Hum Dono (1961) :
Brief Review -
I doubt Indian cinema can ever find a better "double role" formula than this. I can remember many old Hollywood films based on "double role," or, as some people say it, Shakespeare's "comedy of errors" formula, and many of them have been adapted very well in Indian cinema too. I can recall many popular double-role movies, and most of them would be comedies. Right from the 70s, 80s, 90s, and even 00s, we have seen this formula repeated again and again on the silver screen. Since I am done watching most of these films, I think I am at liberty to say that Hum Dono is the best written film ever based on the double-role formula. A poor boy joins the army after being humiliated by his future father-in-law for money, and there he meets his lookalike Major. The tragedy strikes as the Major disappears during a cruel battle with enemies, and his lookalike boy now has a responsibility to inform his mother and wife. In the meantime, his own girlfriend, whom he had left unsettled, is living with his old mother. The mother dies, and the boy now believes that he should go to the major's house to inform them about his supposed death. There, he finds himself stuck as the mother and wife assume him as the major, and due to the wife's critical health condition, he has to stay there and pretend to be the major. I found the script highly intelligent, as it deals with multiple conflicts by tracking the core of every situation. There are moments when I silently yelled, "Ye hoti hai Hindustani aurat." We have a rich girl leaving her father's house, a married woman believing in spiritual love rather than physical love, and then we have two men fighting with lives and multiple social norms. What a freaking great mix of so many things it was. Vijay Anand has written a complete script, especially that philosophical touch in the climax. Well done, Amarjeet, Dev Anand, Sadhana, and Nanda.
RATING - 7.5/10*
By - #samthebestest.
