AVALIAÇÃO DA IMDb
7,1/10
36 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA film about the battle between love and fear, between two stubborn men and their opposing beliefs and the outcome of the love stories of 3 couples.A film about the battle between love and fear, between two stubborn men and their opposing beliefs and the outcome of the love stories of 3 couples.A film about the battle between love and fear, between two stubborn men and their opposing beliefs and the outcome of the love stories of 3 couples.
- Direção
- Roteirista
- Artistas
- Prêmios
- 15 vitórias e 36 indicações no total
Aishwarya Rai Bachchan
- Megha
- (as Aishwarya Rai)
Shefali Shah
- Nandini
- (as Shefali)
Avaliações em destaque
I have seen some good movies in my life but this one totally caught me off guard. I have never seen any character, in movies or real life that believes in love and the power of love as strongly as Raj Aryan does. Raj Aryan's character is everything that is good about mankind. Ironically it was a quirk of fate that made him the way he is, but nevertheless his character is most amiable. Amitabh's character is just perfect for him, something he is very comfortable playing. With the changing times, he had turned from the `Angry Young Man' to the `Angry Old Man' - he plays it wonderfully. One can actually feel his pain and sympathise with his character. The three love stories are the only loose ends of the movie but without them the overall movie would not have been able to take shape. If you believe in the inherent goodness of mankind then this movie is for you. It teaches us no matter what we do, love finds a way. But the real reason you should see this movie is because it's a real entertainer.
Okay, this film stars Bachchan and Khan in a film showing a sort of clash between the two over practically nothing. The two do really well. Khan is very, very good in this energetic but relatively subtle performance, and Bachchan is imperious and towering in his pride. The two work very well together. But besides that, you have a story which is not very convincing and worse, most of it centers on the young stars and starlets and their college romances, with Khan given the task of matching them all up together. Instead of focusing on the ideological differences between Khan and Bachchan, Aditya Chopra makes them the background through a great portion of the film, turning what could have been a good drama into something that resembles a very cliched and boring high-school romance. This entire track lacks credibility. Other than Khan and Bachchan, the film has a beautiful Aishwarya Rai in a short appearance, and it is very memorable today for its magic track "Humko Hamise Churalo", sung to perfection by the divine Lata Mangeshkar, who was, hold on to your seats, over 70 years old when singing it. Unbelievable. It's a pity the film doesn't live up to this level, and just ends up being really overlong, and for no justifiable reason.
This movie clearly proves that Love is the strongest thing in this world more powerful than fear or anything else. I have seen many Hollywood and Hindi love based movies but this is best. "today you want to forget her, just because she loves someone else this is very bad.Never fall in love with a condition there are no conditions in love so there should not be any regrets, so what if today she is not with me i still love her the same way not because i can n0t find someone else to love, but loving her makes me happy whenever i miss her, i close my eyes and she is with me" Directed by Aditya Chopra the same guy who directed DDLJ...
Mohabattein was the first Hindi movie I ever saw. It was sent to me by a friend who is crazy for Shahrukh Khan.
My first impressions were, `WOW, this Shahrukh guy has a tremendous screen presence (but, yikes, what a profile!)' and `I love the old guy with the black hair and the white beard. He's too cool.' As for the movie itself, I wondered how in god's name anybody could enjoy that horrid cat-in-heat screeching which issued forth whenever that gorgeous young woman (Aishwarya Rai) opened her mouth to sing. And I found the interminable love stories of the three young couples to be boring, boring, boring. I spent all my time waiting for Mr. Aryan and Mr. Shankar to come back onscreen.
As for the story, I was completely out of sympathy for the silly idea that it's more important to spend your college years running around trees and going to dance parties with scantily clad girls than to be studying or going to prayer. As a westerner who has watched my own treasured Catholic traditions thrown overboard one by one for every goofy, modern idea that comes down the pike (clown Masses, anyone?) I was firmly on the side of Mr. Shankar: `I don't like change, Mr. Aryan!'
I've since learned that Amitabh Bachchan is like the Sean Connery of Indian cinema, and that Shahrukh Khan is known better for his manic, over-the-top performances than the quiet, mature act I saw in Mohabattein. (I cringe whenever he is referred to as `The Tom Cruise of India' Tom Cruise can only wish he had Shahrukh's talent and screen presence. Sharhukh definitely would win that contest by a nose.)
But to be honest, I didn't like this movie much, and after seeing about 50 Hindi films since then, I still don't like it much. It has some great songs that are almost completely destroyed by the ancient, crackling voice of Lata Mangreshkar (sorry if I spelled it wrong), and I still can't sit through the endless love stories of the three young couples. ONE couple would have been plenty to get the point across, and it would have cut the movie by 45 minutes or so, which it badly needs.
As a person who grew up on the MGM musicals of the 40s and 50s, I have eagerly embraced Bollywood (but no kissing). And although I get bored pretty easily with the dancing around trees (it all starts to look the same), I just can't get enough of those Holi celebrations! Bring em on.
My first impressions were, `WOW, this Shahrukh guy has a tremendous screen presence (but, yikes, what a profile!)' and `I love the old guy with the black hair and the white beard. He's too cool.' As for the movie itself, I wondered how in god's name anybody could enjoy that horrid cat-in-heat screeching which issued forth whenever that gorgeous young woman (Aishwarya Rai) opened her mouth to sing. And I found the interminable love stories of the three young couples to be boring, boring, boring. I spent all my time waiting for Mr. Aryan and Mr. Shankar to come back onscreen.
As for the story, I was completely out of sympathy for the silly idea that it's more important to spend your college years running around trees and going to dance parties with scantily clad girls than to be studying or going to prayer. As a westerner who has watched my own treasured Catholic traditions thrown overboard one by one for every goofy, modern idea that comes down the pike (clown Masses, anyone?) I was firmly on the side of Mr. Shankar: `I don't like change, Mr. Aryan!'
I've since learned that Amitabh Bachchan is like the Sean Connery of Indian cinema, and that Shahrukh Khan is known better for his manic, over-the-top performances than the quiet, mature act I saw in Mohabattein. (I cringe whenever he is referred to as `The Tom Cruise of India' Tom Cruise can only wish he had Shahrukh's talent and screen presence. Sharhukh definitely would win that contest by a nose.)
But to be honest, I didn't like this movie much, and after seeing about 50 Hindi films since then, I still don't like it much. It has some great songs that are almost completely destroyed by the ancient, crackling voice of Lata Mangreshkar (sorry if I spelled it wrong), and I still can't sit through the endless love stories of the three young couples. ONE couple would have been plenty to get the point across, and it would have cut the movie by 45 minutes or so, which it badly needs.
As a person who grew up on the MGM musicals of the 40s and 50s, I have eagerly embraced Bollywood (but no kissing). And although I get bored pretty easily with the dancing around trees (it all starts to look the same), I just can't get enough of those Holi celebrations! Bring em on.
Mohabbatein is set in the school of Gurukul, where Narayan Shankar runs his school through fear. He teaches his students how to become great and successful men, bringing discipline into their lives. Raj Aryan believes in freedom of expression through music, and love being more powerful than Narayan Shankar's rule through fear.
Through the lives of three young students, Raj Aryan tries to break Gurukul's traditions, and bring love back to life.
Maybe the story is unrealistic, maybe the songs are not as original as they could be, but Mohabbatein works. Everyone who loves this film loves it for different reasons, because each story appeals to different people. For me, I felt some of Raj Aryan's dialogue so moving that I've begun thinking about the love in my own life differently. For some people it was Amitabh Bachchan who stole the film, for others it was the love stories between the youngsters.
I'm fairly sure, if you have ever felt true love and true loss, you will love this movie. It is a simple movie, just like love should be.
Through the lives of three young students, Raj Aryan tries to break Gurukul's traditions, and bring love back to life.
Maybe the story is unrealistic, maybe the songs are not as original as they could be, but Mohabbatein works. Everyone who loves this film loves it for different reasons, because each story appeals to different people. For me, I felt some of Raj Aryan's dialogue so moving that I've begun thinking about the love in my own life differently. For some people it was Amitabh Bachchan who stole the film, for others it was the love stories between the youngsters.
I'm fairly sure, if you have ever felt true love and true loss, you will love this movie. It is a simple movie, just like love should be.
Você sabia?
- CuriosidadesAmitabh Bachchan was out of work and with no makers approaching him, he approached Yash Chopra for some work, and was offered a role in the movie.
- Erros de gravaçãoIn the movie, the festival of Holi occurs before valentines day. A sequence which is not possible.
- Trilhas sonorasHumko Humise Chura Lo
Written by Anand Bakshi
Composed by Jatin Pandit and Lalit Pandit
Performed by Udit Narayan and Lata Mangeshkar
Courtesy of Saregama HMV
Principais escolhas
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- How long is Mohabbatein?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Love Stories
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.070.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 570.000
- 29 de out. de 2000
- Faturamento bruto mundial
- US$ 4.279.351
- Tempo de duração
- 3 h 36 min(216 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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