AVALIAÇÃO DA IMDb
6,9/10
2,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDuring the turmoil and violence of Partition, a Sikh ex-soldier, haunted by war, offers shelter to a young Muslim woman who has been separated from her family.During the turmoil and violence of Partition, a Sikh ex-soldier, haunted by war, offers shelter to a young Muslim woman who has been separated from her family.During the turmoil and violence of Partition, a Sikh ex-soldier, haunted by war, offers shelter to a young Muslim woman who has been separated from her family.
- Prêmios
- 2 vitórias e 8 indicações no total
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Avaliações em destaque
Vic Sarin's Partition is an absolute masterpiece in cinematography, with a compelling continuing story of emotions, historical cultural divides summarized by the human need to love and be loved regardless of the events of the world around us. A masterpiece in independent film-making in epic proportions Vic is an absolute master of his art, through the medium of film he has bought alive the mainly forgotten and least acknowledge problems of the on-going situation on the India and Pakistan borders. His actors are pure actors from the heart and take us on a unforgettable journey as their story unfolds. I was left with a true value of life and everlasting love. Move over Hollywood, this is a must see film
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More films like this should be made and the sexual content should be removed so younger people can watch it and understand the reason why people were slaughtered in Pakistan and India.
People were slaughtered for being either Muslim, Sikh or Hindu and Christan's were not spared either. If a Sikh killed a Muslim a Muslim would kill a Sikh. It was a disgusting vicious cycle.
This film really revolves around the central two characters Jimi Mistry, a Sikh and Kristin Kreuk, a Muslim, whom fall in love, at a time when Muslims and Sikh are dividing.
The story follows there love for one another and kind of emphasises the point love is greater than religion or any other divide that segregate people.
Neve Campbell and Irrfan Khan also support the cast superbly.
People were slaughtered for being either Muslim, Sikh or Hindu and Christan's were not spared either. If a Sikh killed a Muslim a Muslim would kill a Sikh. It was a disgusting vicious cycle.
This film really revolves around the central two characters Jimi Mistry, a Sikh and Kristin Kreuk, a Muslim, whom fall in love, at a time when Muslims and Sikh are dividing.
The story follows there love for one another and kind of emphasises the point love is greater than religion or any other divide that segregate people.
Neve Campbell and Irrfan Khan also support the cast superbly.
This movie was the first I've seen in a theater that was identified as a Canadian movie. I was hopeful it would be enjoyable, as the trailer online (never saw one in a theater) was promising. Very solid, very enjoyable love story with an interesting historical background. The movie had production levels I expect from standard US made movies but the storyline was a step above.
To me this movie deserves far more attention than it is getting. I suspect it is a top 10 in Canada at the moment but I've yet to find information on its ticket sales (there were 30 people there for a late-afternoon showing last Saturday).
With so much drek from the states at the moment this was a refreshing change.
To me this movie deserves far more attention than it is getting. I suspect it is a top 10 in Canada at the moment but I've yet to find information on its ticket sales (there were 30 people there for a late-afternoon showing last Saturday).
With so much drek from the states at the moment this was a refreshing change.
Here's an oddball mix: A Canadian film dealing with a Sikh-Muslim love story set against the partition of India in 1947, with Kristin Kreuk playing the lead Muslim girl (Naseem), Neve Campbell playing a British Indian, and everyone from the villagers to the city folk, despite being mostly uneducated - speaking English of various accent!!! The director (himself of Kashmiri descent) has SOME gall, I must say.
The camera loves Kreuk, as it should, and surprisingly enough, she gets the physical nuances right. Campbell also gives one of her more subtle performances, but the standout here is Jimi Mistry as the Sikh ex-soldier. The central love story is nothing new (the film seems like a different handling of the loud, crude, jingoistic, and ultimately inferior Indian film Gadar), and no aspect of it covers any new ground. There are some moments of poignancy and warmth, but the director moves the story along with broad strokes, instead of letting it flow and fleshing out the surrounding events. As it stands, it is all quite predictable, and some of the dialogue is atrocious. Many characters (notably Naseem's family) come across as shallow and are simply used as stereotypes, so there goes any complexity that might have been developed.
There are some beautiful shots throughout, and thankfully there are no musical interludes (which would have been likely if the film had been made in Bollywood). The child actor was also good, and I wish we could have seen more of Irrfan Khan than the bit part he plays. The scene where Naseem dances in the rain with only a shirt on, is pure fantasy on the director's part, and nobody kissed that openly back in the 40s and 50s, even married couples. A reality check was in order, Mr. Sarin.
Still, despite the hodge-podge of ideas and unrealistic scenes, the film is watchable, and even moving at times. But it could easily have been much better, and the backdrop of cultural conflict deserves a more in-depth, intelligent handling.
The camera loves Kreuk, as it should, and surprisingly enough, she gets the physical nuances right. Campbell also gives one of her more subtle performances, but the standout here is Jimi Mistry as the Sikh ex-soldier. The central love story is nothing new (the film seems like a different handling of the loud, crude, jingoistic, and ultimately inferior Indian film Gadar), and no aspect of it covers any new ground. There are some moments of poignancy and warmth, but the director moves the story along with broad strokes, instead of letting it flow and fleshing out the surrounding events. As it stands, it is all quite predictable, and some of the dialogue is atrocious. Many characters (notably Naseem's family) come across as shallow and are simply used as stereotypes, so there goes any complexity that might have been developed.
There are some beautiful shots throughout, and thankfully there are no musical interludes (which would have been likely if the film had been made in Bollywood). The child actor was also good, and I wish we could have seen more of Irrfan Khan than the bit part he plays. The scene where Naseem dances in the rain with only a shirt on, is pure fantasy on the director's part, and nobody kissed that openly back in the 40s and 50s, even married couples. A reality check was in order, Mr. Sarin.
Still, despite the hodge-podge of ideas and unrealistic scenes, the film is watchable, and even moving at times. But it could easily have been much better, and the backdrop of cultural conflict deserves a more in-depth, intelligent handling.
The whole theater broke into applause at the end. Partition is spectacular, intense and well made all 'round. The actors all shine, the photography is excellent and the story is well told. It gives great insight into the creation of Pakistan and it's break from India in the late 40's.
While Canadians have made some great movies of late and a lot of talent comes out of Canada, many of their movies are small stories (with the exception of Atom Agoyan's films) but as a movie, this for us is probably the best move ever made in Canada, and one of the best we've seen from anywhere this year. I hope it gets wide distribution.
While Canadians have made some great movies of late and a lot of talent comes out of Canada, many of their movies are small stories (with the exception of Atom Agoyan's films) but as a movie, this for us is probably the best move ever made in Canada, and one of the best we've seen from anywhere this year. I hope it gets wide distribution.
Você sabia?
- CuriosidadesLushin Dubey who plays the role of Naseem's mother is a well known actress and a sister of Lillete Dubey. In fact Lillete also played a similar role (actress's mother)as Lushin in the movie Gadar (2001) which also dealt with Sikh marrying a Pakistani woman during Partition.
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- How long is Partition?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Partition
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 21.135
- Tempo de duração
- 1 h 56 min(116 min)
- Cor
- Proporção
- 2.35 : 1
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