Pequenos Espiões

Yeah I get the CGI is pretty dated and it's very silly, but look at the movie as it is. People on imdb have a bad habit of giving movies they think are overrated 1s, or movies they think are underrated 10s. This movie is an example of the former.

The kid actors are good, as well as the adults. Danny Trejo is a standout for me. Antonio banderas was great as well.

The villain, Floop, may be silly but you understand his character, which is something MANY spy movies fail at.

Jokes do fall flat, but some do land and are pretty good. The plot is simple and silly and does makes no sense at times, but it's a kid movie: I don't know why some reviewers were expecting an in-depth socio-political commentary on the government and spies. And in my opinion, the plot is entertaining and that's what matters.

I suppose that what movies should be aiming for: entertainment. Obviously a good movie needs good plot; score; direction; writing; cinematography and acting (all of which this movie has), but what makes me actually care about the movie is the question of 'if I enjoyed the movie'

And I enjoyed the movie, a lot

SPY KIDS / (2001) *** (out of four)

By Blake French:

If James Bond married another secret agent, had kids, privately continued his life as a spy, became captured, and left his rescuing to his offspring, we would have the formula for Robert Rodriguez's new action adventure, "Spy Kids." Rodriguez normally directs harsher, more brutal movies, like "Desperado" and "The Faculty," but accustoms a slick style of adventure and humor in this film that exceeds past the level of any of his recent work. "Spy Kids" really does belong in some kind of James Bond picture.

As the film's writer, director, and co producer, Rodriguez does a lot more with the material here than we expect. The film has a stunning array of special effects, ranging from walking thumbs to a particularly imaginative experience in the villain's headquarters. Even the introduction has zest and intrigue: we meet a seemingly normal family of four, consisting of Ingrid and Gregorio Cortez (Alexa Vega and Antonio Banderas), and their children, probably middle school aged, Juni and Carmen (Daryl Sabara and Alexa Vega). As the movie opens, Ingrid tells her children a nice bedtime story about two daring spies assigned to kill the other, but fall in love, get married, and retire. She prepares her offspring for bed and turns the lights off, walks to her husband, and explains she thinks it would be a good idea to tell Carmen and Juni their real identities as top-secret spies; the story Ingrid enlightened her kids with was true.

Rodriguez quickly sketched his characters, but his method is surprisingly effective; the movie starts out with fast-paced action and captures our attention abruptly and does not really lose energy throughout its running time. We learn the two married spies have retired from the business nine years prior, but their fellow OSS agents are disappearing all over the world, and thinks it to be the work of a kids TV show host named Fegan Floop (Alan Cumming in a very whimsical, fitting performance) and his assistant, Minion (Tony Shalhoub). The agents have been converted into clay-like animated characters held captive at his mega tech laboratory. Imaginative and interesting, if a bit cheesy.

Ingrid and Gregorio call their "Uncle" Felix over to watch the kids while they go out on their latest mission. Unfortunately, this mission could be their last; they walk right into a trap and are snared from beneath their toes. Felix receives a distress call, sends the kids to a "safe house," but is captured himself, leaving the responsibilities to the younger members of the family.

The story isn't cheap or silly, although some of the material tests our tolerance for far-fetched science fiction. The underlying motives here are also legitimate. The movie puts confidence in strong family values, honesty, and trust, but does not preach, lecture, or on the other side of the barrel, become lost in an utter mess of silly dog poop and passing gas jokes like "See Spot Run." The movie takes itself seriously, and is well written. We understand the character's motives. "Spy Kids" gets one thing painfully right, and that is the

relationship of the brother and sister. Their relationship is all too familiar in American households, where name calling and mean-spirited behavior inhabit offspring of both sexes. The petty little conflicts they feel strained and forced, giving this movie, otherwise somewhat mature, an immature sensation. This familiar stereotype is profoundly irritating.

"Spy Kids" is often exciting, funny, and almost always entertaining. It is not the kind of movie that parents should just drop their kids off to, however, but should stay for themselves to witness some of the most effective family movie moments in quite a while. In a time when family movies are completely disposable, "Spy Kids" proves itself to stand out from all the others and provide us with a genuine spy movie experience.

I really liked Spy Kids. I thought it was a very entertaining film, without taking itself too seriously. It was funny, intelligent and creative. What I mean by that, is that there is something for adults and older children as well as young kids. There was a fun script, that was intelligent and funny without being too artificial, and the direction from Robert Rodriguez was surprisingly effective. The plot is original, the thumb people were great fun, the action was fast-paced, the scenery was lovely and the special effects and stunts are splendid. And the soundtrack was awesome. The acting was very good, with Alexa Vega and Daryl Sabara spirited in the two leads and their constant bickering was a delight. Antonio Banderas and Carla Gugino have fun as the parents, while Alan Cumming and Tony Shalhoub come close to stealing the film as Floop and Minion. The film also has a nice message; my only complaints are the rather over-emphasised ending, and I did feel that Cheech Marin and Danny Trejo didn't have enough screen time to shine properly but I did enjoy their brief appearances. All in all, a very underrated and fun movie. 8/10 Bethany Cox

This was a silly kids' adventure story but still fun the younger ones and for adults, thanks to colorful scenes, great special effects, decent humor and a nice family tone to it. The kids are alright, except the girl is a little bossy, and the villains aren't too nasty. This also looks very good on DVD.

Included in the color and characters are "the thumb people" who were especially fun to watch.

The only problem I found with it is the last 30 minutes in which it got too silly and emphasized (typical Hollywood) how the kids can do the job better than the adults, which a ludicrous film cliché. However, overall "family unity" gets a big boost in this here, even in the end, and that good message is probably a big reason this movie was such a success.

This film takes a child's cartoonish idea of a spy and runs with it, leaning into a charming campiness that brought joy to my heart. As an adult watching this film, I am impressed by the directing in this film: great performances and expressive, well thought out camera-work. This, combined with excessively creative production design (which clearly had passionate people behind it) creates a world that, frankly, feels like it was genuinely thought up by a children, albeit a team of extremely creative and funny ones with an impressive understanding of filmmaking. I generally judge children's films for how well i can enjoy them, as an adult, since any film that has to pander to a child mind to succeed is lacking an essential intellectual, critically examinable element. This film half succeeds at that, while also clearly and specifically pandering to children. It's like a live-action kid's cartoon, and the director/cinematographer did a great job at achieving that specific aesthetic.

I often struggle when evaluating children's movies, because I am not a child. But the sheer creativity of this film, and how competently made it is in every department-art design, cinematography, directing, writing, score, everything-makes Spy Kids, undeniably, a work of art.