Nunca é Tarde para Recomeçar

Título original: Songs in Ordinary Time

Filme para televisão
2000
1 h 30 min

AVALIAÇÃO DA IMDb

SUA AVALIAÇÃO

Adicionar um enredo no seu idiomaA struggling mother takes in a mysterious stranger. Is she opening her heart to love...or harbouring a criminal.A struggling mother takes in a mysterious stranger. Is she opening her heart to love...or harbouring a criminal.A struggling mother takes in a mysterious stranger. Is she opening her heart to love...or harbouring a criminal.

Direção
- Rod Holcomb
Roteiristas
- Mary McGarry Morris
- Malcolm MacRury
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

5,5/10

222

SUA AVALIAÇÃO

Direção
- Rod Holcomb
Roteiristas
- Mary McGarry Morris
- Malcolm MacRury
Artistas

Veja as informações de produção no IMDbPro

Fotos

Avaliações de usuários2

5,5222

Avaliações em destaque

TxMike

Fairly predictable fare, stranger enters the lives of a disfunctional family and the experience unites all.

I was looking forward to this "made for TV" movie, Songs in Ordinary Time, because I like both main actors - Sissy Spacek and Beau Bridges. And both of them turn in fine performances. Also, my wife told me the book had been on Oprah's list.

However, I waited for something touching to happen, but it never did. Fairly predictable, drifter enters a family of divorced mom with 3 children, appears to be the answer to her prayers, things get suspicious. A brief love scandal with the local priest is thrown in, actually fits with the story.

Overall, I gave it 7 for this type of movie, but all-in-all pretty forgettable fare.

Enredo

Editar

Você sabia?

Editar

Curiosidades
Beau Bridges and Thomas Guiry costar in this film and two years later, they played father and son in "We Were the Mulvaneys" (2002).

Erros de gravação
(at around 1 min) The reflection of a boom mic is visible in the bedroom window as the camera follows Sissy Spacek going toward the window and moving the curtains. Acting like a mirror because of the lighting, the window first reflects the boom and then the mike itself as the rig moves out of the window's line of sight. A combination of the movements of the camera and the boom makes the reflection visible again before the camera pans away as Spacek walks away from the window.