Jigoku no banken: akai megane

As a fan of Mamoru Oshii's action-packed, yet intellectually provocative anime films, like "Ghost in the Shell", "Patlabor", and "Jin-Roh", I was expecting something interesting from his live-action films. I started by watching "Avalon," which lived up to my expectations. I then decided to watch "Red Spectacles" next because it takes place within the same alternate world of "Jin-Roh".

While "Red Spectacles" starts off with a full-color live-action shootout that could've been straight out of "Jin-Roh", that's about as far as the similarities between "Red Spectacles" and its animated kin go. What follows the opening credits is a sepia-toned black & white genre-bending tour de force reminiscent of Jean-Luc Godard's "Alphaville".

Veteran anime voice actor Shigeru Chiba plays Koichi, a former member of the elite Kerberos police unit who has returned home after spending several years in hiding only to discover that the world he left behind has totally changed in his absence. "Red Spectacles" is constantly shifting genres, from action to slapstick to thriller to tragedy, and though these mood swings can be jarring at times, the film always maintains a surrealist tone. Oshii uses the language of film to cinematically convey Koichi's confusion and paranoia as he fights to uncover a government conspiracy that still wants him dead.

I won't give away the ending, but I will say that the last 5 minutes were visually breathtaking. The cinematography is especially remarkable at the end and Oshii introduces a metaphor in the final frames of "Red Spectacles" that he explores in detail a decade later in his screenplay for "Jin-Roh".

However, I must warn people who are expecting an action flick; "Red Spectacles" will probably bore and/or confuse you. I personally appreciate avant-garde film, so I loved "Red Spectacles", but my bloodthirsty anime "otaku" friends spent the whole film scratching their heads and begging me to fast-forward.

The next film at the top of my "To-See" list is Oshii's 1991 live-action sequel-of-sorts to "Red Spectacles" called "Stray Dogs: Kerberos Panzer Cops" (aka "Jigoku no banken: kerubersu").

After watching Avalon (which was decent only because of the very nice digital fx), and several anime films written by Oshii, including Jin-Roh (which is fantastic) I decided I should check out the Oshii cinema trilogy box set. Being that the Red Spectacles and Stray Dog are related, I will comment here on both. And let me tell you, it was one of the biggest wastes of money I have spent in a while. I first watched Stray Dogs and then The Red Spectacles. I am sad to say that these films are quite possibly the most boring two movies I have ever seen. For only about 10 minutes in each film do you get to see some action between the the characters, who are only dressed in the "Panzer Cop" outfits for a few fleeting scenes. The rest of the time you will see some very drawn out scenes filled with boring dialogue in some less than impressive locations. I really don't understand the motivation behind these two films at all. I love the Wolf Brigade outfits and the idea behind the plot, but the films themselves leave much to be desired. I would suggest NOT watching these films, and certainly do not buy the box set like I did, unless you enjoy wasting money. Oh, and if you are wondering what I think about the 3rd movie in the set, Talking Head, I couldn't even bring myself to watch it before I purged the box set from my DVD collection via eBay at a $20 loss. If you want cool Japanese live action, check out Returner, or Ichii the Killer or the Zeiram series.

Red spectacles

I loved Avalon, I think This director has made some awesome demented visions of the future. This film however was boring pretentious crap. The opening scene showed great promise for what the cover art and description promise a surreal live action amimae style future noir. I feel I got that with Avalon.

With Red Spectacles I was only driven to feel a uncomfortable to desire to what the hell the point was. The film barely made sense to me and I could not care less about the people in it. This would all be ok if the film was effective art. While the opening scene looked interesting and the scene with the giant robot-suit person holding the giant machine gun in the rain looked cool, it did not watch the film worth watching.

Thumbs down.

I watched the trilogy by Mamoru Oshii. The words surreal, Orwellian and Kafkaesque come to mind. However, despite all their bizarre aspects I believe they are essentially jokes. The darkness was there as a chiaroscuro backdrop to highlight the humor. The first, Red Spectacles, is about a man who can not let go of his past not matter how painful and dangerous it was because he never felt more alive that when he was facing death. The second, Stray Dog, shows that man during an interim period when he seems to be almost at peace, being brought back to that death-seeking modus operandi which precipitates the events of the first film. The third film, Talking Head, while not directly related to the events of the first two, does refer back to them as a man attempts to create truth out of illusion. The idea is that film, as an art form, is essentially an exercise in madness and that illusion is finally a higher truth, an idea that was touched on in the first film. But it is the humor that is Oshii's ultimate goal. He doesn't want to make highly significant pronouncements on the nature of humanity and reality. He just wants to tell a story, and if the story is funny, all the better. I suppose that many parallels could be drawn between Oshii's work and that of Philip K. Dick.

This film is not for everyone. It is not even for all fans of Mamoru Oshii necessarily. It is extremely bizarre, often seemingly incomprehensible, very unpredictable, and a mix of several genres that is not necessarily seamless. It seems that most of the negative reactions to it are from viewers that were expecting something more in line with Jin-Roh, and being that it is supposed to be part of that saga, this isn't exactly a wild conclusion to make. However, it is quite different from Jin-Roh and other Kerebos related works. It is possibly Oshii's most bizarre work to date, and although not completely different than Jin-Roh, still a different beast. Mostly, I would urge viewers not to go into this expecting the heavy doses of action delivered in his anime works.

For what it is, the production values are quite good. Most of the film is shot in black and white, but it is one of those movies where this helps the tone and it feels natural. The opening sequence is an over the top action scene in color where the main characters mow down a bunch of bounty hunters with their gigantic machine guns and power armor, but after that it is mostly straight surrealism layered with general insanity. The tone shifts frequently and leaves you never knowing what to expect. You just never know if you are going to get an action scene, comedy gags, or long sequences of social commentary... which are sometimes intertwined with action and comedy.

Red Spectacles is one of the finest works of surrealism I have seen. The feeling it evokes is very unique and stayed with me for days. It bounces between noir drama, gun fights, kung fu, suspense, tragedy, slapstick comedy, and set piece driven sequences without any given indication. It is a wild ride that will take you off guard, for better or for worse. It is steeped quite heavily in symbolism as usual with his films, but I feel that this is one of his best deliveries in terms of that. The ending is incredibly powerful in particular, and paired with Kenji Kawai's brilliant soundtrack, and the outlandish landscapes, ended up being straight up haunting. The OST is absolutely one of Kenji Kawai's finest scores as well, and I do not say that lightly as I hold his work in the highest regard. The epic main theme is unforgettable, and the movie would not have been what it is without him.

Lastly, Shigeru Chiba's performance is simply amazing. You may know of him from his anime voice acting career. I assure you that the film is at very least worth watching for his over the top and ridiculous performance. He is honestly even more entertaining on screen than he is as a voice actor, it would have been great to see him in more live action films. He single handledly brings the film alive and makes it even more than it could have been. His performance here is reminiscent of Tomorowo Taguchi's acting in the films of Shinya Tsukamoto.

Love it or hate it, I guarantee you will never forget it.