Profissão de Risco

I don't understand why many people I talked to either thought the film was bad or mediocre. Sure, it isn't a "great" movie, but when was the last time you saw 5 great movies in a row? A great movie comes along once in a blue moon, depending on your definition of great. I personally was very engaged in the plot. Johnny Depp gives a tour-de-force performance, fully engaging himself in the character. I'm sure he did lots of research on George Jung and tried to mimick his every mannerism, because this was far from a half-baked effort. Then again, I don't ever recall Johnny Depp doing a movie where he didn't put his full enthusiasm into the role. The movie has many tragic moments and many funny moments. The film is a little over 2 hours long, but the time flew by in a breeze. I was so enlightened that I'm anxious to do some research on the real George Jung. I'm not a fan of Penelope Cruz, and they could've chosen a much better actress, but she's only in the film about 20 or 30 minutes, so she isn't given enough time to ruin the film. Paul Reubens gives a surprisingly earnest performance as a flamboyant, bisexual hairdresser. It's too bad he's caught up in all this controversy, because he seems to have sufficient range as an actor. I loved hearing all the great classic rock songs in the soundtrack, and every time I watch the film the songs get stuck in my head and I start singing them for days on end.

"Blow" is a touching drama that doesn't try to exploit the world of drugs, nor condemn it. After seeing George's tragic outcomes as a world-class coke dealer, I doubt anyone would want to get in or get back into the "business," but that doesn't necessarily mean the message is preachy.

My score: 8 (out of 10)

Since not every film can be a great masterpiece, it only stands to reason that there are some which, as good as they are, will never be mentioned in the same breath as The Godfather. Blow happens to be one of those films. In today's market, where films are literally churned out with more attention paid to marketability than merit, it is no surprise that films of almost every subject are saturating the market. Even films about, or based upon, historical crime figures are a dime a dozen these days. The plus to this is that the ones that do come out have to do something special in order to be considered good.

Blow's strengths lie in a couple of performances, and the scenes in which George Jung's ability to negotiate his way out of a fix (or into one) are displayed. Johnny Depp plays Jung with a consummate authenticity that, especially when sees the interviews with the real George Jung, literally leaps out of the screen. It's hard to believe this guy who I saw as a fresh-faced semi-nerd in A Nightmare On Elm Street is able to portray such a wide and varied range of characters. Ray Liotta gives him ample support as Fred Jung, showing a man hit hard by his own unsuccessful attempts to keep himself independent and free, therefore fully understanding of how far his son will go to see he doesn't fail in the same endeavour. The final scene with Liotta, where he is listening to the tape recording, is one of the most touching examples of men declaring they cannot regret their defiance seen on film.

The scenes with Pablo Escobar are especially amusing. As we see how George was able to charm his way into any deal he set his mind to, one cannot help but admire the man. Merely standing before the most powerful drug lord in South America at that time would have taken more guts than most people are allotted. The Jungian method of keeping oneself calm while smuggling through customs, even if completely fictional, sums up this this calmness in the face of danger quite brilliantly.

But, and it seems there always is a but with Hollywood product these days, some aspects of the film are terrible. Penélope Cruz is absolutely horrible as Mirtha Jung, and it is hard to believe that someone as cocky and bold as George would tolerate her presence. I've heard Salma Hayek (or horse-jaw as she is probably better-known) suggested for the part, but she is just as bad. Given how many actresses there are in Spain who would appreciate a break, and know a mode of speech other than screaming, one can't help but wish the director could have shown a bit of Jungian testicular fortitude and cast an unknown.

Adding to the film's woes is the end of the story. Compared to the first two thirds, where we seem to be going along at the speed of one of Jung's sports cars, the whole thread about Jung's inability to live without contact with his daughter brings affairs to a screeching halt. That Christina Jung has never visited her father, at least according to the ending crawl, is a pretty sad fact. What's even worse is that after viewing this film, we never learn anything about Christina. We don't learn if the cocaine abuse on her mother's part during pregnancy had any ill effects, or whether she has led a life she would call satisfactory. She is little more than a prop. The fact that Jaime King, the actress who played her during the final wrap-up, is a recovering heroin addict only makes one wonder more. Especially among those of us who really have to live with permanent physical damage that may have been caused by parental drug abuse during in utero development (even if it was only nicotine in my mother's case).

In all, I gave Blow an eight out of ten. If you want to know anything about George Jung and how cocaine got to be such a hot item in America, then this film does make some excellent points. With the poor economy in America where blue-collar workers are in borderline poverty while CEOs rip them off something blind, it really is a wonder we aren't seeing the rise of an army composed of George Jung wannabes.

Not a bad movie, above average, but nothing extraordinary, nothing that could even remotely be compared with for example, Scarface.

In my opinion the main 'problem' with this motion picture is that Depp is never really believable as a hardened drug dealer, there is no way that the real George Jung was ever even remotely like that. The proof of this is in the last frame of the movie where we see the real George's face staring at us from the screen. At that precise moment we know: the real George Jung was very, very different, his face tells us that.

On the other hand, Paul Reubens is excellent as Derek Foreal and the very good soundtrack is also worthy of mention. All in all, a good movie definitely worth watching, but also a movie that could have been much much better.

Based on a true story of how the American cocaine market was founded, this is a lot more funky than I had expected. A thumpingly good soundtrack right from the start and Johnny Depp cruising in to be a convincingly laid-back big-shot - almost like a graduate from Boogie Nights. Penelope Cruz manages to be blisteringly erotic in a few well-crafted scenes and without removing a stitch of clothing. Later, instead of following the usual pattern of despair in the second half where most drug movies home in on drug dependency, Blow refreshingly focuses on the emotional losses suffered by the characters. A film that just about manages to be more than the sum of its parts, it would have made a nice sort of pre-quel to Traffic, but it stands alone in fine form. And it's moving rather than depressing.

Johnny Depp, (George Jung),"The Libertine",'04 played an eager young guy who wanted to out do his father in many ways in life, especially making more money and satisfying his wife. When George Jung was growing up, his father and mother always fought about not enough money and his mom seemed to always dominate his poor dad. Penelope Cruz,"Sahara",'05, played the wife of George and was a complete knock out with her good looks and great acting skills. George Jung hit the top of his chosen career with rooms filled with millions of dollars and lots of white powder to blow up the nostrils. If you like pictures dealing with drugs and the outcome of enjoying this junk, this is the picture for you. Johnny Depp, gave an outstanding performance and put his heart and soul into this role.