Mudhalvan

Needless to say this is one of shankar's magnum opus back in the days at the dawn of the millenium. a thought provoking innovative storyline that deserves lot of praise and credit. The technical values production and music by AR Rahman are simply one of the best. down south.

One of the highlights is the sharp 35mm cinematography by KV anand at its finest follows a creative ad style nuance with quick cuts and zoom in effects. The story screenplay follows continuously throughout the film keeping u at the edge of the seat. AR Rahman's music needs no mention here as again the maestro has given us his finest tunes.The real star of the film was veteran Raghuvaran who played the corrupt politician role in a perfect manner. All the other subcasts did justice to their roles. Anyone will be truly amazed by the ending climax scene and what it meant to the protagonists.A truly trendsetter movie.

The movie revolves around how educated youngsters could make a change in politics..Apart from the plot , its the music which holds the movie perfectly..The way how director emotes the story was perfect.. Humours had worked , dialogues had worked , emotions had worked..The fight scene with local guys while arresting was the only negative in this movie..If that was a direct arrest , it would be more beautiful.. Mudhalvan , a must watch entertainer..

The movie revolves around Pugazhendi, a journalist who gets a chance to become one day CM of Tamilnadu. What happens next forms the crux of the story. Arjun as Pugazhendi and Raghuvaran as Aranganathan were apt. Manisha Koirala doesn't have much job. Other character artists like Manivannan, Vadivelu did thier job pretty well. Shankar's story and screenplay are totally lit. Coming to the technicalities, Production value, set designs, fight choreography, CGI were totally great (at that time). Music by A. R. Rahman is a highlight. The movie runs for around 3 hours, but you never feel lag. Shankar succeeds in giving a commercial movie with some social message. Highly recommended movie!

Every south Indian chills about shankar's film. Though this film seems to be novel work but lacks some basics regarding politics. Always shankar takes lot of attention on photography. He might have studied something about the current political strategies.

Music is by A.R. Rahman. We can't criticize about his talent. Manisha koyirala doesn't suit very well in this film.

The director has to show what really politics is?? Simply showing how one can do crazy things in a single day is ridiculous. Of course every one in the country has a vision to make their country corrupt free.

Only music and photography part of the film is commendable. Rest of the things are crazy and simply ridiculous. Last but not least I am very much impressed by Raghuvaran's action.

You all may find this review to be a little exaggerated but that is exactly the truth. Nothing but the truth. I have to say, till this date, except for a few exceptions like the movies by Shyam Benegal or Satyajit Ray or for that matter, Satya and Khamoshi, Sholay, Angoor and a few others, I haven't seen such a DIFFERENT and THOUGHT PROVOKING, PRAISE INVOKING AND MARVELLOUS movie as Mudhalvan.

It is and will remain an eye-opener for all those in the Indian film industry who have been experimenting with the same love formula umpteen number of times and in effect, producing some of the most sensationally boring love stories of all times (Example: Kaho..Naa Pyar Hai). Hitting us like a bullet, the plot moves swiftly, never leaving any time to think. The story and screenplay, by Shankar himself, deserve mention for being creative, complete and utterly enjoyable to watch.

Shankar deserved an award for making this movie with such style and technique, while also keeping the story and other aspects in mind.

Pros. Award winning direction, dialogues, script, music, background music, cinematography, first-rate performances by Arjun, Manivannan, Raghuvaran and above all, the super climax, and excellent song picturization.

Cons. Manisha, who looks too flabby and old in some scenes