-guarda e hip-hop.
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- Roteiristas
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- 3 indicações no total
Avaliações em destaque
For those of you who only saw racism in the jokes, then you really weren't paying attention to what was being said, and knowing the attention span of the average American, that's not hard to believe. Did anyone notice that the WHITE people in the audience were laughing just as hard as the black? I think that it's because most of us white folks can take a joke, and understand that the comic is really playing around, without doing a "my god, that's a racist remark" defense that many people here seem to be doing. What these men were doing with comparing black and white is NO DIFFERENT than when Jeff Foxworthy compares and contrasts rednecks and sophisticated people.
Now, the fact that the comics were using stereotypes...hmmm. How do I say this? Folks, I have collected comedians for years, and my collection spans from CD's, DVD and VHS tapes. I have comedians that few people have heard of. My collection spans over both genders, different nationalities and ethnic groups, and I must say that every comedian needs to joke about something that the audience can and will understand, and stereotypes are the key thing to do just that, because everyone understands stereotypes. And besides, some comedians will even take a common stereotype and make it their act...Tim Allen used the stereotype of the man's man; Roseanne Barr used the disgruntled housewife, and Jeff Foxworthy used the redneck angle. Now, a comedian can go without stereotypes, but he/she runs the risk of losing the audience. And besides, it's not the stereotype that makes the joke, it's the exaggeration behind the joke.
And as far as the comedians in the movie here, they really strive for a good show. Steve Harvey did great jokes, and even did things, that while not really funny, were great entertainment, like when he was playing samples of different songs for the audience. Hughley was funny as well, especially when he was interacting with the audience. The other two comics I have never sen before, but I have no complaints, as they round out the show nicely. Each comic owned the stage when they were on it, and they would be hard to top. And folks, I like Chris Rock, but he wasn't as funny as these guys are, simply because he tries waaay too hard, and these guys are just here having fun.
A great performance by some great comics, and I would recommend this to anyone. A+++++
The only aspect of this movie to which I give any credit is that it is a movie consistent with Lee's other celluloid garbage. Lee's "joints" never fail to appeal to the basest urges of this society's groundlings. Continue your foul work, Lee, and see to it that our country's racial divide is perpetuated.
Você sabia?
- CuriosidadesNear the end of the movie, Bernie Mac goes on a rant about not having his own television show. The very next year, he was indeed given his own show with Bernie Mac, Um Tio da Pesada (2001), which was based on the routine about his sister's kids that features in this film.
- Citações
Bernie Mac: When you're listening to one of our conversations you might here the word MOTHER FUCKER about 32 times. Don't be afraid of the word MOTHER FUCKER... Imma break it down to ya... If you're out there this afternoon and you see like 3 or 4 brothers talkin', you might hear a conversation and it goes like this: You seen that MOTHER FUCKIN' Bobby? That MOTHER FUCKER owes me 35 MOTHER FUCKEN dollars! He told me he gone pay my MOTHER FUCKEN money last MOTHER FUCKEN week. I aint seen this MOTHER FUCKER yet! I'm not gonna chase this MOTHER FUCKER for my 35 MOTHER FUCKEN dollars. I called the MOTHER FUCKER four MOTHER FUCKEN times... but the MOTHER FUCKER won't call me back. I called his momma the other MOTHER FUCKEN day... she gonna play like the MOTHER FUCKER wasn't in. I started to cuss her MOTHER FUCKEN ass out, but I don't want no MOTHER FUCKEN trouble. But I'll tell ya one MOTHER FUCKEN thang... the next MOTHER FUCKEN time I see this MOTHER FUCKER... and he ain't got my MOTHER FUCKEN money... I'm gonna bust - his - MOTHER FUCKEN head! And I'm OUT this MOTHA FUCKA!
- ConexõesEdited into Heroes of Black Comedy (2002)
- Trilhas sonorasNa Na
Written by Teddy Riley, Jaren Henson and Monifah Carter.
Performed by Monifah Carter (as Monifah) and Chico DuBargo.
Courtesy of Universal Records, a division of UMG Recordings, Inc.
Chico DeBarge appears courtesy of Motown Record Company, LP.
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- How long is The Original Kings of Comedy?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- The Original Kings of Comedy
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 38.182.790
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.053.832
- 20 de ago. de 2000
- Faturamento bruto mundial
- US$ 38.182.790
- Tempo de duração1 hora 55 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1