Adicionar um enredo no seu idiomaA variety of stories from "behind the scenes" in Hollywood. There's a report on a second gold rush in California. The 1934 Rose Bowl winners, from Columbia University, visit Warner Bros. stu... Ler tudoA variety of stories from "behind the scenes" in Hollywood. There's a report on a second gold rush in California. The 1934 Rose Bowl winners, from Columbia University, visit Warner Bros. studios ands seem to have a particularly good time with the dancers from an upcoming musical.... Ler tudoA variety of stories from "behind the scenes" in Hollywood. There's a report on a second gold rush in California. The 1934 Rose Bowl winners, from Columbia University, visit Warner Bros. studios ands seem to have a particularly good time with the dancers from an upcoming musical. Joan Blondell makes an appearance after a recent illness and thanks her fans. There's a s... Ler tudo
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The first sequence concerns a studio visit by Columbia University's football team, fresh from a victory over Stanford. The guys grin at the camera and clown around a little awkwardly with Joe E. Brown, Ricardo Cortez, and a few other contract players, but they seem a lot happier visiting the Busby Berkeley girls on the set of Wonder Bar. Next we have an odd little sequence involving Dick Powell, Margaret Livingston, and Guy Kibbee. The narrator informs us that since the price of gold has doubled since F.D.R. was elected president, old timers are once again trekking to the hills of California to dig for it. So these three performers, we're told, have "dropped in" to a gold mine to investigate. Actually, of course, the studio publicity department has dispatched them there to pose for a few carefully composed shots while the narrator alternately lectures us on gold panning techniques and delivers wisecracks about tunneling into Mae West's boudoir. This sequence captures the silliness of the Hollywood ballyhoo machine quite aptly.
After a couple of brief moments with Joan Blondell (ever charming) and comedian Hugh Herbert (ever charmless), the film concludes with a musical sequence featuring Hal LeRoy and Patricia Ellis, the young stars of Harold Teen, i.e. the talkie remake of the 1928 silent feature. The duo visit the office of songwriters Sammy Fain & Irving Kahan, songs from the movie are sung, and then Hal LeRoy dances. LeRoy, who was originally a stage star, had a rather goofy presence on camera and never really made it big in pictures, but the guy sure could dance. His soft-shoe number is a pleasure to watch, and is far and away the highlight of this little potpourri.
It's amusing to hear the (unidentified) narrator rattle off his text with the edgy intensity heard in the newsreels of the period, especially considering how fluffy this material is . . . although, to be fair, the approach seems deliberately tongue-in-cheek. Perhaps the narrator sums up the entire enterprise best in one line delivered during the gold digging sequence: "What poise! What rhythm! What nonsense!"
LeRoy has wings on his feet when he dances but otherwise comes across as a completely charmless and awkward screen personality. I've seen him in other shorts and each time he fails to convince me that he was star material after some success on stage, something that should have been obvious to the studio too.
The earnest narration makes it appear that this is supposed to be a tongue-in-cheek appraisal of the Warner studio and its "stars"--but it's a foolish short only of interest as a star-gazing peek at people like Ginger Rogers, Dick Powell, Joe E. Brown, Joan Blondell and Hugh Herbert.
WITHOUT ACTUALLY STATING so, the one reeler passes itself off as a part of the newsreel genre. It follows the well excepted format of mixing voice over of silent footage with occasional dialogue from participants. The action moves rapidly from one situation and "Star" to another, with the occasional interruption of a title card or two.
ANOTHER DEVICE THAT is missing, but would have done well to have been included is a disclaimer stating that the producing company, the Vitaphone Corporation, is a wholly owned subsidiary of Warner Brothers and not so coincidentally, all of the actors appearing in and films coming out featured are Warner Brothers own.
IT'S NOT THAT we believe that this sort of shameless self-promotion to be banned, for we don't hold that position. After all, didn't Walt Disney make good use of this method in promoting his new pictures via the weekly DISNEYLAND TV Show.
*** (out of 4)
Back when Hollywood was ran like a factory, often times the major studios would produce shorts just to show off the talent that they owned. It seems like Warner and MGM were the ones most often doing this and this one here has the Big W. showing off some of their players. We start off seeing the 1934 Rose Bowl Champtions, Columbia University, showing up at the studio where they're greeted by the Busby Berkeley girls, which keeps a smile on the men's face. They also meet Ricardo Cortez but obviously they're not as thrilled with him. Up next we see Guy Kibbee, Dick Powell and Margaret Livingston out mining for gold. Joan Blondell, we're told, is just coming back from work after a month off due to an illness and she addresses the camera and thanks her fans. Also on hand are Huge Herbert, Hal LeRoy, Sammy Fain, Irving Kahan and many others. Again, if ones looking for some sort of story then they're going to be highly disappointed because this 8-minute short is just here to show off the stars. I always enjoy these type of shorts no matter how silly they are because you get to see so many famous faces and usually we're seeing them in ways we're not used to.
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- CuriosidadesIncluded in Warner Home Video's 2006 6-disc DVD release "The Busby Berkeley Collection".
- Citações
Narrator: It was a great day in Hollywood when the Columbia University football team visited the Warner Brothers studio. They'd just won a glorious victory over the Stanford University boys in the annual Rose Bowl Tournament and they're on their own and left to celebrate. And who do you think is on hand to welcome them? None other than Busby Berkeley's dancing cuties who took time out from their work on the "Wonder Bar" set to greet the gang. To victors goes the hugs! And the kisses! And how those boys are taking it big. It's a good thing the score was only 7 to nothing. Imagine what these girls would have done for a score like 21 to nothing? There's Captain Cliff Montgomery getting his share of the spoils - and Bashful Barabas, the fellow who scored the only touchdown of the game. Boy, it is a great day for these fighting Lions from New York! The gang looses no time in making Ginger its mascot.
- ConexõesReferences Wonder Bar (1934)
- Trilhas sonorasHow Do I Know It's Sunday?
(uncredited)
Music by Sammy Fain
Lyrics by Irving Kahal
Performed by Sammy Fain (piano and vocals) and Irving Kahal (vocals)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Pepper Pot (1933-1934 Season) #21: Hollywood Newsreel
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração9 minutos
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1