Sensual Demais

i'm sorry, but this film was the worst possible waste of time i've ever had the unfortunate experience of viewing. an hour and a half of my life i will never get back. my boyfriend and i watch many movies, and being in paris, it's easy to see just about anything you'd want on the big screen. well, this time, we decided to settle in for a film. what a mistake. i'm from the midwest, and the only good thing about the movie were the shots of the land. otherwise, this movie should never have been made. they must have used actual people from rankin to act in this movie...there's no possible way a professional could act that terribly. the whole premise is so backwards and backwoods for that matter. i don't know..maybe there's something wrong with me. but i know i can (and do) appreciate good filmmaking and this just didn't do it for me. don't bother with it.

Opening shots of main character, Lyle, masturbating and fantasizing in a cornfield, releasing his pent up frustrations in the only way he knows how, is well balanced with the most jarring opening music I have ever encountered. The score, partly written by the real-life former wife of Jean-Marc Barr, Irina Decermic, lends the overall theme of the film its disturbing nature and is in retrospect well balanced with the storyline. Dealing with small town attitudes, hypocrisy and puritanical American values, Barr attempts to deal with a fairly contentious issue here that sadly fails with the poor acting and the stilted dialog, but is to be commended for the attempt.

PLOT: Supposedly, Lyle has been married to Amy for five years but the marriage was never consummated due to the town gossip having told everyone years previously that Lyle's penis was extremely large and out-of-proportion (thus "Too Much Flesh"). Amy, the wife, never having recovered from her long lost love that had died tragically years prior to the arranged marriage, finds the situation satisfactory. Furthermore, she intends to conceive a child with artificial insemination. However, when Lyle's childhood friend and author visits for the first time in many years and brings along his very liberal and sexy french girlfriend, all hell breaks loose within the small community when Lyle discovers his own late sexual awakening in her arms. Not only this, but he brings into the equation a young man to share the ménage-a-troix. Containing some very erotic images that this film has no compunction in showing. I am not a big fan of blatant sex in films, finding a loss of subtlety a sorry affair, but I will add these scenes are truly erotic.

I had to watch this film three times to understand what it was the film was trying to say, however I don't think that that was the films fault, rather my own disappointment in the story's delivery took precedence. Where the second installment in Barr's Free-trilogy (the others being "Lovers" and "Being Light") is a brave attempt at a complex issue, it fails to deliver. I was expecting a higher standard of writing, acting and production values, given Barr's extensive filmic background. Arquette and Bouchez give disappointingly lame performances and the supporting cast is below average to say the least.

The script is lame to be honest; for example when Lyle confronts Connie the towns' gossip, he uses language that someone born and raised in middle America would probably never have heard of unless he subscribes to Playboy or watches the adult channel. And again with Amy's addressing of her husband and his childhood friend, speaks as though she is a 90 year old Quaker grandmother, not a sexy attractive but emotionally confused housewife. Predictable, incoherent at times, about ten minutes too long and amateur, the partnership hopefully will team Barr and Arnold again to produce/direct together, but it's my absolute hope that this attempt will be the least successful in a series of much better films. On the positive side, I have followed Jean-Marc Barr's career with great interest and will continue to do so. He has the medium of film in his heart and is true to his art with a great talent to back it up with. No matter my disappointment this time, it's always a pleasure to hear of a new Jean-Marc Barr project in the works.

This film really opened my eyes as to what, Jean-Marc's dreams are. I wish that JM would make his film's available in the US. Too Much Flesh, is a wonder film that is very hard to understand.It took me watching it a few times to get what JM's concept was, in this film. If you can get past all the sex, and masturbation. You will see a deeper meaning in this film. All the pain and, the longing for love. I found that JM is truly one of the most convincing actors I have ever seen. He has convinced me!

Despite my opinion that J.M. Barr and Elodie Bouchez are great actors, them two just having an awful lot of true erotic scenes doesn't give this rather thin developed and predictable story much more essence. Just like in *Intimacy* I don't agree with the necessity of all that.

It must have been much fun to film it, but from the movie I get the impression that the story or the film itself was not the actor's or team's primal focus during the shoot. Or probably not even during the writing?

Kind of drawn in by the erotic scenes, only to realize this was one of the most amateurish and unbelievable bits of film I've ever seen. Sort of like a high school film project. What was Rosanna Arquette thinking?? And what was with all those stock characters in that bizarre supposed Midwest town? Pretty hard to get involved with this one. No lessons to be learned from it, no brilliant insights, just stilted and quite ridiculous (but lots of skin, if that intrigues you) videotaped nonsense....What was with the bisexual relationship, out of nowhere, after all the heterosexual encounters. And what was with that absurd dance, with everybody playing their stereotyped roles? Give this one a pass, it's like a million other miles of bad, wasted film, money that could have been spent on starving children or Aids in Africa.....