Seven and a Match

I was quite blown away by this directorial debut. Here, a number of friends reunite, all of them carrying serious baggage. I loved the intimacy with which the characters are presented, the way in which the writer-director captured so much nuance about each and every one of them. The ensemble were consistently pushed to emotional extremes, with each actor allowed to explore their own personal dilemmas. I would have loved to have been on the set to see how the cast created each moment. A very strong cast has been collected here, in one of those rare indie films that really reached in and yanked at my insides. Moving, unusual, and so refreshing after watching so much studio crap. Bring on this filmmaker's next project, for god's sake!!

The main character is a whiny, irresponsible study of how to throw yourself a pity party. She loses it at the drop of a hat, acts pathetic, is schizophrenic, and left me wondering why on Earth she doesn't understand why these 'friends' of hers haven't called her in three years. (Get a clue, sister - you're a juvenile mess!) I couldn't stand her or the friends. I never felt connected to any of the characters. To make the entire movie even more unbearable, someone went far out of their way to put the world's most hideous collection of crocheted and knitted hats in existence on film for all of eternity (this alone should warrant someone be put on wardrobe probation for a decade!)

The acting wasn't awful, but not really believable either, and in the end the only thing that I DID care about was the two hours I'm never going to get back. Don't waste your time - go catch up on a dentist appointment instead!

First-time Writer/director Simonds has attempted a hip "That Championship Season" script, bringing together several school chums for a reunion.

They talk, booze, and have affairs during a long weekend. While some of the conversation is witty, biting and poignant, other talk is laid-back, pedestrian and staid.

Writer Simonds is certainly talented, especially in crafting honest, intimate confessionals; he displays less ability, though, in offering more poetic revelations of the human condition.

However, there's nothing wrong with the youthful cast that Ellen Parks has selected. These are highly gifted professionals, rendering sharply etched characterizations.

The only member I recognized was Tina Holmes, from her moving debut in "Edge of Seventeen." This busy, hard-working actress has the most challenging assignment here, which she manages to execute with great conviction.

All the cast is uniformly excellent in this interesting, tight ensemble piece.

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A creative "Stereotype" with something lacking cliché.

While watching this it's hard not to relate to at least one of the seven main characters (as shown in the title) displayed by the direction. Which, should be added, was excellent. The cinematography in many cases weren't "New" or "Life-Defining", hmph, yet something matched perfectly with the story; something, as of lately, I come to find hardly in any recent film.

The story is matched to something you've most likely deciphered before. "Old Friends re-connect by one person pushing pressure for all those old memories to be recreated..." ... "Which in return brings them all together, after 'x' amount of years, in a certain, specific, location for 'x' amount of time.". Hmph. Yet, it's something with each character given that finally strives to pay attention for the entire experience.

The majority of the actors/actresses in the film may be fresh to some though if you stare hard enough it's one of those situations where you've seen their work before, or just them, and can't point out where, exactly, they were before (or ahead) of this. The Acting is, to be forward and light, good. Displaying respectful human emotions for the situation(s) they're given. You have such personalities as: "The Gay One." (The non-stereotypical flamboyant one, hmph.), "The One so 'unhappy' they must bring everyone else down, around them." and, of course, "The tease."...etc, etc.

Though, to some, it may be stand-offish it's not so much what most would give it; it's not the same.

To keep all simple, this film is something that takes actually events that may even take place for others in different situations, places, people...yet the delivery is in such a way no matter the view point it's not tiring to embrace.

Wonderful, to capture.

I didn't start watching this film enthusiastically but three names in the cast roster pulled me in- Tina Holmes, Devon Gummersall, and Eion Bailey. Holmes made me a fan in HBO's Six Feet Under. Gummersall turned in an amazing performance in Showtime's The L Word. And even if Eion Bailey hadn't delivered a really fine long developing character arc (one among many) in Band of Brothers, he's so freaking beautiful I'd probably Tivo one of SciFi's worst dogs if he had a couple of scene... but I digress. I was unfamiliar with the other five actors in this remarkable ensemble piece but I'll be watching for them now. There are larger and smaller roles in the film, but there are no greater and lesser performances - each actor is given the opportunity to create a nuanced character and every one of them delivers the goods. It's also quite remarkable to me that that this is Derek Simonds' first writing/directing effort and after 5 years it's STILL his only credit on IMDb. I'm only giving it 8 stars because it took a little longer than it absolutely had to, but I have no idea whose performance I'd have trimmed if the choice were mine. Bravo!