A Seita

Good and unsettling Catalan terror/thriller by expert filmmaker Jaume Balaguero and based on the British novel "The Nameless" by Ramsey Campbell . More spine-tingling from the director of ¨Darkness¨ , a convincing sense of impeding dread and essential to any effective Horror-Thriller . Some years after a little girl was killed when her mummy named Claudia (Emma Villarasau) , addicted to tranquilizers , seemed to have started to recover , but a phone call once again shatters her existence : "Mummy, it's me... come and get me". Helped by an ex-cop named Massera(Karra Elejalde) and a parapsychology journalist named Quiroga (Tristan Ulloa) who is expert in the supernatural, she sets out on a desperate search for encounter her daughter . Other mysterious clues appear , indicating that the daughter is indeed still alive , and very much in risk . Later on , they discover incredible deeds : a sect of the occult with conceal things and dark secrets which rejects its own name , called ¨Nameless¨ and wishes the essence of pure evil.

The official English title is The Nameless -but the correct translation is "Los Sin Nombre", which to me is far more creepy- lives up to Jaume Balaguero's reputation . This suspenseful and frightening movie was produced by the successful Catalan producers Julio and Carlos Fernandez from Fantastic factory ; it displays relentless horror , thrills , intrigue , shocks , hard-edged drama , plot twists , creepy images and some gore when crime takes place . Director Jaume Balagueró (Rec, Rec 2, Fragiles , Darkness and the recent "while you sleep" or Mientras Duermes) uses that uneasy non-knowledge for both horror and occultism , introducing brief psychological observations . Interesting writing credits by the same director/writer Balaguero based on a story by Ramsey Campbell . ¨Nameless¨ is a motion picture that balances precariously over the terror and occultism . The overall result is chilling proof that Balagueró can take a little budget while delivering a completely different scare . Extraordinary performance by Emma Villarasau , she plays a real tour-de-force in one of his best acting of his career as a solitary and unhappy mother , unsettling for past records and disturbing future . Furthermore , excellent Karra Elejalde as a run-down ex-'policeman . The picture packs a thrilling and intriguing musical score by Carles Cases . Furthermore , a cold and appropriate cinematography by Xavi Gimenez , Balaguero's usual .

'The Nameless' demonstrates director Balagueró's versatility , resulting to be a sublime thriller that every genre buff should be excited for . Rating : Good , better than average . The movie will appeal to thriller and terror fans . Worthwhile watching .

One who did not see the movie may be surprise by all the contrasting comments ranging from "LAME" to "EXCELLENT". But there is a simple answer to this: There are 2 types o movie-goers: those who let themselves go and get involved in the story, and those who stay in a safe shell of rationality and judge from the outside. So, this movie lives on atmosphere and the mood it is able to arouse, and in this it works greatly, it really scares. But to a cold-minded analisys, it reveals flaws in the plot. Anyway, I think that RATIONAL-AT-ALL-COSTS people should simply give up with horror movies: their inner cords just can't be reached... For all the other ones, you should watch this movie, becasue it is a scary movie that really scares, and features excellent acting and direction. The only right criticism regards the ending. I suppose that they could have done better, not necessarily changing WHAT happens, but possibly HOW it is described. But it is still a decent final, and the movie is a well worth experience.

Rented this film with no expectations at all. For the largest part of the film I did not regret one second to have rented it. Well, perhaps because it was too scary... The way it is filmed and the music along with it makes it a very good thriller. This is a perfect example I believe of the difference between an American film and a European film. And in this case I definitely prefer the latter. The grim atmosphere and the constant pressure keep you on the edge of your seat throughout the whole movie. But unfortunately, all good things come to an end and in Los sin nombre, this is before the end of the film. I can't spoil anything of course, but I personally was very disappointed with the end of this film. It left me with an unsatisfied feeling.

And it did not disappoint. Nice, creepy movie that doesn't rely on much violence, only the mentioning of it. Just listening to the characters speak of the nameless' penchant for torture was enough to force me to see this with the lights on. This movie and "Thesis" whet my appetite for more Spanish horror films.

Well, after reading all the good reviews; some of which coming from reviewers that I often agree with, I was really looking forward to seeing The Nameless. After having sat down and watched it, however, I'm really disappointed. The film is not really 'bad', but it's not very good either and that's a shame considering that the film clearly so much wanted to be a great thriller. The plot is not very original, though that isn't the film's main problem. Many recycled plots have sprung great movies; the main problem here is that the plot moves too slowly and it's never interesting enough to remain thrilling for the duration. The film does have a few nice ideas, though. The Nameless starts with an editor named Claudia, who goes to identify the mutilated body of her dead daughter. The body has had every trace of its identity removed and can only be identified by a bracelet and the fact that one leg was slightly shorter than the other. Five years later, however, Claudia receives a call...from her daughter, who is begging her mother to save her.

Director Jaume Balagueró, who later went on to make the even more disappointing horror thriller 'Darkness' does manage to create a nice atmosphere for the film. Everything looks slightly grey, which makes it depressing and in turn serves the film well. I would guess that the film's main influence was David Fincher's hit 'Seven' as the two are very similar in tone. The film was made in Spain, and that is also disappointing. Spain, along with Italy, made some of the very best thrillers in the seventies, but the recent output of this genre from both countries has been disappointing - the Italian 'Occhi Di Cristallo' is another example of this. The recent films have lost what made them great previously, presumably because they're attempting to copy recent American films. The plot sort of drones on for the first eighty minutes as the dull characters uncover various facts and clues, and finally the film becomes interesting in the last ten minutes - though by this time, of course, it's already too late. The film was based on a good idea and it does have a few nice moments; but overall I would have to rate this as not much more than an interesting failure.