Sex & Mrs. X

I read the positive reviews of this poor woman's version of Belle de Jour and was so saddened for those women who gushed over it. True, those reviews are 25 years old, so I can only hope that women have come to their senses since then.

This badly-acted, badly-directed, pedestrian concoction teaches women to achieve 'reaffirmation of self' ... by becoming high-end prostitutes. That's right, girls. The best way to get over your husband leaving you is to sell your body to rich men. And don't any of you fool yourselves by saying this is about sensuality, empowerment, reaffirmation of self, and all the rest of the tricks in the bag of excuses. This is simply the glorification of prostitution. And prostitution is degrading, demeaning and tawdry, never mind how well-paid or how glamorous they make it look.

If anybody is curious about why I, a woman, will have nothing to do with modern feminism watch this pitiful exhibit and read the gushing reviews. And if that does not make it clear enough it's because you are part of the problem.

I was shocked that this movie was on Lifetime television. It was a wonderful movie that I feel could have been a strong theatrical release. The writing is superb, the acting first rate, and the beauty of Paris explodes from the screen.

The most obvious strength of this movie is the casting of Jacqueline Bisset and Linda Hamilton in the leading roles. Both are excellent actors and their on-screen chemistry is wonderful to behold. Hamilton plays a modern American woman who has success, but has no passion in her life. This movie is about her first discovery of that passion. Bisset is the worldly woman who knows everything about love except how to achieve it for herself. What is fascinating about this movie is that they teach each other, in ways you would not expect at all.

The script is positively brilliant. You'll find that you recall scenes from this movie for years to come. I particularly liked the "teddy" and the "wine tasting". You'll see what I'm talking about if you watch the film. The script sets up intense moments, then brings them back to Earth gently. It's a perfect mix of sensuality (not sex!) and light comedy. Both of the lead characters grow and change in important ways.

It's not perfect. Some of the situations are a bit cliche, but the strong overall structure allows these moments to slide by quickly. The production cuts some corners here and there, particularly on location shooting, but they got good bang for their buck. I highly recommend seeing this movie.

This is not a story of great deeds but rather of great understanding. Joanna Scott (Linda Hamilton) is a woman whose success in her profession, writer, is matched by the failure in her personal life. With her marriage suddenly on the rocks because, as her husband Dale (Stewart Bick) puts it, "She is still the same woman I married," Joanna finds herself cast adrift in a world in which she can find no comfort. Even the opportunity to visit Paris, to interview the famous, or infamous, Madame Simone (Jacqueline Bisset), an "Arranger" of meetings between wealthy men and beautiful young women, cannot draw her back into life, and it is only her desire to flee which leads her to accept the assignment. What she finds is much different than what was expected. "Madam" Simone, though worldly as only the French seem to be, is not selling sex but illusion. Were this movie set in the last century I suspect she would be immediately recognized as a matchmaker. As would be expected, Simone's intuitive sense reveals to her Joanna's estrangement from herself, the meat of this movie being the manner in which she instills in Joanna a new sense of self. Through it all, I was struck by the genuineness of the character's reactions, even when Joanna is caught "researching" a porno. Francesco (Paolo Seganti) the photographer working with her on the article, plays his part as well by allowing her to see herself as he sees her in a series of artistic photographs. Predictably they commence an affair, which, unlike many of Hollywood's portrayals of women, Joanna ends. Joanna's subsequent return to America serves to demonstrate the effects of her transformation and her control of her own life.

Admit it -- the more you watched this film, the more you wished you were Joanna (Hamilton). I love fun movies, and I thought this would be the standard Lifetime sturm und drang (sp?). I was pleasantly surprised. Real characters, real situations, and two hours of escapism. Plus a bonus -- inspiration! Yes -- I was inspired to try just a couple of Madame's (Bisset) tips. I'm buying a teddy this week. Honest!

Linda Hamilton plays Everywoman as well as any actress I've seen. She's a real woman with real emotions. Arguably the most underappreciated actress today, Hamilton continually reveals her grasp of character with her understated performances. And her beauty isn't classic, but fresh (and also real).

Jacqueline Bisset is also a darn good actress, with the added bonus of glamour. Harking back to the days of Ava Gardner and Lana Turner, Bisset shows her sensuousness by hiding it just beneath the surface. Exquisite!

First of all, I must tell you all that the title of the movie is misleading. After watching the movie, I feel that the title should have been something like "key to a happy love life". This movie takes us to a journey of a woman, called Joanna, who leads a very normal life. Being a journalist, she visits Paris where she finds Madame Simone. The movie unfolds the growing friendship between these two leading ladies and how both help each other to a greater self and happy stage of life. The two leading actresses, Jacqueline Bisset and Linda Hamilton, have played their role with perfection. Their dialogue delivery is full of expression. The best part of the movie is its screenplay and one-liners about the life, mostly delivered by Jacqueline Bisset as Madame Simone. This movie is a must watch for every woman to lead happy love and married life.