762 - O Vôo do Medo

The only actor missing from this cliché bomb-on-a-plane movie is Leslie Nielsen. Mildly entertaining, but rather predictable and at times pedestrian. Too much time spent on character development at the beginning. Also, even though this movie was made before the tragic events of 9-11, there are far too many holes in Security that allow the psycho to plant his bomb on the plane. And do bombs really have clocks with large red digital countdown numbers on the front? Worth a watch, but don't expect too much. I give the film 5 stars out of 10.

I only saw the last 15 minutes of this film, so I cannot say what the overall film was like, however, the part I saw was very good. The acting was very impressive, and the fear was very believable. I was very scared, just from that fifteen minutes, and when it finished I realised that I was shaking, I had been so frightened. Usually when I am channel hopping, I don't stop at films. This one had me gripped from the moment I selected its channel. I, personally recommend it to anyone who likes lots of tension in a film. The only down side is, I never want to go on an American airline now. I really want to see the rest of what promises to be a great film.

A pretty standard airline suspense story about a bomb planted on a 747 on a flight from Sydney, Australia to Los Angeles. There's some decent suspense, but the whole thing is pretty cliché (time clock clicking down to the last few seconds, the usual brief shots of faces taut with the strain, etc.), and the performances are average at best.

What really bugged me in this movie was why the writers felt the need to have an FBI agent conveniently present in Sydney when the threat was phoned in, and not only present but becoming front and centre in the search for the bomber. Maybe I'm being too sensitive here, but I rather suspect that the Australian police wouldn't need the FBI's help in what seemed to be a pretty routine piece of policework. That just made the whole thing too American-centred (with no discernible reason or need for it) for my liking.

Overall, though, it's an average to decent movie. 5/10.

Could it be possible for a film to have any more worn cliches as this film? Another airliner in trouble. Another heroic captain saving the passengers from certain doom. There was absolutely zero suspense and zero originality here. As the plane's pilot Jack Wagner was awful. All smirk and smarm and no hint of realism. When making your viewing reservations be sure to book another flight. This one was grounded for mechanical defects.

This happened to be on, and I wasn't really doing anything else at the time. It's a made-for-TV thriller about tension on an airborne plane. Those tend to be pretty formulaic, and this is certainly no exception. It's average as they come, if it'll basically get the job done. The developments are all entirely predictable(care to take a guess if anyone panics?), and some of the dialog is really poor. With two exceptions, the cast is all nobodies, and it shows; the acting varies greatly, and there are definitely cases of scenery-chewing. None of the characters are memorable. The development of them is decent. Anyway, Jack Wagner takes a break from appearing in the fantasies of female Melrose Place viewers and returns to the small screen, and he's enjoyable enough to watch. Ernie Hudson brings some of his coolness to this, but as you may already know, his presence does not on its own a good flick make. The suspense and such are fine, if you just remember to pretend you don't know exactly where things are going. Honestly, you don't need to have seen any of these to be able to tell, the clichés are known by most. The way it's shot and edited is OK. I recommend this to fans of this kind of movie. 5/10