[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
  • Perguntas frequentes
IMDbPro

Shool

  • 1999
  • 2 h 18 min
AVALIAÇÃO DA IMDb
7,7/10
4,2 mil
SUA AVALIAÇÃO
Manoj Bajpayee, Sayaji Shinde, and Raveena Tandon in Shool (1999)
AçãoCrimeDramaSuspense

Adicionar um enredo no seu idiomaA tale of an honest cop set against the backdrop of the brutal, lawless system prevailing in the Indian state of Bihar, and the endless suffering he tolerates before all hell breaks loose.A tale of an honest cop set against the backdrop of the brutal, lawless system prevailing in the Indian state of Bihar, and the endless suffering he tolerates before all hell breaks loose.A tale of an honest cop set against the backdrop of the brutal, lawless system prevailing in the Indian state of Bihar, and the endless suffering he tolerates before all hell breaks loose.

  • Direção
    • Eeshwar Nivas
  • Roteiristas
    • Anurag Kashyap
    • Eeshwar Nivas
    • Ram Gopal Varma
  • Artistas
    • Manoj Bajpayee
    • Raveena Tandon
    • Sayaji Shinde
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    4,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Eeshwar Nivas
    • Roteiristas
      • Anurag Kashyap
      • Eeshwar Nivas
      • Ram Gopal Varma
    • Artistas
      • Manoj Bajpayee
      • Raveena Tandon
      • Sayaji Shinde
    • 22Avaliações de usuários
    • 1Avaliação da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 4 vitórias e 3 indicações no total

    Fotos16

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 12
    Ver pôster

    Elenco principal42

    Editar
    Manoj Bajpayee
    Manoj Bajpayee
    • Inspector Samar Pratap Singh
    • (as Manoj Bajpai)
    Raveena Tandon
    Raveena Tandon
    • Manjari Singh
    Sayaji Shinde
    Sayaji Shinde
    • Bachu 'Bhaiyyaji' Yadav
    Yashpal Sharma
    Yashpal Sharma
    • Lalan Singh
    Ganesh Yadav
    Ganesh Yadav
    • Inspector Hussain
    Virendra Saxena
    Virendra Saxena
    • Prawal Pratap Singh
    • (as a different name)
    Nandu Madhav
    Nandu Madhav
    • Laljee Yadav
    Sandeep Kulkarni
    Sandeep Kulkarni
    • Gopaljee
    Nagesh Bhonsle
    Nagesh Bhonsle
    • Lallan Vinod
    Shri Vallabh Vyas
    Shri Vallabh Vyas
    • D.S.P.
    Rajpal Naurang Yadav
    Rajpal Naurang Yadav
    • Porter
    • (as Rajpal Yadav)
    • …
    Pratima Kazmi
    Pratima Kazmi
    • Bachu Yadav's Mother
    Nawazuddin Siddiqui
    Nawazuddin Siddiqui
    • Waiter
    Vineet Kumar
    Vineet Kumar
    • Inspector Tiwari
    Ashraf Ul Haq
    • Bachu Yadav's Henchman
    Savi Sidhu
    • Vishnu Pandey
    Shilpa Shetty Kundra
    Shilpa Shetty Kundra
    • (Dancer in the song 'Main Aayi Hoon U.P. Bihar Lootne')
    • (as Shilpa Shetty)
    Abneir
    • Speaker
    • Direção
      • Eeshwar Nivas
    • Roteiristas
      • Anurag Kashyap
      • Eeshwar Nivas
      • Ram Gopal Varma
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários22

    7,74.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    9shek1

    Good eye-opening movie depicting the ground reality of Bihar

    Motihari is a one-train town in the badlands of Bihar. As a sanctuary of evil it resembles a piece of pre-riots Bombay, without the smells and the early closing. As though in recognition that the underworld everywhere is essentially the same, debutant director E Nivas -- who began his career as spot boy under Ramgopal Varma and graduated to become his chief understudy -- has shot Shool in dank, washed-out colours, so that the red is drained to maroon and the blue to navy.

    Hi Any influence, unconscious or otherwise, that Satya may have had on Shool and Varma on Nivas, however, ends there. Although cast in the typical Bollywood potboiler formula, its portrayal of the political milieu in the Hindi heartland is as authentic as it is rivetting. Shool offers enough on this score to be a tempting alternative to curling up with the latest of William Darlymple's prize-winning despatches, if not a sojourn itself to Bihar's back of beyond. Bacchu Yadav (Sayaji Shinde) is the MLA of Motihari for 15 years running but, more pertinently, is the lord of all he surveys in the district. The film itself begins with a midnight call informing Yadav that the ''high command'' has decided to give the ticket this time to his local political rival, a Thakur. The caller, before hanging up after confidentially confiding this information, darkly hints that the announcement will be made public only in the morning and that Yadav could do a lot by then. And does he! It's a simple expedient: he himself leads his goons to Thakur's home, wakes him up and makes some small talk before stabbing him through the heart.

    The next shot cuts to a sylvan sunrise and a train steaming into a station. A young man, lugging two ancient trunks, and with wife and kid in tow, steps out into the dappled light and... well, a few sequences later, to a cutting knowledge of what life as an idealist police inspector means in Bihar.

    Manoj Bajpai, as inspector Samar Pratap Singh, has risen to the expectation, pulling off a robust and salty performance. At times he tends to go overboard, as with the scene where he pleads with the mute crowd for a glass of water for his dying child, and the result is smirky and jejune. Otherwise, whether as a character out of his kilter or as a villain in a script he can't remember writing, Bajpai's acting is controlled and commendable, and he has an advantage here for so much of his personality resides in his eyes.

    The scene-stealing performance, however, has come from Sayaji Shinde. Incidentally, Bacchu Yadav is the darker confiere of Bhiku Mhatre in Satya, played ironically enough by Bajpai. Yadav is a vain priss who reigns through terror and wouldn't be remotely liked by his dependants even if he were to declare a general amnesty and donate a mangalsutra to every family with an unmarried daughter. As though that weren't enough, he is truly reptilian in temperament: his eyes narrow in mock scrutiny of an unfortunate henchman, even as his smile has a pixie twist to it, making his next step unfathomable. It's a memorable performance of a feudal politician, dumb and dictatorial, his virility and maschismo shading into bullying, his sheer physicality flatulent and dangerous.

    But Inspector Singh, the cop on the tear, is scarcely deterred by all this. Each transgression by Yadav and each new incident revealing the obsequiousness of his superiors, rather than making our hero lose scales from his eyes, makes him more amped up. His wife's -- played by Raveena Tandon who has done a subdued and convincing no-frills job --- remonstrations, as that of a trusted colleague, the only one, fall on deaf ears.

    From now on, formula takes over. The climax is not predictable only in the excess of melodrama it contains. And you have music accompanying the whole scene which sounds like something the music director-trio --- Shankar, Ehsaan and Loy --- dreamed up after a Mexican meal. Understandably, the whole thing turns the movie into mush.

    Trying for an infernal starkness, Nivas has achieved an infernal tackiness. In the earlier parts of the movie the camera whirls and swoons among bursts of fauvist light and that combined with the authenticity of the various characters' nuances. Their dialogue had managed to convey something feral and ominous. In the end one can only say that Shool is for the most part a slovenly film and its politics fuzzy, but there is a vitality to the fuzziness. Not something every Hindi movie can claim. And lastly, congrates to the director and the actors team for working in such not-so-commercial serious movies.
    7dy38493

    Good movie and perfect acting

    Good movie to watch for especially the manoj bajpayee best performance the movie is very well shot great movie and great direction.
    9ravenus

    Furious new avatar for the Angry Young Man

    Other than Govind Nihalani's Ardh Satya, Shool is the only worthwhile spiritual successor to 1973's Zanjeer. In some ways it takes the template to even greater extremes. Shool's cop as played by Manoj Bajpai is not just angry, he is white hot furious. He displays an almost pathological level of intolerance for the rot in the system, even as he pays a heavy price for it. The story & screenplay are credited to Ramgopal Varma and E Niwas, both of whom never before or after achieved anything approaching this level of emotional intensity (I suspect Anurag Kashyap, who is credited for the dialog, had more actual contributions to the script). I know the world has its share of fans of RGV's gangster movies, but hell no, I will stand my ground that none of them are anywhere near the brilliance of Shool. Every scene and character are so well-written, and without any compromises. The direction is terrific, maintaining the grounded nature of the film's setting (or at least consistent to the universe's logic, it's not slavish to the cause of realism). Every scene right down to the item number has its logical place and doesn't look like it was bunged in from somewhere. This is a movie where you don';t divide the cast into lead and supporting actors because everyone is playing a character. Bajpai smolders in the lead making a whole new mold for Angry Young Man, Sayaji Shinde as the main antagonist sends a shiver down your spine (before he replayed those mannerisms ad nauseam in a thousand movies), Ganesh Yadav and Vineet Kumar offer are solid as Bajpai's colleagues. Even Raveena Tandon does a good job. The end is unrelentingly bleak in keeping with the movie's structure. See it now. If you've seen it once before, see it again.
    8pradhumangulia

    Movie was Good but the music is just too painful to bear.

    Yes it is a good movie you should give it a try. But the music is so bad.
    10paramider

    watch this piece of Gem

    excellent story, close to daily life of Indian corrupt system, and a honest police officer against it, pushing the law and order over corrupt politicians and system. Strong script, gripping story, very tense, Manoj at his best performance, reading out the true close to reality story with his best acting. After shool many director try to copy the same story with a bit of change in script but nothing close to this true gem. give it a go, you wont be disappointed. i don't usually watch Indian movies because of the length of story, but this one i watched many times, and every time i watch i enjoy it more. Manoj is the best actor and at his best in Shool, Once true and honest police officer against the corrupt system from streets to Parliament, if you are into gangsters movie against law, this is your thing. don't be distracted by some user reviews, its not a popcorn flick with some un necessarily sex scene and funny fight which could be torture for some people like me.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Nawazuddin agrred to do waiter's role for Rs 2500, but he was not paid with money. He visited their office for 6-7 months and every time he was offered a meal and that is how his dues were settled for this role.
    • Conexões
      Featured in 45th Filmfare Awards (2000)

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Perguntas frequentes16

    • How long is Shool?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 5 de novembro de 1999 (Índia)
    • País de origem
      • Índia
    • Idioma
      • Hindi
    • Também conhecido como
      • Spike
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 18 min(138 min)
    • Cor
      • Color
    • Mixagem de som
      • DTS

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.