Octopus - Uma Viagem ao Inferno

Ok, now I'm convinced that Hollywood producers get together and dare each other to make movies with randomly selected plot elements. This one would have been:

"Make a movie that combines Turbulence, The Hunt for Red October, Leviathan, Sphere, Speed 2, and Deep Rising."

At least, those were the movies I thought of when I was trying to figure out what this movie was. Add in Down Periscope for some "lone woman on a submarine full of horny guys" humor, and you've already seen this movie.

After a reasonably well executed pre-credits sequence, set during the Cuban missile crisis, in which a Russian submarine carrying a toxic cargo is torpedoed by the US, Octopus takes a steep nose dive into the deep waters of ridiculousness from which it never surfaces.

Jay Harrington plays Roy Turner, an inexperienced CIA agent sent on a mission to escort dangerous international terrorist Casper (Ravil Isyanov) to America via nuclear powered submarine. Of course, the trip doesn't exactly go as planned: Casper frequently slips from his bonds, hoping to somehow escape the sub and rendezvous with his evil pals (who have infiltrated the staff of a nearby ocean liner); and a massive tentacled sea monster, the result of the toxic spill 32 years earlier, seems intent on making a meal out of the sub's crew!

From the moment crazy killer Casper (unconvincingly dressed as an old woman selling pastries) carries out his daring attack on an embassy that has a 'come-and-go-as-you-like' approach to security, this daft film becomes the epitome of clichéd B-movie garbage, offering a raft of stereotypical characters, endless predictable action, and totally nonsensical plot development which will have most sane viewers reaching for the off switch, but which should prove to be reasonably enjoyable fare for fans of low-budget, bottom-shelf, STV dreck!

Bolstered by brilliantly unrestrained performances from a dedicated cast seemingly unfazed by the sheer awfulness of the script, and digital special effects scraped from the very bottom of the barrel, Octopus manages to entertain by being unbelievably dumb: before the inevitable climactic showdown between Roy and the sea creature, viewers are treated to several unconvincing punch-ups, an outstanding(ly bad) display of emotional range from Ricco Ross as brave second-in-command Brickman, sexy Caroline Lowery as a feisty female oceanographer (who looks fab in her scanties!), and the unforgettable sight of a giant octopus tentacle piercing the bad guy and pulling his helicopter into the sea!

I'm sorry everyone but when i saw the trailer,i thought the potential was there - even the effects looked good, but to my amusement the movie was another straight to video disaster.The story was bearable,the cast were there for the free parking and the script i think was written by the tea boy on his tea break.On swiftly to the effects which would have given a teenage harryhausen nightmares,judging by the companys cv they have found there market in unintended hilarious monster flicks - but speaking as one chump who bought the dvd before viewing,BEWARE

Well, I was hoping this was going to be a nice little monster movie... something along the lines of Lake Placid or Komodo, both of which I enjoyed. No such luck. It's burdened down by a tedious "terrorist on board" plot, that places it closer to Turbulence (a movie I loathed) for much of its running time. It also doesn't help that the principle terrorist villain is played by quite the worst actor I've seen in any professional film I can currently recall - his version of passing as an elderly woman to infiltrate a US establishment makes Hulk Hogan look like Laurence Olivier, and his performance as his 'normal' terroristic self consists almost entirely of eye-popping, smirking and grimacing. With many principle scenes depending on this character the whole exercise is pretty much doomed from the word go. It also doesn't help that the director's style seems to be based on the principle "telegraph what's about to occur, then telegraph it again, in case the audience is *really* slow". The special effects are passable... they could have been quite effective given an engaging script, some good acting, and sound direction, but they're hardly enough to carry the movie on their own. Carolyn Lowery as the lone significant female in the cast is consistently good... but she and the creature and the explosions can't save this aquatic turkey.

"Octopus" is utterly boring; and patently ridiculous. What a pathetic waste of a perfectly good Cephalopod. So much time is spent setting up the plot that the octopus gets lost. Sure, the little heroine is totally cute. She can act too; but she can't save this mess on her own. The title "Octopus" is almost a non sequitur! During the interminable espionage conundrums, I kept thinking, "Who cares?" and "Where's the octopus?" And since when do octopi have insect mouthparts? Wouldn't a six foot long cephalopod beak suffice to scare us? The director forgot the monster, and was seemingly trying to remake "Executive Decision" in a submarine; badly. The dialogue, the action and the resolution of this muddle all violated the one axiom of monster pictures. They were boring. The entire film is boring, from start to finish. I am a dedicated monster picture fan and I won't bother to watch this catastrophe again.

I am frequently amazed that none of the directors of modern monster pictures never consider the "Old Man and the Sea" concept; the idea that nature itself is frightening and challenging. This entire film could have been made with six or seven people in a sailboat, trying to fend off a large cephalopod, or two. After all, we need some octopus fodder.

Don't bother with this one. Really. If you're a monster fan it will just make you mad.