Esse Rato é um Espanto

When the father of a Dublin family is transformed into a rat, the family dynamic changes not at all! The daughter is still Daddy's Little Girl, the son -- Pius! -- is piously creepy, his vocation to the priesthood notwithstanding, and the mother alternates (as usual) between wild-eyed outrage and sentimental tears. Writer, director and cast all seem to be making the same movie -- a dissection of some of the more peculiar aspects of the Irish "character" with some of the insight of Huston's/Joyce's THE DEAD -- and even more laughs. Imelda Staunton is devastatingly funny as the mother who views her husband's transformation as just the latest in a series of crosses she's had to bear.

Certainly this movie is not for all tastes, and I can imagine that some viewers would be simply baffled. It helps if you DO understand (sort of) why anyone would name their son "Pius." But if you're Irish-American and have mixed feelings (are there any other kind?) about your "heritage," just sit back and enjoy!

First, "Rat" gets extra points for a very original screenplay. The fine acting is what carries this unique comedy, because the only way "Rat" works is if the characters come across as dead serious, which they do. Any decent into slapstick would have been disastrous. Another plus is the unique camera angles giving a rat's point of view. Different reactions of the various family members, to what is obviously a highly unusual situation, fuels this dark comedy. In order for a black comedy to work, it must be outrageous, not mean spirited, and deadly serious, and "Rat succeeds on all counts. I liked this clever and highly original comedy. - MERK

This movie is despicable. It's bad-humored. It's extremely painful. It's discouraging. I went to bed so disappointed and angry I thought I'd have night terrors.

It could have been so good! I don't know how you mess up a plot the way they did! The crew had to consist of the least funny people in the world! There isn't a single character and not a single joke.

It's baffling!

How many Irish films can succeed without resorting to "faith an' begorrah" cliches? RAT doesn't. Veteran writer Wesley Burrowes has written a wildly whimsical moral tale that laughs in the face of miserable, self-pitying Irish drama with his story of the tragedy that befalls a home which the man of the house turns into a rodent. Beautifully balancing the bizarre and the mundane, this is a film that the great Irish humourist Flann O'Brien could have made. The performances are great (including the rat, courtesy of Jim Henson's company) and the cast includes Pete Postletwaite (In The Name of the Father, Brassed Off, etc), Imelda Staunton (Shakespeare in Love, Sense and Sensibility, etc), Frank Kelly (best known as 'Father Jack'), Niall Toibin (in rattling good form as the priest) and comedian Ed Byrne (although his role is a minor one, and, oddly, he doesn't get any good lines). The soundtrack by Bob Geldof and Pete Briquette perfectly capture the mock-horror of the storyline. The details of the story? Go and see it. I hope you enjoy it as much as I did.

When their father Hubert suddenly turns into a rat, his family don't really know how to react, apart from putting him in a cage. When a journalist convinces them to write a book, he moves in and starts to mould their emotions to exploit the situation for fame and fortune.

The key to this film is in the imaginative set up and the funny telling rather than the actual plot itself. In terms of plot the film runs out of steam a little towards the end where it seems to realise that plotting hasn't been the main driving force of the film. What does drive the film is that it is laugh out loud funny almost all the way through. If you like the sort of Irish humour and characters then you'll like this a lot. The idea of being turned into a rat isn't really explained but this doesn't really matter.

The characters are all excellent, although Postlethwaite is really little more than cameo for most of the film, his part being played rather well by various white rats! Staunton is the strongest character and has captured the hard love of an Irish mother very well – focused on the practicals despite circumstances (a priest is called to the rat and she throws it in the washing machine so his dirty fur won't shame the family, `it's ok, he's on wool' she assures a concerned family member). Her character is hilarious throughout. Kelly (Father Jack) is strong in a small role, but Wilmot's character is less clear but seems to be the one that the plot is riding on. The kids' roles are pretty funny and the support cast of Irish stereotypes all do what they are expected to do.

When I watched this movie on TV I had never heard of it and I wonder how many people have actually seen it, it's a shame because this is really funny and worth seeing despite the fact that the actual plot itself is not as strong as the laughs deserve. Overall this is very funny throughout if you like the Father Ted style of slightly exaggerated Irish humour.