Adicionar um enredo no seu idiomaTwo young twins are sent to spend time at their aunt's farm. What nobody knows is that the aunt's handyman is a psycho serial killer who dismembers his victims and stores their body parts in... Ler tudoTwo young twins are sent to spend time at their aunt's farm. What nobody knows is that the aunt's handyman is a psycho serial killer who dismembers his victims and stores their body parts in the barn.Two young twins are sent to spend time at their aunt's farm. What nobody knows is that the aunt's handyman is a psycho serial killer who dismembers his victims and stores their body parts in the barn.
- Direção
- Roteiristas
- Artistas
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
First off.. let me state. I am a fan of cheesy horror movies... I have made many "home movie" type videos with friends. So... to me this was a fun ride... At times I could not really pick out what was so stimulating about it though. The acting is beyond horrible (but amusingly humorous), the effects are .. well... to tell the truth I have seen worse... somehow the movie was able to keep my interest, but I cannot say it was an extremely fast paced ride. This film is bizarre in this respect.. I have become harder and harder to entertain, but this movie.. well... kept me entertained... I think it does what most "low budget" / "no budget" movies should do. It understood that it did not have to fill a 90 to 120 minute time slot in order to be considered a film. Most movies in this category feel they must stretch the story out so thin that you could see through it or at least beg for it to be over... At about 75 minutes in length it was not too bad... To me as I ponder my interest in this movie, I think it may be the fact it readily appears as a "home video" and because of that aspect, lends itself to an almost voyeuristic quality while viewing... there are some sick things that go on through this movie and I believe the timing of these events must be perfect.
I read the first review, and I agree - total home movie. Decent first amateur effort but GOD what bad acting (and I LOVE bad horror/monster movies). If you go into this movie knowing that it's a home movie, you'll be impressed; but if you go in thinking that it's a "studio" movie (like I did and most people probably do), you'll be disappointed from the very first scene. Amateur special effects, amateur "scary" music, bad lighting, HORRIBLE amateur acting (especially by the old woman)...but it ventures into a ton of "taboo" subjects (incest, gay oral sex, using a severed arm/hand to masturbate and a severed head to perform fellatio, rape, anal fisting and ingesting the results, etc.). The ironic thing is, there's an interesting plot twist revealed at the very end that is pretty mature for a home movie.
See if it you can find it free/cheap, but go in knowing that this is a home movie.
See if it you can find it free/cheap, but go in knowing that this is a home movie.
This movie clearly demonstrates why people shouldn't give other people their home-made movies.
The story, what little you can find of it, is that 2 twin brothers go to visit their aunt Lacy at her farm. The place is supposedly being kept in shape by Jeremy, but he's kinda busy killing people and using their corpses for sexual gratification. The twins begin finding body parts and grow weary of Jeremy. On top of this, Lucy has been alone too long and now finds herself lusting for one of her nephews. Eventually the twins decide enough's enough and try to get away. There's plenty of sick stuff going on, but the rest of the movie is so annoying, you'd be hard-pressed to even notice.
To my amazement, I actually found something not that bad in this movie. The guy playing Jeremy looked truly freakish and was doing a fairly decent job acting.
Absolutely everything else in the movie was undeniable crap though.
It was cut with a spoon, and put back together using chewing gum or something. You went from scene 1 with (extremely annoying) background music playing, to a silent shot of some scenery. No fading out the sounds here, instead they chop it off mid-tone. I lost count of the amount of times there was a crackle or pop when they put 2 scenes together.
The assembled corpses looked okay, but then someone would stand over one and work it over with an axe, getting blood sprayed into him from the side. Come on people, stuff like that isn't rocket science.
The lighting sucked in that oftentimes you couldn't see anything, but even more often everything was way, WAAY too bright, having the same end result.
The dialog, notably absent for the first 5 minutes of the film, was stupid and (st)uttered completely unconvincing. The redneck with Down's syndrome accents of the twins didn't help either.
This movie also has a rather large abundance of walking, sleeping, running, sitting doing nothing, reading the damn newspaper (and not noticing anything to help the story along), awkward silences and more, equally enjoyable filler.
The guy handling the camera seemed to be having Parkingsons disease or something. They couldn't even take a shot of the moon without shaking the camera!
To round it all off, they decided to add a (gasp) plot twist (!) at the end of the movie. If only the creative genius that dreamed that one up had been able to stay focused during the other 90 minutes of the film...
That this movie got a 3.7 here is a miracle in itself, and it's certainly undeserved. The fact that it's a home-movie doesn't excuse it from being the crap that it is.
This movie isn't fun, shocking, entertaining or gruesome. It's a dull, slow, boring, fake, cheap dog of a movie, and your time would be better spent watching paint dry.
The story, what little you can find of it, is that 2 twin brothers go to visit their aunt Lacy at her farm. The place is supposedly being kept in shape by Jeremy, but he's kinda busy killing people and using their corpses for sexual gratification. The twins begin finding body parts and grow weary of Jeremy. On top of this, Lucy has been alone too long and now finds herself lusting for one of her nephews. Eventually the twins decide enough's enough and try to get away. There's plenty of sick stuff going on, but the rest of the movie is so annoying, you'd be hard-pressed to even notice.
To my amazement, I actually found something not that bad in this movie. The guy playing Jeremy looked truly freakish and was doing a fairly decent job acting.
Absolutely everything else in the movie was undeniable crap though.
It was cut with a spoon, and put back together using chewing gum or something. You went from scene 1 with (extremely annoying) background music playing, to a silent shot of some scenery. No fading out the sounds here, instead they chop it off mid-tone. I lost count of the amount of times there was a crackle or pop when they put 2 scenes together.
The assembled corpses looked okay, but then someone would stand over one and work it over with an axe, getting blood sprayed into him from the side. Come on people, stuff like that isn't rocket science.
The lighting sucked in that oftentimes you couldn't see anything, but even more often everything was way, WAAY too bright, having the same end result.
The dialog, notably absent for the first 5 minutes of the film, was stupid and (st)uttered completely unconvincing. The redneck with Down's syndrome accents of the twins didn't help either.
This movie also has a rather large abundance of walking, sleeping, running, sitting doing nothing, reading the damn newspaper (and not noticing anything to help the story along), awkward silences and more, equally enjoyable filler.
The guy handling the camera seemed to be having Parkingsons disease or something. They couldn't even take a shot of the moon without shaking the camera!
To round it all off, they decided to add a (gasp) plot twist (!) at the end of the movie. If only the creative genius that dreamed that one up had been able to stay focused during the other 90 minutes of the film...
That this movie got a 3.7 here is a miracle in itself, and it's certainly undeserved. The fact that it's a home-movie doesn't excuse it from being the crap that it is.
This movie isn't fun, shocking, entertaining or gruesome. It's a dull, slow, boring, fake, cheap dog of a movie, and your time would be better spent watching paint dry.
I'll skip the analysis and get right to the important stuff. Here are some of the scenes included in the 1987 no-budget home video classic "Splatter Farm." (1) A 19 year old boy having sex with a 65 year old woman. (2) A man crapping out a knife. (3) A boy performing fellatio on himself with a severed head. (4)gay rape. (5) the human consumption of feces. Need I say more? The only thing that limits this movie from being the most shocking of all time is it's lousy direction and film stock. Granted, the ideas are nothing short of nauseatingly disgusting, however they just don't look real, which is obviously the result of an extremely low budget. Bottom line: Cheap White Trash Gore at it's best. Just rent it....when you're drunk perhaps. Have a good laugh, or vomit.
During my time living in the Netherlands-a country known for its broad cultural tolerance and often audacious programming choices-I encountered an experience that would forever alter my understanding of the grotesque and the marginal. One seemingly ordinary afternoon, while having lunch with Dutch colleagues, a local television channel-mainstream, not thematic or specialized in exploitation cinema-broadcast Splatter Farm (1987). There were no content warnings. No disclaimers. Just the raw intrusion of the abject, right between spoonfuls of erwtensoep.
Splatter Farm is, to be blunt, a cinematic anomaly. Shot on home video, featuring performances of near-archaeological ineptitude and a script that seems to have been regurgitated by a disturbed insomniac, the film operates in a state of decayed aesthetics that borders on snuff rather than traditional slasher. And yet, in its execution, there is an undeniable sincerity-an unfiltered commitment to the most scatological horror-that could almost be compared to Pasolini's provocations, if one is willing to descend deep enough into analytical depravity.
The plot-if it can be called that-revolves around two brothers visiting their aunt at a decrepit farm plagued by rot and violence. What follows is a grotesque parade of mutilation, necrophilia, cannibalism, and bodily fluids, all captured by a camera that never flinches. There is something almost pornographic here-not of desire, but of decay. One might interpret Splatter Farm as a visual essay on the decomposition of family bonds and the symbolic rot of post-Reagan rural America.
From an academic perspective, the film deserves a degree of attention for its value as a primitive artifact of extreme DIY cinema. Its brutalist aesthetic, rudimentary editing, and unapologetic dedication to excess make it a vital reference in the study of underground splatter and the history of amateur American video. But to witness it unintentionally, in daylight hours, surrounded by polite citizens watching it as calmly as one might a rerun of Baantjer, was a cultural trauma bordering on surreal.
Is it a good film? Hardly.
Is it an authentic cinematic experience? Absolutely.
Splatter Farm is, to be blunt, a cinematic anomaly. Shot on home video, featuring performances of near-archaeological ineptitude and a script that seems to have been regurgitated by a disturbed insomniac, the film operates in a state of decayed aesthetics that borders on snuff rather than traditional slasher. And yet, in its execution, there is an undeniable sincerity-an unfiltered commitment to the most scatological horror-that could almost be compared to Pasolini's provocations, if one is willing to descend deep enough into analytical depravity.
The plot-if it can be called that-revolves around two brothers visiting their aunt at a decrepit farm plagued by rot and violence. What follows is a grotesque parade of mutilation, necrophilia, cannibalism, and bodily fluids, all captured by a camera that never flinches. There is something almost pornographic here-not of desire, but of decay. One might interpret Splatter Farm as a visual essay on the decomposition of family bonds and the symbolic rot of post-Reagan rural America.
From an academic perspective, the film deserves a degree of attention for its value as a primitive artifact of extreme DIY cinema. Its brutalist aesthetic, rudimentary editing, and unapologetic dedication to excess make it a vital reference in the study of underground splatter and the history of amateur American video. But to witness it unintentionally, in daylight hours, surrounded by polite citizens watching it as calmly as one might a rerun of Baantjer, was a cultural trauma bordering on surreal.
Is it a good film? Hardly.
Is it an authentic cinematic experience? Absolutely.
Você sabia?
- Versões alternativasThe Opening Scene Was Not The Same When It Was Released On DVD
- ConexõesEdited from Hallucinations (1986)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Splatter Farm: The Cult Classic Edition
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente